This book explores the impact of 'race', class and gender on the interaction of pupils and their teachers in the classroom setting. It seeks to examine the extent to which these variables can account for differential rates of school exclusion between pupils from different ethnic/racial groups, socio-economic classes and genders.
By the end of 1934 Melvin Purvis was, besides President Roosevelt, the most famous man in America. Just thirty one years old, he presided over the neophyte FBI's remarkable sweep of the great Public Enemies of the American Depression - John Dillinger; Pretty Boy Floyd; Baby Face Nelson. America finally had its hero in the War on Crime, and the face of all the conquering G-Men belonged to Melvin Purvis. Yet these triumphs sowed the seeds of his eventual ruin. With each new capture, each new headline touting Purvis as the scourge of gangsters, one man's implacable resentment grew. J. Edgar Hoover, Director of the FBI, was immensely jealous of the agent who had been his friend and protege, and vowed that Melvin Purvis would be brought down. A vendetta began that would not end even with Purvis's death. For more than three decades Hoover trampled Purvis's reputation, questioned his courage and competence, and tried to erase his name from all records of the FBI's greatest triumphs. Alston Purvis is Melvin's only surviving son. With the benefit of a unique family archive of documents, new testimony from colleagues and friends of Melvin Purvis and witnesses to the events of 1934, he has produced a grippingly authentic new telling of the gangster era, seen from the perspective of the pursuers. By finally setting the record straight about his father, he sheds new light on what some might call Hoover's original sin - a personal vendetta that is one of the earliest and clearest examples of Hoover's bitter, destructive paranoia.
His son tells the life story of Melvin Purvis, once an iconic G-man and public hero, who was destroyed not by the famous villains of the 1930s but by the jealousy of his boss, J. Edgar Hoover.
This engaging and accessible introduction to the philosophy of language provides an important guide to one of the liveliest and most challenging areas of study in philosophy. Interweaving the historical development of the subject with a thematic overview of the different approaches to meaning, the book provides students with the tools necessary to understand contemporary analytical philosophy.
Digital Media, Projection Design, and Technology for Theatre covers the foundational skills, best practices, and real-world considerations of integrating digital media and projections into theatre. The authors, professional designers and university professors of digital media in live performance, provide readers with a narrative overview of the professional field, including current industry standards and expectations for digital media/projection design, its related technologies and techniques. The book offers a practical taxonomy of what digital media is and how we create meaning through its use on the theatrical stage. The book outlines the digital media/projection designer’s workflow into nine unique phases. From the very first steps of landing the job, to reading and analyzing the script and creating content, all the way through to opening night and archiving a design. Detailed analysis, tips, case studies, and best practices for crafting a practical schedule and budget, to rehearsing with digital media, working with actors and directors, to creating a unified design for the stage with lighting, set, sound, costumes, and props is discussed. The fundamentals of content creation, detailing the basic building blocks of creating and executing digital content within a design is offered in context of the most commonly used content creation methods, including: photography and still images, video, animation, real-time effects, generative art, data, and interactive digital media. Standard professional industry equipment, including media servers, projectors, projection surfaces, emissive displays, cameras, sensors, etc. is detailed. The book also offers a breakdown of all key related technical tasks, such as converging, warping, and blending projectors, to calculating surface brightness/luminance, screen size and throw distance, to using masks, warping content and projection mapping, making this a complete guide to digital media and projection design today. An eResource page offers sample assets and interviews that link to current and relevant work of leading projection designers.
How could Northern California, the wealthiest and most politically progressive region in the United States, become one of the earliest epicenters of the foreclosure crisis? How could this region continuously reproduce racial poverty and reinvent segregation in old farm towns one hundred miles from the urban core? This is the story of the suburbanization of poverty, the failures of regional planning, urban sprawl, NIMBYism, and political fragmentation between middle class white environmentalists and communities of color. As Alex Schafran shows, the responsibility for this newly segregated geography lies in institutions from across the region, state, and political spectrum, even as the Bay Area has never managed to build common purpose around the making and remaking of its communities, cities, and towns. Schafran closes the book by presenting paths toward a new politics of planning and development that weave scattered fragments into a more equitable and functional whole.
Widely hailed as Scotland’s most successful football manager since Jock Stein, Alex Ferguson’s achievements with Aberdeen are unparalleled, creating and consolidating a new force in British and European football. Since joining the Dons in 1978, the ambitious, hard-driving and controversial ‘Fergie’ has seen his side capture eight major trophies – The European Cup-Winners’ Cup, European Super Cup, three Scottish Premier League titles and three Scottish Cups. In A Light in the North, Alex Ferguson tells for the first time the story the fans have been waiting for.
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