Caleb, a 24 year old coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl. EX MACHINA is an intense psychological thriller, played out in a love triangle. It explores big ideas about the nature of consciousness, emotion, sexuality, truth and lies.
In his highly acclaimed novel Never Let Me Go, Kazuo Ishiguro ( The Remains of the Day) created a remarkable story of love, loss and hidden truths. In it he posed the fundamental question: What makes us human? Now director Mark Romanek ( One Hour Photo), writer Alex Garland and DNA Films bring Ishiguro's hauntingly poignant and emotional story to the screen. Kathy (Oscar nominee Carey Mulligan, An Education), Tommy ( Andrew Garfield, Boy A, Red Riding) and Ruth (Oscar nominee Keira Knightley, Pride & Prejudice, Atonement) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.
Following on from the success of his thriller, Ex Machina, Alex Garland returns to cerebral sci-fi with his adaptation of Jeff VanderMeer's cult novel -a tale of a biologist attempting to uncover the mystery of her husband's disappearance into a restricted zone.What she and her fellow scientists discover is a world populated by mysterious life forms that might offer answers, but which exposes them to madness and death.Beside the screenplay, the book also includes 20 pages of behind-the-scenes photos.
When Carl awakens from a coma after being attacked on a subway train, life around him feels unfamiliar, even strange. He arrives at his best friend's house without remembering how he got there; he seems to be having an affair with his secretary, which is pleasant but surprising. He starts to notice distortions in his experience, strange leaps in his perception of time. Is he truly reacting with the outside world, he wonders, or might he be terribly mistaken? So begins a dark psychological drama that raises questions about the the human psyche, dream versus reality, and the boundaries of consciousness. As Carl grapples with his predicament, Alex Garland - author of The Beach and the screenplay for 28 Days Later, plays with conventions and questions our assumptions about the way we exist in the world, even as it draws us into the unsettling and haunting book about a lost suitcase and a forgotten identity.
An intricately woven, suspenseful novel of psychological and political intrigue, The Tesseract follows the interlocking fates of three sets of characters in the Philippines: gangsters in a chase through the streets of Manila; a middle-class mother putting her children to bed in the suburbs and remembering her first love; and a couple of street kids and the wealthy psychiatrist who is studying their dreams. Alex Garland demonstrates the range of his extraordinary talents as a novelist in this national bestseller, a Chinese puzzle of a novel about three intersecting sets of characters in the Philippines.
The irresistible novel that was adapted into a major motion picture starring Leonardo DiCaprio. The Khao San Road, Bangkok -- first stop for the hordes of rootless young Westerners traveling in Southeast Asia. On Richard's first night there, in a low-budget guest house, a fellow traveler slashes his wrists, bequeathing to Richard a meticulously drawn map to "the Beach." The Beach, as Richard has come to learn, is the subject of a legend among young travelers in Asia: a lagoon hidden from the sea, with white sand and coral gardens, freshwater falls surrounded by jungle, plants untouched for a thousand years. There, it is rumored, a carefully selected international few have settled in a communal Eden. Haunted by the figure of Mr. Duck -- the name by which the Thai police have identified the dead man -- and his own obsession with Vietnam movies, Richard sets off with a young French couple to an island hidden away in an archipelago forbidden to tourists. They discover the Beach, and it is as beautiful and idyllic as it is reputed to be. Yet over time it becomes clear that Beach culture, as Richard calls it, has troubling, even deadly, undercurrents. Spellbinding and hallucinogenic, The Beach by Alex Garland -- both a national bestseller and his debut -- is a highly accomplished and suspenseful novel that fixates on a generation in their twenties, who, burdened with the legacy of the preceding generation and saturated by popular culture, long for an unruined landscape, but find it difficult to experience the world firsthand.
The Future, America is a irradiated wasteland where, on its East Coast, lies Mega City - one vast, violent metropolis whose citizens live in perpetual fear. Imposing order on this urban chaos are the Judges - judge, jury and executioners rolled into one. Foremost among them is Dredd who is given a mission to road-rest a rookie Judge - the powerful psychic Cassandra Anderson.In the course of this training day, the two Judges head for a seemingly routine homicide in the notorious Peach Trees mega-block - a 200-story vertical slum run by the pitiless Ma-Ma clan.When the judges attempt to arrest one of Ma-Ma's chief henchmen, Ma-Ma shuts down the entire building and orders her clan to hunt the Judges down. The Judges are now caught in a vicious and relentless fight for survival.
Richard est un routard d'aujourd'hui, en quête de solitude et de sensations fortes, fasciné par l'Asie. A Bangkok, dans une guesthouse minable, il entend parler d'une île interdite aux touristes, bordée par une plage paradisiaque où l'on peut vivre de riz, de poisson et de marijuana. Parvenu en ce lieu mystérieux en compagnie d'un couple de Français, il s'assimile aisément à la petite communauté " baba cool " qui y mène une existence rêveuse de soleil, de couleurs et de drogue. Mais ce bonheur est trompeur et le groupe va se trouver peu à peu confronté à l'horreur et à la violence. Ce premier roman d'un jeune écrivain anglais a été salué comme le portrait magistral d'une génération. Cette chronique d'un cauchemar annoncé se dévore comme un véritable thriller sous les tropiques. Bernard Géniès, Le Nouvel Observateur
Alex Garland's acclaimed debut novel was adapted for the screen by John Hodge, who was responsible previously for the screenplays of Shallow Grave and Trainspotting. Richard, a wayward, soul-searching young traveller, addicted to nicotine and popular culture, finds himself caught up in troubling, deadly undercurrents on a legendary island paradise. Directed by Danny Boyle it was filmed in Thailand."--
This title features pre-production screenplay, complete graphic novel adaptation, and concept visuals behind the #1 film, 'Dredd'. The book also includes an introduction and notes from Jock and an exclusive introduction from screenwriter Alex Garland.
Scenen er sat i Manila på Filippinerne. Tre historier udspiller sig på én og samme aften, tre forskellige steder i byen. Den unge englæder Sean afventer på et snusket hotelværelse gangsteren Don Pepe og hans tre håndlangere, der kommer for at likvidere ham. Middelklassekvinden Rosa venter andetsteds i byen på sin mand, der er punkteret på vej hjem fra arbejde. Punkteringen er forårsaget af de to gadebørn Vincente og Totoy, der strejfer om i byens labyrintiske slumgader. De tre historier kolliderer i en blodig og overraskende finale, hvor hollywoodsk film noir for det nye årtusinde møder det moderne Asiens sveddryppende kaos.
Variations, in the Key of K is a collection of, materially and thematically, interconnected stories featuring half-imagined, half-scholarly, renderings of historically significant artists, including: the self-tormenting Franz Kafka, who asks that, after his death, all his writings be burned; the indomitable Pablo Picasso and the poet/journalist/art thief, Guillaume Apollinaire, who is, for a time, Picasso's shadow; the esoteric William Blake, living in poverty and neglect, who must give over pieces of his art (masterpieces that, like the paintings of Van Gogh, will one day be esteemed as so valuable, no price can be put upon them) to pay the unscrupulous doctor who attends Blake's dying wife; the obsessed, opium-fevered, Antonin Artaud, whose theater performances shock and repel, just as they magnetize and engage (a recluse, a megalomaniac, a mystic and a lunatic, respectively). The title story begins with Kafka's desire to have his writing burned (to effectively erase himself from history), then reimagines some of Kafka's complicated family dynamic, but it also engages Kafka's other life, the one in which he earns his 1912 Stockholm Olympics silver medal in javelin throw. This collection is not easy to categorize. Are these lyrical tales about the passions and excesses of artists? Is this a critical exegesis (on identity-creation and the relationship between artists and the world--and on issues of critical reception, social reputation and genius) masquerading as fantasia? For whatever it is worth, the author of this collection thinks of this collection as documents of revelation and exercises in visionary biography"--
An intricately woven, suspenseful novel of psychological and political intrigue, The Tesseract follows the interlocking fates of three sets of characters in the Philippines: gangsters in a chase through the streets of Manila; a middle-class mother putting her children to bed in the suburbs and remembering her first love; and a couple of street kids and the wealthy psychiatrist who is studying their dreams. Alex Garland demonstrates the range of his extraordinary talents as a novelist in this national bestseller, a Chinese puzzle of a novel about three intersecting sets of characters in the Philippines.
Originally published in 1973. The volume is divided into four sections: The introduction places the position of the Buddhist Tantras within Mahayana Buddhism and recalls their early literary history, especially the Guhyasamahatantra; the section also covers Buddhist Genesis and the Tantric tradition. The foundations of the Buddhist Tantras are discussed and the Tantric presentation of divinity; the preparation of disciples and the meaning of initiation; symbolism of the mandala-palace Tantric ritual and the twilight language. This section explores the Tantric teachings of the inner Zodiac and the fivefold ritual symbolism of passion. The bibliographical research contains an analysis of the Tantric section of the Kanjur exegesis and a selected Western Bibliography of the Buddhist Tantras with comments.
Alex Pettes is the President of TFI Food Equipment Solutions, a Toronto based specialty restaurant equipment distributor. Alex has spent his career in sales and sales management, and this book is a collection of thoughts gathered along his own personal and professional development journey. Included in the book are thoughts on sales, sales management, self-development and serving others. Youll learn: the importance of developing a personal mission statement, the method of idea canvas and why it might help you; ways to use lists to focus and achieve your goals; the nine keys to succeed in love and life; ways to harness concentration, consistency, and cooperation to succeed. Known as The Commander or Cmdr Pettes, Alex has developed this persona as the Sales Fighter Pilot Squadron Leader over the past dozen or so years. His enthusiastic, positive and Super Good approach to all he does has been well received by those he has had the privilege to serve.
The Aesthetics of Nostalgia TV explores the aesthetic politics of nostalgia for 1950s and 60s America on contemporary television. Specifically, it looks at how nostalgic TV production design shapes and is shaped by larger historical discourses on gender and technological change, and America's perceived decline as a global power. Alex Bevan argues that the aesthetics of nostalgic TV tell stories of their own about historical decline and progress, and the place of the baby boomer television suburb in American national memory. She contests theories on nostalgia that see it as stagnating, regressive, or a reversion to outdated gender and racial politics, and the technophobic longing for a bygone era; and, instead, argues nostalgia is an important form of historical memory and vehicle for negotiating periods of historical transition. The book addresses how and why the shows construct the boomer era as a placeholder for gender, racial, technological, and declensionist discourses of the present. The book uses Mad Men (AMC, 2007-2015), Ugly Betty (ABC, 2006-2010), Desperate Housewives (ABC, 2004-2012), and film remakes of 1950s and 60s family sitcoms as primary case studies.
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