A programme of site related exhibitions, projects and discussions, that was presented in and around Nottingham during 2008. ALEX FARQUHARSON is Director of Nottingham Contemporary, which opens in 2009. Throughout 2008 Nottingham Contemporary presented five international off-site projects in and around Nottingham collectively entitled Histories of the Present.
Occurring every five years, the British Art Show is the most ambitious survey exhibition of new and recent art from the UK. British Art Show 6 reflects the vitality and diversity of Britain's art scene, particularly its increasing internationalism." "Published on the occasion of the exhibition, this book brings together the work of 50 artists and artist groups living and working in Britain. It includes an introduction by curators Alex Farquharson and Andrea Schlieker, illustrated texts on each of the artists, and three round table discussions with artists on some of the exhibition's key thematic areas: the re-activation of eclectic aspects of nineteenth and twentieth century avant-gardes; geopolitics and the experience of conflict, travel and migration; and collaborative projects with communities and organisations outside art institutions."--BOOK JACKET.
Brian Wilson, une exposition, [Bordeaux, CAPC-Musée d'art contemporain, 17 novembre 2007-9 mars 2008 et Saint Ives (Cornouaille), Tate St Ives, 26 mai-23 septembre 2007]
Brian Wilson, une exposition, [Bordeaux, CAPC-Musée d'art contemporain, 17 novembre 2007-9 mars 2008 et Saint Ives (Cornouaille), Tate St Ives, 26 mai-23 septembre 2007]
Dans le cadre de novart Bordeaux, le CAPC présente une exposition sur la fascination exercée sur plusieurs générations d'artistes par Brian Wilson, mythique compositeur des Beach Boys. Sa vie et sa musique sont un prisme à partir duquel on peut relire les développements de l'art depuis les années 60, dans sa relation à la culture populaire et au contexte social et urbain de la Californie. En se concentrant sur des oeuvres de cette période brève et prolifique de 1962 à 1967 quand Wilson était la principale force créative des Beach Boys et qui mélangent Pop Art, peinture abstraite, Minimalisme et Art Conceptuel - une soixantaine disposées dans l'espace de la nef du CAPC - l'expositon questionne implicitement la pertinence de ces catégories historiques. Ces convergences trouvent un parallèle dans la pratique musicale pionnière de Brian Wilson mélangeant le rock'n'roll, le jazz, la musique classique, le folk, et même la musique concrète avant-gardiste.
Studios of Their Own travels around the world examining the unique spaces, habits and rituals of over 50 famous artists. From Picasso, to Hockney, to Caravaggio, discover the eclectic creative spaces used by artistic visionaries, brought to life with evocative illustrations. Crossing centuries, continents and genres, Alex Johnson explores these artists’ workspaces and habits. How do they practise their craft? What do they look for in a studio? Do they work in silence or with music… in a shared space or in solitude? How do they harness the light? And how do their physical spaces affect and inspire their output? This striking collection focuses on more than 50 international artists, including: Claude Monet, who created an inspirational garden in which to work en plein air and paint his famous water lilies Frida Kahlo, forced to work from her bed, inspired by the lucky talismans she surrounded herself with Jean-Michel Basquiat, working in an old stable, could turn anything into canvas, walking and lying on his works as he created them Lee Krasner’s art dramatically changed when she moved from her small studio into the larger, light-filled one that she took over when her husband, Jackson Pollock, died In looking at the working lives of our favourite artists, readers will be transported to other worlds, as well as gaining a deeper insight into the creative process. Also in the series: Rooms of Their Own: Where Great Writers Write.
The Brahan Seer is a legendary figure known throughout Scotland and the Scottish Diaspora and indeed anywhere there is an interest in looking into the future. This book traces the legend of the Seer between the sixteenth and twenty-first centuries. It considers the seer figure in relation to aspects of Scottish Highland culture and society that shaped its development during this period. These include the practice and prosecution of witchcraft, the reporting and scientific investigation of instances of second sight, and the perennial belief in and use of prophecy as a means of predicting events. In so doing the book provides a set of historicised contexts for understanding the genesis of the legend and how it changed over time through a synthesis of historical events, oral tradition, folklore and literary Romanticism. It makes a contribution to the debates not only about witchcraft, second sight and prophecy but also about the relationship between 'popular' and 'elite' culture in Scotland. By taking the Brahan Seer as a case study it argues that 'popular' culture is not antithetical to 'elite' culture but rather in constant (and complex) interaction with it.
A professional co-respondent with a side line in blackmail, a shallow coquette, a naval officer, a maid ... love strikes the least likely subjects, and makes idols even of the unworthy, but the loss of the least worthy lover can be an enduring sorrow. Eleven little tales of loves lost, loves mourned ... and just possibly loves redeemed.
This book addresses the premise that the question of who governs Scotland has become increasingly ambiguous, thanks in part to European integration, globalisation and devolution within the UK. It argues that although the concept of multi-level governance helped illuminate regionalism with the EU, it was not an appropriate model for Scotland. This well researched and powerfully argued book, adds greatly to the debate on constitutional reform, and offers invaluable insight into the Scottish Parliament's foreign affair agenda.
This text reprints selected non-fictional works by Haywood, with particular attention to the journalism, criticism, and "conduct and advice" material. Here, Haywood explicates and defends ideas on gender and culture that she develops obliquely elsewhere.
How do we find sustainable and human ways to care for people with long-term needs? This book reveals the ways in which public services squander the potential of people with long term support needs and the creativity and caring capacity of front line workers. Drawing on the ethos, practices and economics of human focused initiatives such as Shared Lives, this book outlines a new model for public services to replace the ‘invisible asylum.’ This approach, focused on achieving and maintaining wellbeing, rather than on reacting to crisis or attempting to ‘fix’ people, would both ask of us and offer us more. Responsibilities, resources, and risks would be more fairly and transparently shared. The book offers steps which we all – citizens, front line services, and government – could take to achieve this vision.
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