In this “highly entertaining” New York Times bestseller from Nelson DeMille and Alex DeMille, Army CID Special Agents Brodie and Taylor “are the modern warriors the world needs” (BookReporter) and they’re on the hunt for the cold-blooded murderer of one of their fellow agents. Army Criminal Investigation Agents Scott Brodie and Maggie Taylor have been separated for five months following their last assignment, a dangerous mission in Venezuela to locate and detain an infamous Army deserter. Now, in Berlin, they are reunited and tasked with investigating the murder of one of their own: CID Special Agent Harry Vance of the 5th MP Battalion, an accomplished counterterrorism agent who had been stationed in western Germany, and whose body was discovered in a city park in the heart of Berlin’s Arab refugee community. The authorities suspect this is an act of Islamic terrorism, but Brodie and Taylor soon believe there is more to this case. The reason for Vance’s presence in Berlin is unknown, and as Brodie and Taylor work to discover what the murder victim was doing in the days and weeks preceding his death, they become immersed in the many conflicts and contradictions of modern Germany—the Arab refugee crisis, the dark legacy of the Cold War and the Stasi secret police, and the imminent threats of a rising neo-Nazi movement. At the same time, they are butting heads with the authorities—both German and American—and facing a possible threat from American intelligence agents who fear that Brodie and Taylor might have learned too much about US clandestine operations during their mission in Venezuela. Ultimately, Brodie and Taylor realize that the murder of Harry Vance was merely the prelude to a much more sinister future event—unless they can unravel the mystery in time to stop it.
This instant New York Times bestseller and “outstanding” (Publishers Weekly, starred review) thriller features a brilliant and unorthodox Army investigator, his enigmatic female partner, and their hunt for the Army’s most notorious—and dangerous—deserter. When Captain Kyle Mercer of the Army’s elite Delta Force disappeared from his post in Afghanistan, a video released by his Taliban captors made international headlines. But circumstances were murky: did Mercer desert before he was captured? Then a second video sent to Mercer’s Army commanders leaves no doubt: the trained assassin and keeper of classified Army intelligence has disappeared. When Mercer is spotted a year later in Caracas, Venezuela, top military brass task Scott Brodie and Maggie Taylor of the Criminal Investigation Division to bring Mercer back to America—preferably alive. Brodie knows this is a difficult mission, made more difficult by his new partner’s inexperience, by their undeniable chemistry, and by Brodie’s suspicion that Maggie Taylor is reporting to the CIA. With ripped-from-the-headlines appeal, an exotic and dangerous locale, and the hairpin twists and inimitable humor that are signature DeMille, The Deserter is the first in a timely and thrilling new series from an unbeatable team of True Masters: the #1 New York Times bestseller Nelson DeMille and his son, award-winning screenwriter Alex DeMille.
This instant New York Times bestseller and “outstanding” (Publishers Weekly, starred review) thriller features a brilliant and unorthodox Army investigator, his enigmatic female partner, and their hunt for the Army’s most notorious—and dangerous—deserter. When Captain Kyle Mercer of the Army’s elite Delta Force disappeared from his post in Afghanistan, a video released by his Taliban captors made international headlines. But circumstances were murky: did Mercer desert before he was captured? Then a second video sent to Mercer’s Army commanders leaves no doubt: the trained assassin and keeper of classified Army intelligence has disappeared. When Mercer is spotted a year later in Caracas, Venezuela, top military brass task Scott Brodie and Maggie Taylor of the Criminal Investigation Division to bring Mercer back to America—preferably alive. Brodie knows this is a difficult mission, made more difficult by his new partner’s inexperience, by their undeniable chemistry, and by Brodie’s suspicion that Maggie Taylor is reporting to the CIA. With ripped-from-the-headlines appeal, an exotic and dangerous locale, and the hairpin twists and inimitable humor that are signature DeMille, The Deserter is the first in a timely and thrilling new series from an unbeatable team of True Masters: the #1 New York Times bestseller Nelson DeMille and his son, award-winning screenwriter Alex DeMille.
Looking for a new book that will make your heart race? The seventh edition of The Minotaur Sampler compiles the beginnings of six can't-miss novels--either standalone or first in series--publishing Winter 2023 for free for easy sampling. Standalone: Peter Blauner's epic Picture in the Sand is a sweeping intergenerational saga told through a grandfather's passionate letters to his grandson, passing on the story of his political rebellion in 1950s Egypt in order to save his grandson's life in a post-9/11 world. Standalone: Following up her instant New York Times bestseller, A Flicker in the Dark, Stacy Willingham delivers a totally gripping thriller about a desperate mother with a troubled past in All the Dangerous Things. First in Series: Of Manners and Murder is the first in the new Dear Miss Hermione mystery series from Anastasia Hastings—when you represent the best-loved Agony Aunt in Britain, both marauding husbands and murder are par for the course. First in Series: Introducing Antonia Scott--the most compelling and original detective since Lisbeth Salander--in Juan Gómez-Jurado's Red Queen, the international bestselling thriller that has taken the world by storm. Standalone: From Alex Finlay, the author of Every Last Fear and The Night Shift, comes an action-packed new thriller about the lives we leave behind and the secrets we carry with us forever. Standalone: Thomas Mullen, the acclaimed author of The Last Town on Earth and Darktown, delivers Blind Spots, a riveting crime novel with a speculative edge about what we really see with our own eyes.
In this “highly entertaining” New York Times bestseller from Nelson DeMille and Alex DeMille, Army CID Special Agents Brodie and Taylor “are the modern warriors the world needs” (BookReporter) and they’re on the hunt for the cold-blooded murderer of one of their fellow agents. Army Criminal Investigation Agents Scott Brodie and Maggie Taylor have been separated for five months following their last assignment, a dangerous mission in Venezuela to locate and detain an infamous Army deserter. Now, in Berlin, they are reunited and tasked with investigating the murder of one of their own: CID Special Agent Harry Vance of the 5th MP Battalion, an accomplished counterterrorism agent who had been stationed in western Germany, and whose body was discovered in a city park in the heart of Berlin’s Arab refugee community. The authorities suspect this is an act of Islamic terrorism, but Brodie and Taylor soon believe there is more to this case. The reason for Vance’s presence in Berlin is unknown, and as Brodie and Taylor work to discover what the murder victim was doing in the days and weeks preceding his death, they become immersed in the many conflicts and contradictions of modern Germany—the Arab refugee crisis, the dark legacy of the Cold War and the Stasi secret police, and the imminent threats of a rising neo-Nazi movement. At the same time, they are butting heads with the authorities—both German and American—and facing a possible threat from American intelligence agents who fear that Brodie and Taylor might have learned too much about US clandestine operations during their mission in Venezuela. Ultimately, Brodie and Taylor realize that the murder of Harry Vance was merely the prelude to a much more sinister future event—unless they can unravel the mystery in time to stop it.
To many people, Lucia Chase (1897-1986) was the American Ballet Theatre, and her reign as the queen of American ballet lasted for more than four decades. It was Chase who brought Nureyev, Bujones, Kirkland, and eventually Baryshnikov to ABT. Under her leadership, the company worked with such legends as Agnes de Mille, Anthony Tudor, Jerome Robbins, and Twyla Tharp. Her drive, ambition, tenacity, and money kept the doors open even during the lean years. A dancer when the company made its debut in 1940, she was artistic director for an unprecedented thirty-five years, from 1945 to 1980. Over the course of her career, she received numerous honors and awards, including the U.S. Medal of Freedom, the nation’s highest civilian honor. Combining unique personal insights as Chase's son along with experience garnered from his own professional dance and administrative career, Alex Ewing offers the definitive story of one of the true pioneers in the world of American ballet.
A revelatory popular history that tells the story of the Suez Crisis and the Hungarian Revolution of 1956—a tale of conspiracy and revolutions, spies and terrorists, kidnappings and assassination plots, the fall of the British Empire and rise of American hegemony under the heroic leadership of President Dwight D. Eisenhower—which shaped the Middle East and Europe we know today. The year 1956 was a turning point in history. Over sixteen extraordinary days in October and November, the twin crises of Suez and Hungary pushed the world to the brink of a nuclear conflict and what many at the time were calling World War III. Blood and Sand relates this story hour-by-hour, through an international cast of characters: Anthony Eden, the British prime minister, caught in a trap of his own making; Gamal Abdel Nasser, the bold young populist leader of Egypt; David Ben-Gurion, the strong-willed founding prime minister of Israel; Guy Mollet, the bellicose French prime minister; and Dwight D. Eisenhower, the American president, torn between an old world order and a new one in the very same week that his own fate as president was to be decided by the American people. This is a fresh new account of these dramatic events and people, one that for the first time sets both crises in the context of the global Cold War, the Arab-Israeli conflict, and the treacherous power politics of imperialism and oil. Blood and Sand resonates strikingly with the problems of oil control, religious fundamentalism, and international unity that face the world today, and is essential reading for anyone concerned with the state of the modern Middle East and Europe.
For his brilliant reportage ranging from the forested recesses of the Amazon to the manicured lawns of Westchester County, New York, Alex Shoumatoff has won acclaim as one of our most perceptive guides to the oddest corners of the earth. Now, with this book, he takes us on a kaleidoscopic journey into the most complex and myth-laden region of the American landscape and imagination. In this amazing narrative, Shoumatoff records his quest to capture the vast multiplicity of the American Southwest. Beginning with his first trip after college across the desert in a station wagon, some twenty-five years ago, he surveys the boundless variety of people and experiences constituting the place--the idea--that has become America's symbol and last redoubt of the "Other. From the Biosphere to the Mormons, from the deadly world of narcotraffickers to the secret lives of the covertly Jewish conversos, Shoumatoff explores the many alternative states of being who have staked their claim in the Southwest, making it a haven for every brand of refugee, fugitive, and utopian. And as he ventures across time and space, blending many genres--history, anthropology, natural science, to name only a few--he brings us a wealth of information on chile addiction, the diffusion of horses, the formation of the deserts and mountain ranges, the struggles of the Navajo to preserve their culture, and countless other aspects of this place we think we know. Full of profound sympathy and unique insights, Legends of the American Desert is a superbly rich epic of fact and reflection destined to take its place among such classics of regional portraiture as Ian Frazier's Great Plains. Alex Shoumatoff has created an exuberant celebration of a singularly American reality.
Considering the fact that the academic essay continues to be widely used as an assessment tool within education, there is a need for students to develop their skills in this area. However, it is often the case that students perceive instruction in academic writing, if it is offered at all, as boring. This book addresses these two issues. First, the book can be used by students themselves, even in the absence of academic writing classes, as a self-help guide, from which they can develop their knowledge of academic writing and subsequent proficiency. Second, by discussing the components of academic writing in terms—such as film—which are familiar to today’s generation, students are enabled to relate to the material better and see what might have been perceived as dull from a brand new perspective. Visual learners in particular will enjoy the analogous link between films and essays, and students today are arguably more visually literate than previous generations, being exposed to visuals on a daily basis through text message iconography, computer games and the Internet. The visual instruction provided in turn helps to facilitate mental visuals in students’ minds, from which their knowledge of essay writing can start to develop.
Acclaimed author Alex Espinoza, whose writing Lisa See has called “fresh, magical, beautiful, and evocative,” returns with a captivating, unforgettable novel set in Hollywood’s Golden Age, as a gifted and determined young man leaves Mexico—and everything he’s ever known—to follow his dreams. Growing up in a rural village at the height of the Mexican Revolution, Diego León has many first loves: singing, dancing, and hearing the stories of his ancestors, the P’urhépecha. But when tragedy strikes, young Diego is sent to the city to live with his aristocratic grandparents, who insist he forget his roots and groom him to take over the family business. Under pressure to enter a profession—and a life—he cares nothing for, and haunted by the violence once again erupting all around him, Diego flees his war-torn country to forge his own destiny. Diego arrives in Hollywood in 1927, when silent films are giving way to talkies, Prohibition is in full swing, and “Latin lover” types are sought out even as they are looked down upon. Working his way up in the movie business with talent and ingenuity, Diego soon figures out that getting one’s face on the silver screen has as much to do with what goes on behind the camera as what goes on in front of it. But the closer Diego comes to stardom, the more he finds that the past is not so easily escaped, as he is drawn again and again to the painful legacy of history and the wounds of his homeland. A sweeping, sensual novel of love, ambition, and identity, The Five Acts of Diego León bears all the marks of a classic Hollywood story: romance, betrayal, glamour, and an underdog hero to root for till the end. “An elegant, startling vision of a Mexican in America, The Five Acts of Diego León proclaims the ascendance of a unique new talent, Alex Espinoza—a Chicano in America certain to surpass the fame of his novel’s silent Hollywood hero. Espinoza takes our literature from a mute, black-and-white era to a national stage with full-spectrum color, in high-tech surround sound.”—Dagoberto Gilb, author of Before the End, After the Beginning
Tells the story behind Orson Welles' notorious broadcast of H.G. Wells's "The War of the Worlds" and includes the full text and illustrations of the story, plus a CD with a recording of the actual broadcast.
London born author Alex Hyde-White’s English father named him Punch, hoping it would be lucky, and he started his life as a precocious son of a rather famous actor. In In the Volume, actor Hyde-White shares his story from Hollywood’s front lines, which spans more than four decades of the most transformational period in film and television history. This memoir chronicles Hyde-White’s early life growing up in England; moving to Palm Springs in the 1960’s; graduating from high school at sixteen; getting started in Hollywood; working as a cab driver, bartender, waiter, and ski shop clerk while looking for acting gigs; playing his first part in a movie as the photographer in The Toy; and more, acting in some huge box office hits. In the Volume reveals Hyde-White’s journey, at times majestic, magical, wondrous, and fulfilling. These intimate tales of triumph and failure offer both caution and inspiration.
When famous TV chef Matteo McLeish turns up at the Old Forge Café and offers chef Charlie Hunter a place in his kitchen for the duration of Hampden Green's local opera festival, she thinks it's because he rates her cooking skills. In fact it's because he's heard she's good in a crisis. The wholesome star of Nonna's Kitchen is being blackmailed by one of his team. Tempted by an improbably large pay cheque and the boost to to her CV, Charlie accepts his offer. Does the threat lie close to home, or back in Italy with Matteo's culinary roots? And can Charlie find the blackmailer before she's swept up in an avalanche of death and scandal?
The mere mention of the word `teenager' can strike fear into the heart of the bravest soul, and yet there are some truly heroic individuals who make it a life-long mission to teach them. Alex Trenoweth is one such teacher. She also happens to be an astrologer. Her official subjects are Religious Studies, History and English, but from reading 'Growing Pains' you will quickly find that her true passion is the actual students themselves. Using the cycles of Jupiter and Saturn she untangles the confusing conundrum of why groups of students are so different from each other year on year, and sometimes even within year groups. How is an already over-worked teacher supposed to cope with this ongoing challenge? Alex Trenoweth has the answer.
An extraordinary story of romance, history, and divided loyalties--set against the backdrop of one of the most dramatic events of the 20th century--"Indian Summer" reveals how Britain ceased to be a superpower after it lost India as a colony.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
As the banking crisis and its effects on the world economy have made plain, the stock market is of colossal importance to our livelihoods. In Framing Finance, Alex Preda looks at the history of the market to figure out how we arrived at a point where investing is not only commonplace, but critical, as market fluctuations threaten our plans to send our children to college or retire comfortably. As Preda discovers through extensive research, the public was once much more skeptical. For investing to become accepted, a deep-seated prejudice against speculation had to be overcome, and Preda reveals that over the course of the eighteenth and nineteenth centuries groups associated with stock exchanges in New York, London, and Paris managed to redefine finance as a scientific pursuit grounded in observational technology. But Preda also notes that as the financial data in which they trafficked became ever more difficult to understand, charismatic speculators emerged whose manipulations of the market undermined the benefits of widespread investment. And so, Framing Finance ends with an eye on the future, proposing a system of public financial education to counter the irrational elements that still animate the appeal of finance.
The Psychology Student’s Career Survival Guide is designed to aid students in identifying their ideal career pathway and imbue them with the right tools and skills to not only achieve their desired job but to progress and thrive within the workplace. The first half of the book focuses on how to find and get a suitable job. The remaining chapters explore gaining success in the workplace in terms of personal growth, navigating criticism, workplace relations and the critical job assignments that every graduate should pursue. Forsythe, an experienced organisational psychologist, helps students recognise and apply the acquired psychological skill set to develop a personal brand, increase personal visibility and develop professional networks. This smooths the transition from university into the world of work by developing effective working practices that will support personal performance and that of the workplace. This book can also serve as a practical guide for academics looking to bridge the gap between the developing student at university and demands of their future employers. It explicitly calls for vocational elements such as communication, team-working, goal setting and planning within the curriculum. This engaging book comes with an abundance of resources to support students' individual development and to help academics run workshops. These resources include tool kits which include self-diagnostic tools and strengths finders, networking skill development, job search strategies, difficult interview questions, personal branding and so on. This is an essential text for psychology students at all levels looking for employability guidance and for psychology academics who are seeking supportive resources and guidance on helping students achieve their career ambitions.
After the Revolution of 1910, a powerful group of Monterrey businessmen led by the Garza-Sada family emerged as a key voice of the Mexican private sector. The Monterrey Elite and The Mexican State is the first major historical study of the "Grupo Monterrey," the business elite that transformed Monterrey into a premier industrial center, the "Pittsburgh" of Mexico. Drawing on archival resources in the United States and Mexico and the work of previous scholars, Alex Saragoza examines the origins of the Monterrey elite. He argues that a "pact" between the new state and business interests was reached by the 1940 presidential elections—an accord that paved the way for the "alliance for profits" that has characterized relations between the Mexican state and capitalists since that time. More than a standard business history, this study delves into both the intimate social world of the Garza-Sadas and their allies and the ideas, beliefs, and vision of the Monterrey elite that set it apart from and often against the Mexican government. In so doing, The Monterrey Elite and the Mexican State reveals the underlying forces that led to the most historic battle between the private sector and the Mexican state: the dramatic showdown in 1936 between the Garza-Sadas and then President Lázaro Cárdenas in Monterrey, Nuevo León.
To many people, Lucia Chase (1897-1986) was the American Ballet Theatre, and her reign as the queen of American ballet lasted for more than four decades. It was Chase who brought Nureyev, Bujones, Kirkland, and eventually Baryshnikov to ABT. Under her leadership, the company worked with such legends as Agnes de Mille, Anthony Tudor, Jerome Robbins, and Twyla Tharp. Her drive, ambition, tenacity, and money kept the doors open even during the lean years. A dancer when the company made its debut in 1940, she was artistic director for an unprecedented thirty-five years, from 1945 to 1980. Over the course of her career, she received numerous honors and awards, including the U.S. Medal of Freedom, the nation’s highest civilian honor. Combining unique personal insights as Chase's son along with experience garnered from his own professional dance and administrative career, Alex Ewing offers the definitive story of one of the true pioneers in the world of American ballet.
From ancient Egypt to the Tudors to the Nazis, the film industry has often defined how we think of the past. But how much of what you see on the screen is true? And does it really matter if filmmakers just make it all up? Picking her way through Hollywood's version of events, acclaimed historian Alex von Tunzelmann sorts the fact from the fiction. Along the way, we meet all our favourite historical characters, on screen and in real life: from Cleopatra to Elizabeth I, from Spartacus to Abraham Lincoln, and from Attila the Hun to Nelson Mandela. Based on the long-running column in the Guardian, Reel History takes a comic look at the history of the world as told through the movies - the good, the bad, and the very, very ugly.
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