In this “urgent and enthralling reckoning with family and history” (Andrew Solomon), an American writer returns to Russia to face a past that still haunts him. NAMED ONE OF THE NEW YORK TIMES CRITICS’ TOP BOOKS OF THE YEAR Alex Halberstadt’s quest takes him across the troubled, enigmatic land of his birth, where decades of Soviet totalitarianism shaped and fractured three generations of his family. In Ukraine, he tracks down his paternal grandfather—most likely the last living bodyguard of Joseph Stalin. He revisits Lithuania, his Jewish mother’s home, to examine the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for. And he returns to his birthplace, Moscow, where his grandmother designed homespun couture for Soviet ministers’ wives, his mother consoled dissidents at a psychiatric hospital, and his father made a dangerous living by selling black-market American records. Halberstadt also explores his own story: that of an immigrant growing up in New York, another in a line of sons separated from their fathers by the tides of politics and history. Young Heroes of the Soviet Union is a moving investigation into the fragile boundary between history and biography. As Halberstadt revisits the sites of his family’s formative traumas, he uncovers a multigenerational transmission of fear, suffering, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens’ lives.
In this “urgent and enthralling reckoning with family and history” (Andrew Solomon), an American writer returns to Russia to face a past that still haunts him. NAMED ONE OF THE NEW YORK TIMES CRITICS’ TOP BOOKS OF THE YEAR Alex Halberstadt’s quest takes him across the troubled, enigmatic land of his birth, where decades of Soviet totalitarianism shaped and fractured three generations of his family. In Ukraine, he tracks down his paternal grandfather—most likely the last living bodyguard of Joseph Stalin. He revisits Lithuania, his Jewish mother’s home, to examine the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for. And he returns to his birthplace, Moscow, where his grandmother designed homespun couture for Soviet ministers’ wives, his mother consoled dissidents at a psychiatric hospital, and his father made a dangerous living by selling black-market American records. Halberstadt also explores his own story: that of an immigrant growing up in New York, another in a line of sons separated from their fathers by the tides of politics and history. Young Heroes of the Soviet Union is a moving investigation into the fragile boundary between history and biography. As Halberstadt revisits the sites of his family’s formative traumas, he uncovers a multigenerational transmission of fear, suffering, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens’ lives.
One of the most original, influential, and commercially successful American songwriters, Jerome Felder, aka Doc Pomus (1925-1991), gave the world a dazzling legacy of musical hits during rock 'n' roll's first decade. A role model for generations of writers and performers, Doc was renowned for his mastery of virtually every popular style, from the gutbucket rhythm and blues of "Lonely Avenue" to the symphonic soul of "Save the Last Dance for Me" to the pure pop of "Viva Las Vegas." His songs-"This Magic Moment," "A Teenager in Love," "Hushabye," "Little Sister," "Turn Me Loose," and many others-have been recorded by everyone from Ray Charles, Elvis Presley, and B. B. King to Bob Dylan, Led Zeppelin, and Bruce Springsteen, with sales exceeding 100 million. Doc was ready-made for literature. His collaborator Mort Shuman once described him as an "entire rollicking soul neighborhood rolled into one man." Garrulous, profane, hilarious, and Rabelaisian, Doc was never inhibited about offering his opinions and his friendship. His confidants, collaborators, and discoveries included Duke Ellington, John Lennon, Dr. John, Jimmy Scott, Bette Midler, and Lou Reed. In the words of renowned producer Jerry Wexler, "If the music industry had a heart, it would be Doc Pomus." Despite, or more likely because of, his successes, few acquaintances knew that this writer of jukebox hits led one of the most dramatic and unlikely lives of his time. Spanning extravagant wealth and desperate poverty, suburban domesticity and the depths of New York's underworld, worldwide fame and near-total obscurity, enduring love and persistent loneliness, Doc's story remains one of the great untold American lives. Its chapters comprise a back-room history of rock 'n' roll, touching on more than a half-century of American popular music-from the blues Doc performed with Lester Young to his collaborations with the luminaries of New York's punk scene, shot through with vivid portraits of virtually every major player. Lonely Avenueis the first biography of this American original, so elegantly rendered that it reads like a novel, and fortified by full, exclusive access to Doc Pomus's family, friends, voluminous journals, and archives.
EMBARK Psychedelic Therapy for Depression: A New Approach for the Whole Person is a clinical guide that explores the innovative use of psychedelic therapy in treating depression. The book presents the EMBARK psychedelic therapy model, a comprehensive and participant-centric approach that focuses on the whole person, not just their symptoms. It delves into the preparation, medicine, and integration phases of therapy, providing practical guidelines for practitioners.
Supervised sequence labelling is a vital area of machine learning, encompassing tasks such as speech, handwriting and gesture recognition, protein secondary structure prediction and part-of-speech tagging. Recurrent neural networks are powerful sequence learning tools—robust to input noise and distortion, able to exploit long-range contextual information—that would seem ideally suited to such problems. However their role in large-scale sequence labelling systems has so far been auxiliary. The goal of this book is a complete framework for classifying and transcribing sequential data with recurrent neural networks only. Three main innovations are introduced in order to realise this goal. Firstly, the connectionist temporal classification output layer allows the framework to be trained with unsegmented target sequences, such as phoneme-level speech transcriptions; this is in contrast to previous connectionist approaches, which were dependent on error-prone prior segmentation. Secondly, multidimensional recurrent neural networks extend the framework in a natural way to data with more than one spatio-temporal dimension, such as images and videos. Thirdly, the use of hierarchical subsampling makes it feasible to apply the framework to very large or high resolution sequences, such as raw audio or video. Experimental validation is provided by state-of-the-art results in speech and handwriting recognition.
Whilst Soviet communism and its relationship with modernity has been widely studied to date, the agrarian experiment in Eastern Europe has been relegated to the margins of historical analysis. In this comparative study, Alex Toshkov uncovers the history of agrarianism after the First World War and explores its place as an alternative modernity to liberal democracy and capitalism. Drawing on a wealth of archival material, this book explores the transnational connections between the paradigmatic cases of Bulgaria, Yugoslavia and Czechoslovakia, as well as the International Agrarian Bureau in Prague, teasing out contradictions, hidden records and silenced interpretations of agrarianism. In addition, it uses a microhistorical approach to present an innovative theoretical framework which adds to our understanding of nationalism, political corruption, and alterity and the subaltern. This fascinating study restores interwar agrarianism to its rightful place as one of the most original and significant political currents in 20th-century Europe.
When Gerald Constable Maxwell was flying as a fighter pilot in World War I, his brother Michael was born. Both went on to have distinguished flying careers in World War II. This is the story of both men and how their paths crossed during the second conflict. Gerald served with distinction with 56 Squadron, one of the crack fighter units of WWI in France. Upon his return to England he became Chief Flying Instructor of No. 1 Fighter and Gunnery School at Turnberry. In World War II he served as Station Commander at RAF Ford, a night Fighter station near Arundel, one of the most efficient and happy stations in 11 Group. Michael followed in his brothers footsteps and joined 56 Squadron in April 1940 to fly the Hawker Hurricane. During May the squadron was moved to France to assist the fast retreating British and French forces as the Germans rapidly advanced. On 27 May, he was shot down whilst attacking ten Heinkel 111s on their way to bomb Dunkirk. Fortunately his first contacts upon landing by parachute were French and he managed to find his way to Ostend where he boarded a trawler and crossed the Channel back to Deal. 56 Squadron had by now returned to their English base at North Weald from where they were flying patrols over the French coast and escorting RAF bombers raiding the German positions. On 8 June, whilst trying to reach returning Blenheims over Le Treport, the Hurricanes were bounced by Bf 109s and again Michael was hit, wounding him in the leg and foot, fortunately he eventually managed a crash landing back at North Weald. During the height of the Battle of Britain Michael was again forced to make a crash landing near Herne Bay which he was lucky to survive as his Hurricane had disintegrated around him. In the autumn of 1941 Michael was posted to 604 Nightfighter Squadron, led by the legendary Cats Eyes Cunningham flying Beaufighters and eventually Mosquitos. He was eventually to Command the squadron whose tally of enemy aircraft shot down when he left it had reached 100. This remarkable story includes first-hand combat accounts from both Michael and Gerald and the author has had access to the Constable Maxwells family records.
The Great War of 1914–1918 saw the rapid development of the airplane as a weapon of war. Initially its role was seen as that of reconnaissance, an extension of the cavalry, but as the war stagnated into static trench warfare, with each side facing each other across No Mans Land, the use of artillery, both in shelling enemy positions and counter-shelling his artillery, also became of prime importance. With the early development of radio communication between ground and air, airplanes also undertook the task of spotting for the artillery, and it soon became apparent that these airplanes both the reconnaissance machines and those working for the artillery could not be allowed to work unmolested, and fast fighter airplanes—both single and two seat began to make their appearance over the Western Front. Technical development was rapid. The mostly unarmed reconnaissance airplanes, and the early fighters of 1915 and 1916, armed with a single machine gun, had given way to fighters carrying two guns, flying at altitudes of over 16,000 feet and at treble the speed of the predecessors of 1914. With these developments a new type of soldier had evolved: the fighter pilot. Capable of fighting in the air, in three dimensions and at great speed, individual pilots began to emerge whose singular talents and temperament brought them to the forefront of their respective air forces. They became the aces, pilots who had brought down five or more of the enemy. Despite their expertise, few of these aces survived the war. The last combats of some are known and well documented, others are obscure. Some of the pilots in these pages are well-known, others less so, but all shared the common experience of fighting in the air during the war of 1914–1918: the conflict which saw the airplane evolve from a relatively fragile, unarmed reconnaissance machine, to a deadly weapon that changed the face of war for ever.
One of the most original, influential, and commercially successful American songwriters, Jerome Felder, aka Doc Pomus (1925-1991), gave the world a dazzling legacy of musical hits during rock 'n' roll's first decade. A role model for generations of writers and performers, Doc was renowned for his mastery of virtually every popular style, from the gutbucket rhythm and blues of "Lonely Avenue" to the symphonic soul of "Save the Last Dance for Me" to the pure pop of "Viva Las Vegas." His songs-"This Magic Moment," "A Teenager in Love," "Hushabye," "Little Sister," "Turn Me Loose," and many others-have been recorded by everyone from Ray Charles, Elvis Presley, and B. B. King to Bob Dylan, Led Zeppelin, and Bruce Springsteen, with sales exceeding 100 million. Doc was ready-made for literature. His collaborator Mort Shuman once described him as an "entire rollicking soul neighborhood rolled into one man." Garrulous, profane, hilarious, and Rabelaisian, Doc was never inhibited about offering his opinions and his friendship. His confidants, collaborators, and discoveries included Duke Ellington, John Lennon, Dr. John, Jimmy Scott, Bette Midler, and Lou Reed. In the words of renowned producer Jerry Wexler, "If the music industry had a heart, it would be Doc Pomus." Despite, or more likely because of, his successes, few acquaintances knew that this writer of jukebox hits led one of the most dramatic and unlikely lives of his time. Spanning extravagant wealth and desperate poverty, suburban domesticity and the depths of New York's underworld, worldwide fame and near-total obscurity, enduring love and persistent loneliness, Doc's story remains one of the great untold American lives. Its chapters comprise a back-room history of rock 'n' roll, touching on more than a half-century of American popular music-from the blues Doc performed with Lester Young to his collaborations with the luminaries of New York's punk scene, shot through with vivid portraits of virtually every major player. Lonely Avenueis the first biography of this American original, so elegantly rendered that it reads like a novel, and fortified by full, exclusive access to Doc Pomus's family, friends, voluminous journals, and archives.
Analyzes the Nazis rise to power, looking at the politics of post World War I Germany and examining the machinations of Hitler and the party as it struggled to become the strongest in a sea of sharks. Chiefly illustrations.
This comprehensive guide is the only one of its kind to include both coins and paper money in one volume. With detailed, updated price listings and over 500 photos, this book makes identifying simple for beginners and experienced numismatists alike
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