For most students, the images stirred by the word "poet" are those of an introverted individual removed from the crowd and devoted more to his or her work than engaging in the company of others. Walt Whitman spent a lifetime avoiding these commonly held notions of what a writer should be. From founding his own newspaper to acting as a volunteer nurse during the Civil War, Whitman encountered years of progress and turmoil that dramatically influenced the author he would become. This detailed guide serves as a compass through the magnificent journey Whitman took as a man who wanted to present the profoundly essential relationship between poetry and society.
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Criminological Theory: The Essentials, Fourth Edition by Stephen G. Tibbetts and Alex R. Piquero is a brief yet comprehensive overview of the major concepts and perspectives of the key theories in the evolution of criminology. Putting criminological theory in context, the acclaimed authors examine policy implications brought about by theoretical perspectives to show students the practical application of theories to contemporary social problems. The new edition has been thoroughly updated with the latest theoretical extensions and empirical research, with links made to specific theories and recent events.
Before the sensational cases of Amanda Knox and Casey Anthony—before even Lizzie Borden—there was Polly Bodine, the first American woman put on trial for capital murder in our nation’s debut media circus. On Christmas night, December 25, 1843, in a serene village on Staten Island, shocked neighbors discovered the burnt remains of twenty-four-year-old mother Emeline Houseman and her infant daughter, Ann Eliza. In a perverse nativity, someone bludgeoned to death a mother and child in their home—and then covered up the crime with hellfire. When an ambitious district attorney charges Polly Bodine (Emelin’s sister-in-law) with a double homicide, the new “penny press” explodes. Polly is a perfect media villain: she’s a separated wife who drinks gin, commits adultery, and has had multiple abortions. Between June 1844 and April 1846, the nation was enthralled by her three trials—in Staten Island, Manhattan, and Newburgh—for the “Christmas murders.” After Polly’s legal dream team entered the fray, the press and the public debated not only her guilt, but her character and fate as a fallen woman in society. Public opinion split into different camps over her case. Edgar Allen Poe and Walt Whitman covered her case as young newsmen. P. T. Barnum made a circus out of it. James Fenimore Cooper’s last novel was inspired by her trials. The Witch of New York is the first narrative history about the dueling trial lawyers, ruthless newsmen, and shameless hucksters who turned the Polly Bodine case into America’s formative tabloid trial. An origin story of how America became addicted to sensationalized reporting of criminal trials, The Witch of New York vividly reconstructs an epic mystery from Old New York—and uses the Bodine case to challenge our system of tabloid justice of today.
Buy a new version of this textbook and receive access to the Connected eBook with Study Center on CasebookConnect, including: lifetime access to the online ebook with highlight, annotation, and search capabilities; practice questions from your favorite study aids; an outline tool and other helpful resources. Connected eBooks provide what you need most to be successful in your law school classes. Learn more about Connected eBooks. A problem-based Evidence coursebook that presents the Federal Rules of Evidence in context, illuminates the rules’ underlying theories and perspectives, and provides a fully updated and systematic account of the law in a student-friendly hornbook-style format. The material is accompanied with straightforward and systematic explanations. Lively discussion and interesting problems (rather than numerous appellate case excerpts) engage students in understanding the principles, policies, and debates that surround evidence law. The book also contains self-assessment sections in each chapter that teach students how to identify and resolve legal issues and succeed in the final exam. To sum up: this book stands out as “all in one”: it gives students of evidence an up-to-date comprehensive account of the law; it explains complex evidentiary issues in a straightforward and systematic fashion; and it also tells students what their exam will look like and how to succeed in it. New to the Seventh Edition: A new case file to introduce numerous evidence issues throughout the semester, with spin-off problems in each chapter. Updated doctrine, including application of evidence rules to electronic evidence and the online environment. Professors and students will benefit from: An opening case file introducing students to the process of analyzing evidence in terms of the essential elements of a legal dispute, serving as an effective introduction to much of the course to follow A wide range of real-world problems exposes students to the depth and complexity of the Rules of Evidence Every chapter addresses basic rules interpretation, essential policy, and connects theory to practice Assessment problems (modeled on exam questions) at the end of each chapter, including answers with explanations Teaching materials Include: Updated and streamlined Teacher’s Manual, including sample syllabi for both 4- and 3-credit courses, transition guide for each chapter, teaching guidance, and answers to all the problems in the book Problems Supplement that includes most problems deleted from prior editions
Jason Carrillo, the best-looking athlete in school, has had his eyes on the prize from day one: a scholarship for college. But then his eyes turn to love -- and Kyle. Kyle Meeks, swim team star and all-around good guy, is finally in the relationship he wanted. Being in love feels so good, in fact, that he can't imagine giving it up to go to Princeton. Something he's worked for his entire life. Nelson Glassman, outgoing and defiant, might be HIV positive. Jeremy, the boy he loves, is HIV positive. Although Nelson fears testing positive, if he is infected Jeremy might stop protecting him and pushing him away. They can be together. High shool's almost over. Graduation is ahead. Life's a bowl of cherries, right? Right...
The virtue of mercy is widely admired, but is now marginalized in contemporary public life. Yet for centuries it held a secure place in western public discourse without implying a necessary contradiction with justice. Alex Tuckness and John M. Parrish ask how and why this changed. Examining Christian and non-Christian ancient traditions, along with Kantian and utilitarian strains of thought, they offer a persuasive account of how our perception of mercy has been transformed by Enlightenment conceptions of impartiality and equality that place justice and mercy in tension. Understanding the logic of this decline, they argue, will make it possible to promote and defend a more robust role for mercy in public life. Their study ranges from Homer to the late Enlightenment and from ancient tragedies to medieval theologies to contemporary philosophical texts, and will be valuable to readers in political philosophy, political theory, and the philosophy of law.
Exam board: OCR (Specification B, SHP) Level: GCSE (9-1) Subject: History First teaching: September 2016 First exams: Summer 2018 An OCR endorsed textbook Let SHP successfully steer you through the OCR B specification with an exciting, enquiry-based series, combining best practice teaching methods and worthwhile tasks to develop students' historical knowledge and skills. b” Tackle unfamiliar topics with confidence: /bThe engaging, accessible text covers the content you need for teacher-led lessons and independent studybrbrb” Ease the transition to GCSE:b” Build the knowledge and understanding that students need to succeed: /bThe scaffolded three-part task structure enables students to record, reflect on and review their learningbrbrb” Boost student performance:b” Rediscover your enthusiasm for source work: /bA range of purposeful, intriguing visual and written source material is embedded at the heart of each investigation to enhance understandingbrbrb” Develop students' sense of period:
Toth’s influence on the art of comic books is incalculable. As his generation was the first to grow up with the new 10-cent full-color pamphlets, he came to the medium with a fresh eye, and enough talent and discipline to graphically strip it down its to its bare essentials. His efforts reached fruition at Standard Comics, creating an entire school of imitators and establishing Toth as the “comic book artist’s artist.” Setting the Standard collects this highly influential body of work in one substantial volume. Toth began his professional career at fifteen in 1945 for Heroic Comics, but quickly advanced to superhero work for DC. Responding to the endless criticism of editor Sheldon Mayer and production chief Sol Harrison, the young artist strove toward a technique free of “showoff surface tricks, clutter, and distracting picture elements.” Simply put, he learned “how to tell a story, to the exclusion of all else.” After falling out with DC in 1952, Toth moved west. He freelanced almost exclusively for Standard over the next two years, contributing classic work for its crime, horror, science fiction, and war titles. But perhaps most revelatory to the reader will be the romance collaborations with writer Kim Ammodt, Toth’s personal favorites. “I came to prefer them for the quieter, more credible, natural human equations they dealt with ― emotions, subtleties of gesture, expression, attitude.”
The night of London's grandest ball, a bold group of women downstairs plot a daring revenge heist against Mayfair society in this dazzling historical novel about power, gender, and class Named a Best Book of Summer by The Washington Post * Good Housekeeping * Harper's Bazaar * Reader's Digest “Rollicking fun and entirely original... Anyone who relishes a good party gone wrong will devour this.” —Sarah Penner, New York Times bestselling author of The Lost Apothecary Mrs. King is no ordinary housekeeper. Born into a world of con artists and thieves, she’s made herself respectable, running the grandest home in Mayfair. The place is packed with treasures, a glittering symbol of wealth and power, but dark secrets lurk in the shadows. When Mrs. King is suddenly dismissed from her position, she recruits an eclectic group of women to join her in revenge: A black market queen out to settle her scores. An actress desperate for a magnificent part. A seamstress dreaming of a better life. And Mrs. King’s predecessor, with her own desire for vengeance. Their plan? On the night of the house’s highly anticipated costume ball—set to be the most illustrious of the year—they will rob it of its every possession, right under the noses of the distinguished guests and their elusive heiress host. But there’s one thing Mrs. King wants even more than money: the truth. And she’ll run any risk to get it… After all, one should never underestimate the women downstairs. “A deliciously clever novel... You’ll never have so much fun cheering on grand larceny.” —Nina de Gramont, New York Times bestselling author of The Christie Affair, a Reese’s Book Club Pick *Don't miss Alex Hay's clever next novel, The Queen of Fives, in which a mysterious heiress with a secret sets her sights on London's biggest wedding of the season
Wouldn’t it be great to be a fly on the wall as the great writers took pen to paper (or fingers to keyboard)? While reading this work, you’ll be just that. Here are behind-the-book stories and facts about authors, publishing and everything literary that will entertain both casual and serious readers. Among the questions asked and answered: • When Did Literature Finally Get Sexy? • Is Coffee or Opium Better for Literary Creativity? • Why Are the Best Autobiographies so Embarrassing? • Why Do Some Detectives Use Their Minds and Others Their Fists? Who knew that bestseller lists and children’s books could be the source of intense controversy? Or that even the biggest writers had to scrape by, with odd jobs and inventions like the Mark Twain Self-Pasting Scrapbook? In Literary Miscellany, examine the trend of “fake memoirs,” with a list of who lied about what, and a rogues’ gallery of hoaxers dating back centuries. From epic poetry and Homer to pulp fiction and Harry Potter, Literary Miscellany is a breezy tour through the literature of today and yesterday, packed with enough interesting facts to entertain both the erudite professor and pleasure reader.
Once upon a time, Alex Abramovich and Trevor Latham were mortal enemies: miniature outlaws in a Long Island elementary school, perpetually at each other's throats. Then they lost track of each other. Decades later, when they met again, Abramovich was a writer and Latham had become president of the East Bay Rats, a motorcycle club in Oakland... As Trevor, the Rats, and the city they live in careen between crises and moments of renaissance, Abramovich explores issues of friendship, family, history, and destiny--and looks at what happens when those things fail."--
For readers who intend to read this volume without reading the first, some in troductory remarks are in order about the scope of the work and the strategy used in all five volumes to measure the qUality of life. In the frrst chapter of Volume I, I reviewed the relevant recent literature on social indicators and so cial reporting, and explained all the general difficulties involved in such work. It would be redundant to repeat that discussion here, but there are some fundamental points that are worth mentioning. Readers who fmd this account too brief should consult the longer discussion. The basic question that will be answered in this work is this: Is there a difference in the quality of life in Canada and the United States of America, and if so, in which country is it better? Alternatively, one could put the question thus: If one individual were randomly selected out of Canada and another out of the United States, would there be important qualitative differences, and if so, which one would probably be better off? To simplify matters, I often use the terms 'Canadian' and 'American' as abbreviations for 'a randomly selected resident' of Canada or the United States, respec tively.
I Am Otherwise: The Romance between Poetry and Theory after the Death of the Subject examines the contemporary poet's relationship with language in the age of theory. As the book works through close readings and interpretations of Adrienne Rich and Harold Bloom, John Ashbery and Paul de Man, Jorie Graham and Maurice Blanchot, and Barrett Watten and Jacques Lacan, it shows how the main psychological modes of contemporary poetry and the postmodern poet are anxiety, irony, abjection, and destitution. The book ultimately concludes that the new theoretical poetry self-consciously renders the effect of critical theory in its own construction. Whereas poets of the past tarried with nature, self, or philosophy, poets of our time unite lyric feeling with literary theory itself.
Today the classics of the western canon, written by the proverbial ''dead white men,'' are cannon fodder in the culture wars. But in the 1950s and 1960s, they were a pop culture phenomenon. The Great Books of Western Civilization, fifty-four volumes chosen by intellectuals at the University of Chicago, began as an educational movement, and evolved into a successful marketing idea. Why did a million American households buy books by Hippocrates and Nicomachus from door-to-door salesmen? And how and why did the great books fall out of fashion? In A Great Idea at the Time Alex Beam explores the Great Books mania, in an entertaining and strangely poignant portrait of American popular culture on the threshold of the television age. Populated with memorable characters, A Great Idea at the Time will leave readers asking themselves: Have I read Lucretius's De Rerum Natura lately? If not, why not?
A panoramic history of American individualism from its nineteenth-century origins to today’s bitterly divided politics Individualism is a defining feature of American public life. Its influence is pervasive today, with liberals and conservatives alike promising to expand personal freedom and defend individual rights against unwanted intrusion, be it from big government, big corporations, or intolerant majorities. The Roots of American Individualism traces the origins of individualist ideas to the turbulent political controversies of the Jacksonian era (1820–1850) and explores their enduring influence on American politics and culture. Alex Zakaras plunges readers into the spirited and rancorous political debates of Andrew Jackson’s America, drawing on the stump speeches, newspaper editorials, magazine articles, and sermons that captivated mass audiences and shaped partisan identities. He shows how these debates popularized three powerful myths that celebrated the young nation as an exceptional land of liberty: the myth of the independent proprietor, the myth of the rights-bearer, and the myth of the self-made man. The Roots of American Individualism reveals how generations of politicians, pundits, and provocateurs have invoked these myths for competing political purposes. Time and again, the myths were used to determine who would enjoy equal rights and freedoms and who would not. They also conjured up heavily idealized, apolitical visions of social harmony and boundless opportunity, typically centered on the free market, that have distorted American political thought to this day.
For courses in Business English, Editing and Proofreading, Career Development and Counseling, and Business Writing. This sensible approach to the requisites for language mastery explores grammar and composition, along with the skills needed for effective communication: reading, writing, speaking, listening, thinking critically, and collaborating. An additional focus on certain aspects of personal development and interpersonal skills, as they relate to numerous and varied jobs, complements the other material and provides students with practical information on how to succeed in the workplace.
Comic book heroes are taking over the popular culture world. This title includes a brief overview of the industry, a grading guide, and features an interview with a comic book insider.
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