The Staff of Aaron…the sword of Joan of Arc. After decoding an ancient scroll—one that purports to pinpont the treasure of the Jewish Temple, lost for two thousand years—archaeologist Annja Creed agrees to lead the party to recover the find in Judea. It's a perilous desert journey through sandstorms and bandits, and complicated by mysterious sabotage within the group, to arrive at a long-forgotten fortress deep beneath a mountain. Only then does Annja discover that this archaeological expedition is really one man's quest for the mystical Staff of Aaron, one of the Bible's holiest and most powerful relics—a weapon they say can do incalculable harm in the hands of the wrong individual. She must try everything humanly possible to prevent the staff from being used for selfish purposes. Even if it puts her in the mightiest battle yet—sword against staff.
Introduction: Orwell's formalism, or A theory of socialist writing -- "Quite bare" ("A Hanging") -- "Getting to work" (The Road to Wigan Pier) -- "Semi-sociological" (Inside the Whale) -- The column as form -- Writing's outside -- First-person socialism -- Conclusion: Happy Orwell
ncovering an ancient aristocracy and its hidden secret Archaeologist and TV show host Annja Creed trades in her dig tools and dirty excavations for the sunny climes of Hollywood. Serving as a prop consultant for a popular TV fantasy series, Annja's enjoying the lights, camera and much less action. Until a scrying crystal is stolen off the set...and it turns out to be something more than a prop. The crystal, in fact, is a priceless artifact from the period of the Crusades. But in the process of recovering it, Annja discovers something far more valuable: an ancient document that could lead to the lost treasure of the Merovingian kings. Rulers of France's oldest dynasty during the third century AD--predating even Charlemagne--the Merovingians were said to be mystic warriors, armed with the power of God. But Annja isn't the only one who knows about the document. And now she must face down a malevolent group that's far too familiar with Garin, one of her closest allies. Good thing she shares far more with these mystic warrriors than even she could possibly imagine.
This republication gives a new generation of readers access to an important intervention in Marxism and social theory. Making History is about the question of how human agents draw their powers from the social structures they are involved in.
Sacrifice and Modern War Writing presents the most extensive study to date of twentieth- and twenty-first-century war writing. Examining works by over 110 authors, Alex Houen surveys how war writing explores sacrifice in relation to major modern and contemporary conflicts, from the First World War to the War on Terror. Various conceptions of sacrifice are examined, including Christian, Jewish, Islamic, and secular. The discussion ranges across literary portrayals of multiple sacrificial practices, including ancient rituals of child sacrifice, martyrdom, scapegoating, and suicide bombing. Houen builds an innovative interdisciplinary approach to how war, sacrifice, and their representations interrelate, and a wide range of Anglophone literature is discussed, including novels, memoirs, short stories, essays, manifestoes, elegies, ballads, and lyric poetry. Whereas critics and theorists have tended to emphasize that war's reality exceeds any attempt to represent it, Houen contends that political, religious, and cultural frames of sacrifice have continued to play a significant part in shaping how war's reality is shaped and experienced. Those frames are inextricably tied to modes of representation, which include symbolism and mimesis. Sacrifice and Modern War Writing explores how sacrificial killing in war is itself riddled with symbolic transfigurations and mimetic exchanges, and it builds a fresh approach by arguing that the figurative and imaginative aspects of literary writing ironically become its very means of engaging closely with the reality of war's sacrifices. That approach also develops by using the literary analyses to critique and revise various prominent theories of sacrifice and war.
This box set of three terrifying thrillers will keep you up far into the night! ALL THE PRETTY GIRLS by J.T. Ellison The Southern Strangler is slaughtering his way through the Southeast, leaving a gruesome memento at each crime scene—the prior victim’s severed hand. Nashville Homicide lieutenant Taylor Jackson finds herself in a joint investigation with her lover, FBI profiler Dr. John Baldwin, as they pursue the vicious murderer. Battling an old injury and her own demons, Taylor is desperate to quell the rising tide of bodies. But as the killer spirals out of control, everyone involved must face a horrible truth—the purest evil is born of private lies. A PERFECT EVIL by Alex Kava Three months after the execution of serial killer Ronald Jeffreys, another body is found killed in the same style as Jeffreys’ victims. Sheriff Nick Morelli knows he isn’t equipped to handle the killer who is terrorizing his small Nebraska community. He’s grateful when the FBI sends one of their best criminal profilers, special agent Maggie O’Dell. Maggie quickly recognizes this is someone who has killed before. When another victim is found dead and a third kidnapped, Nick and Maggie know they’re running out of time. And the terrible truth becomes clear: Jeffreys may have been convicted of crimes he didn’t commit. BONE COLD by Erika Spindler Twenty-three years ago, a madman kidnapped Anna North, cut off her pinkie, then vanished. She survived, and now lives as a writer in New Orleans. But then letters start to arrive from a disturbed fan. Anna is followed, her apartment broken into. Then a close friend disappears. Anna turns to homicide detective Quentin Malone, but Malone’s more concerned with the recent murders of two women in the French Quarter. After a third victim is found—a redhead like Anna, her pinkie severed—Malone is forced to acknowledge that Anna is his link to the killer…and could be the next target. Now Anna must face the horrifying truth—her nightmare has begun again.
Gladigator is the childrens champion of Rome. He and his family were given the gift of having their ages frozen in time by the gods of the ancient druids. His ancient rival is the dreaded Tyrannous and his Gladiators, who made a pact with the devil that allowed them to fight in all the great wars in history for two millennium. However, during this two thousand year pact, Tyrannous did not bargain on the Gladigator being around to confront him at every turn. The Gladigator first defeated Tyrannous in the Circus Maximus, to win his freedom. However, the emperor deceived the children of Rome by ordering his men to capture Gladigator. Gladigator knew he had to get out of the Roman empire and heads for Caledonia, Scotland. He knows that the Roman empire stops a Hadrians Wall and that he would be safe in Caledonia. The story focuses on Gladigators incredible journey from Rome all the way to Auchinlea in Glasgow, where he eventually settled down. Follow his many adventures along the way, culminating in the fantastic showdown with Tyrannous and his men in Auchinlea Park, where they reproduce the ancient Circus Maximus of Rome in the heart of Auchinlea Park, whilst the whole of the 21st century world holds its breath for the outcome of this final conflict between good and evil. The book is also highly educational, with much historical research, ranging from the ancient fighting styles and weapons of Rome, to the many ways of life of ancient cultures, such as the Gauls, the druids, and the Caledonians. The book is also crammed full of Glasgows history, including the Bishoploch, Provan Hall house, and Blairtumock House, just to name a few. It is also based on the real-life Gladiator programme of Glasgow and the real-life Gladigator mascots. This is a fantastic swash- buckling childrens adventure that allows fiction to fuse with real history, teaching history in an informative and exciting way for children. Whether you are an adult or a child, there is much to learn and tremendous fun for all. Once you start reading this captivating, non-stop action adventure, you will not be able to put it down.
Between 1914 and 1918, the Western Front passed through some of Europe's most populated and industrialised regions, such as the towns of Nancy, Reims, Arras, and Lens. This is the story of how war shaped the civilian identities of people who suffered intense artillery bombardment, military occupation, and forced displacement.
How can we understand power in a world of ever-growing complexity? This book proposes that we can do so by rethinking the theory and practice of political hegemony through the resources of complexity theory. Taking Gramsci’s understanding of hegemony as its starting point, the book argues that the intricacies of contemporary power can be mapped by applying concepts drawn from complexity theory, such as emergence, self-organisation, metastability, and generative entrenchment. It develops an original account of social complexity, drawing upon critical realist sociology, analytic philosophy of science, Marxist and continental philosophies, and neoliberal and anarchist thought. It then draws out the elements of Gramscian hegemony that already align with complexity concepts, such as the balance of forces, common sense, and the historic bloc. On this basis, the book sets out the different dimensions of complex hegemonic power before using this theory to interpret the nature of the power of neoliberalism since 2008.
Of all the states in the Confederacy, Tennessee was the most sectionally divided. East Tennesseans opposed secession at the ballot box in 1861, petitioned unsuccessfully for separate statehood, resisted the Confederate government, enlisted in Union militias, elected U.S. congressmen, and fled as refugees into Kentucky. These refugees formed Tennessee's first Union cavalry regiments during early 1862, followed shortly thereafter by others organized in Union-occupied Middle and West Tennessee. In Homegrown Yankees, the first book-length study of Union cavalry from a Confederate state, James Alex Baggett tells the remarkable story of Tennessee's loyal mounted regiments. Fourteen mounted regiments that fought primarily within the boundaries of the state and eight local units made up Tennessee's Union cavalry. Young, nonslaveholding farmers who opposed secession, the Confederacy, and the war -- from isolated villages east of Knoxville, the Cumberland Mountains, or the Tennessee River counties in the west -- filled the ranks. Most Tennesseans denounced these local bluecoats as renegades, turncoats, and Tories; accused them of betraying their people, their section, and their race; and held them in greater contempt than soldiers from the North. Though these homegrown Yankees participated in many battles -- including those in the Stones River, Tullahoma, Chickamauga, East Tennessee, Nashville, and Atlanta campaigns -- their story provides rare insights into what occurred between the battles. For them, military action primarily meant almost endless skirmishing with partisans, guerrillas, and bushwackers, as well as with the Rebel raiders of John Hunt Morgan, Joseph Wheeler, and Nathan Bedford Forrest, who frequently recruited and supplied themselves from behind enemy lines. Tennessee's Union cavalry scouted and foraged the countryside, guarded outposts and railroads, acted as couriers, supported the flanks of infantry, and raided the enemy. On occasion, especially during the Nashville campaign, they provided rapid pursuit of Confederate forces. They also helped protect fellow unionists from an aggressive pro-Confederate insurgency after 1862. Baggett vividly describes the deprivation, sickness, and loneliness of cavalrymen living on the war's periphery and traces how circumstances beyond their control -- such as terrain, transport, equipage, weaponry, public sentiment, and military policy -- affected their lives. He also explores their well-earned reputation for plundering -- misdeeds motivated by revenge, resentment, a lack of discipline, and the hard-war policy of the Union army. In the never-before-told story of these cavalrymen, Homegrown Yankees offers new insights into an unexplored facet of southern Unionism and provides an exciting new perspective on the Civil War in Tennessee.
This is the first critical study of Romantic-era annotation or marginalia – footnotes, endnotes, glossaries – which formed a vital site of literary interaction.
This book explores the impact of 'race', class and gender on the interaction of pupils and their teachers in the classroom setting. It seeks to examine the extent to which these variables can account for differential rates of school exclusion between pupils from different ethnic/racial groups, socio-economic classes and genders.
If you feel like you're sitting at the table of life staring at a confusion of puzzle pieces, Alex McLellan has a word of wisdom. In this book, he explores competing views of truth and the nature of doubt, urging us to proceed in piecing the world together in the faith that the truths of Christianity will resonate with life.
Arising from foundations in green and eco-consumerism, ethical consumption is a multidisciplinary area of research. This shortform book presents an expert view of the empirical evidence on ethical consumption, incorporating perspectives from marketing, psychology and sociology. It takes both a historical and a thematic perspective, covering definitions of ethical consumption, typologies of ethical consumer practices, successes brought about from consumer actions and the current challenges. It also focuses on the emergence of contemporary perspectives on ethical consumer behaviour from three discrete perspectives: those focusing on consumer segmentation (the profiling of ethical consumers), those which take a psychological approach (the decision- making processes which underpin ethical consumption) and those which are sociological in nature (the identities and practices which underpin ethical consumption). The book finally synthesises these perspectives in the context of the ‘problems’ that are often claimed to exist, such as the existence of the ‘attitude– behaviour gap’, and provides conclusions which make recommendations for practice and further research. It will be of interest to academics and students of marketing, consumption and related fields, as well as to practitioners and policymakers who want to understand more about the evidence pertaining to ethical consumers, what motivates them, and how to encourage and educate them to consume more ethically.
Since his first tentative steps on stage, Alex Norton’s career has been both highly colourful and eventful beyond his wildest dreams. His journey from the streets of Glasgow’s notorious Gorbals to blockbuster Hollywood movies has rarely been smooth, but in a career spanning six decades he has pretty much seen it all - and done most of it. When the teenage Alex discovered acting was a great way to meet girls, he was hooked for life and embarked on an adventure that has taken him from kids’ TV to radical theatre and from panto to Hollywood, working with a host of famous faces along the way. As a jobbing actor in the late sixties Alex met and played guitar with young Davy Jones on a movie set - the next time he saw him, David Bowie had hit the big time. Alex has appeared in iconic movies like Local Hero, Gregory’s Girl and Braveheart; nearly killed Clint Eastwood on a movie shoot in South Africa; had whale for dinner in Moscow with John Voight; been named by Dudley Moore as the funniest actor he’d ever worked; starred alongside Johnny Depp in Pirates of the Caribbean: Dead Man’s Chest; and made an everlasting mark on British television as DCI Matt Burke in Taggart. Uproariously funny and highly entertaining, in There’s Been A . . . Life! Alex Norton takes us on an irreverent journey behind the scenes of a showbiz life very well lived.
The constitutional presidency is the crown jewel of the separation of powers in the American system. Designed in 1787, the office was structured to weather a wide variety of political circumstances, accommodate broad ranges of personalities in its incumbents and educate officeholders to become better presidents. Nowhere are these three effects clearer than during the brief, unelected tenure of President Gerald Ford, because he occupied the presidency amid tremendous strains on the country and the separation of powers. After the dual traumas of Watergate and Vietnam, the public was profoundly skeptical of government in general and the presidency in particular. As a result, the post-Watergate Congress claimed the mantle of public support and proposed reforms that could have crippled the presidency’s constitutional powers. Weakened by the Nixon pardon, Ford stood alone in this environment without many of the informal political strengths associated with the modern presidency. As a result he had to rely, in large measure, on the formal powers of his constitutional office. Based on archival research, this book shows that Ford’s presidency placed the Constitution at the center of his time in office. The constitutional presidency allowed him to preserve his own political life, his presidential office, and the separation of powers amid a turbulent chapter in American history.
While the central ideal of Roman philosophy exemplified by Lucretius, Cicero and Seneca appears to be the masculine values of self-sufficiency and domination, this book argues, through close attention to metaphor and figures, that the Romans also recognized, as constitutive parts of human experience, what for them were feminine concepts such as embodiment, vulnerability and dependency. Expressed especially in the personification of grammatically feminine nouns such as Nature and Philosophy 'herself', the Roman's recognition of this private 'feminine' part of himself presents a contrast with his acknowledged, public self and challenges the common philosophical narrative of the emergence of subjectivity and individuality with modernity. To meet this challenge, Alex Dressler offers both theoretical exposition and case studies, developing robust typologies of personification and personhood that will be useable for a variety of subjects beyond classics, including rhetoric, comparative literature, gender studies, political theory and the history of ideas.
Starting with Frege's foundational theories of sense and reference, Miller provides an introduction to the formal logic used in all subsequent philosophy of language. He communicates a sense of active philosophical debate by confronting the views of the early theorists concerned with building systematic theories - Frege, Russell, and the logical positivists - with the attacks mounted by sceptics - such as Quine, Kripke, and Wittgenstein. This leads to excursions into related areas of metaphysics, philosophy of mind, and cognitive science that present more recent attempts to save the notions of sense and meaning by philosophers such as Grice, Searle, Fodor, McGinn, and Wright. Miller then returns to the systematic program by examining the formal theories of Donald Davidson, concluding with a chapter surveying the relevance of philosophy of language to the broader metaphysical debates between realists and anti-realists.
Denis Law is undoubtedly Scottish football's favourite son. He is joint top record scorer for his country with an impressive strike rate of 30 goals in 52 games and scored in the famous 3 - 2 win over world champions England at Wembley in 1967. As well as his prolific strike rate, he was also part of the Scotland team that won their way through to the 1974 World Cup Finals in West Germany - the first time the Scots had reached the finals in 16 years. In this unique portrait of Denis Law, which is the first book solely devoted to his illustrious international career, Alex Gordon interviews a vast array of former teammates, including Willie Henderson, Davie Hay, John Greig, Pat Crerand, Tommy Gemmell, and international opponents such as Gordon Banks, George Best and Bobby Charlton. Denis Law was the showman supreme. He was more than a mere goal scorer whose cavalier thrusts and menacing darts brought panic to opposing defences. Law was an inspiration to those around him at club and country level and to younger generations of fans everywhere. Team-mates adored him, opponents feared him, fans revered him. He was a free spirit, an extrovert, a complete one-off, a rare combination of impudence and intelligence, class and clout. Denis Law is, was and always will be The King.
Chic Charnley is one of the most controversial, colourful characters in Scottish football history. Blessed with awesome talent, incredible ability and spectacular skills, he's the player who could - and should - have been one of the biggest names in sport. But, by his own admission, he blew it. Here he tells all in the most revealing, unputdownable book of the game. The maverick midfielder tells it like it is, including the real reason he did not sign for his boyhood idols Celtic; the genuine regrets of a stormy career that kept him in the headlines for all the wrong reasons; his bad boy image, crazy antics and why he was sent off a record amount of times; how he ruined Henrik Larsson's Celtic debut; the day he was attacked by a thug with a sword - during training! - and much more. Here, for the first time, Chic Charnley talks about the rollercoaster career that saw him play for Partick Thistle, Hibs, St. Mirren, Dundee, Ayr, Clydebank, Hamilton and a few others in between. It's a journey through football with tales as outrageous as the character himself!
The Rise of the Memoir traces the growth and extraordinarily wide appeal of the memoir. Its territory is private rather than public life, shame, guilt, and embarrassment, not the achievements celebrated in the public record. What accounts for the sharp need writers like Rousseau, Woolf, Orwell, Nabokov, Primo Levi, and Maxine Hong Kingston felt to write (and to publish) such works, when they might more easily have chosen to remain silent? Alex Zwerdling explores why each of these writers felt compelled to write them as that story can be reconstructed from personal materials available in archival collections; what internal conflicts they encountered while trying; and how each of them resisted the private and public pressures to stop themselves rather than pursuing this confessional route, against their own doubts, without a reasonable expectation that such works would be welcome in print, and eventually find an empathetic audience. Reconstructing this process in which a dubious project eventually becomes a compelling product-a "memoir" that will last-illuminates both what was at stake, and why this serially invented open form has reshaped the expectations of readers who welcomed a vital alternative to "the official story.
Inspired by masters like Stephen King and William Friedkin, this bone-chilling collection confronts the grimmest edges of human experience across eight captivating stories. From sinister obsessions to brutal rituals, At Night They Whisper ventures into the recesses of skewed morality to uncover aberrant possibilities few dare depict. While the classic intrigue of ‘She’s Still with Us’ pays homage to old-school detective fiction, these largely original plots seize upon unexplored darkness. In ‘The Forty-Stone Finding,’ freedom and hope itself perish, while ‘Choking Monopoly’ investigates the warped dynamics lurking in family ties. Through stylistic flair and profound realism, author Alex J. Thomas immerses readers in creeping dread whilst also not forgetting to deliver a healthy dose of pulsating startles. If the deepest darkness seems unreal, At Night They Whisper dares all who encounter it: ‘what if...?’
Is terrorism's violence essentially symbolic? Does it impact on culture primarily through the media? What kinds of performative effect do the various discourses surrounding terrorism have? Such questions have not only become increasingly important in terrorism studies, they have also been concerns for many literary writers. This book is the first extensive study of modern literature's engagement with terrorism. Ranging from the 1880s to the 1980s, the terrorism examined is as diverse as the literary writings on it: chapters include discussions of Joseph Conrad's novels on Anarchism and Russian Nihilism; Wyndham Lewis's avant-garde responses to Syndicalism and the militant Suffragettes; Ezra Pound's poetic entanglement with Segregationist violence; Walter Abish's fictions about West German urban guerrillas; and Seamus Heaney's and Ciaran Carson's poems on the 'Troubles' in Northern Ireland. In each instance, Alex Houen explores how the literary writer figures clashes or collusions between terrorist violence and discursive performativity. What is revealed is that writing on terrorism has frequently involved refiguring the force of literature itself. In terrorism studies the cultural impact of terrorism has often been accounted for with rigid, structural theories of its discursive roots. But what about the performative effects of violence on discourse? Addressing the issue of this mutual contagion, Terrorism and Modern Literature shows that the mediation and effects of terrorism have been historically variable. Referring to a variety of sources in addition to the literature—newspaper and journal articles, legislation, letters, manifestos—the book shows how terrorism and the literature on it have been embroiled in wider cultural fields. The result is not just a timely intervention in debates about terrorism's performativity. Drawing on literary/critical theory and philosophy, it is also a major contribution to debates about the historical and political dimensions of modernist and postmodernist literary practices.
This authoritative survey of the new radical left forming across Europe offers “ammo for the struggles ahead, not to be ignored” (Susan Weissman, award-winning journalist and editor of Victor Serge). In Greece, Ireland, Portugal, and Spain, the debt crisis that began with the 2008 global recession helped trigger severe austerity measures. These policies, intended to address government debts, only worsened economic conditions. In response, something happened that few outsiders expected: A massive wave of political resistance erupted across Europe. With mainstream parties largely discredited by their support for austerity, room opened for radicals to offer a left-wing alternative. Collecting provocative, informative, and expert insights from leading scholars across the continent, Europe in Revolt examines the key parties and figures behind this insurgency. These essays and articles cover the roots of the social crisis—and the radicals seeking to reverse it—in Cyprus, England, France, Germany, Greece, Iceland, Ireland, Italy, the Netherlands, Portugal, Spain, and Sweden.
The First World War was an unprecedented crisis, with communities and societies enduring the unimaginable hardships of a prolonged conflict on an industrial scale. In Belgium and France, the terrible capacity of modern weaponry destroyed the natural world and exposed previously held truths about military morale and tactics as falsehoods. Hundreds of thousands of soldiers suffered some of the worst conditions that combatants have ever faced. How did they survive? What did it mean to them? How did they perceive these events? Whilst the trenches of the Western Front have come to symbolise the futility and hopelessness of the Great War, Alex Mayhew shows that English infantrymen rarely interpreted their experiences in this way. They sought to survive, navigated the crises that confronted them, and crafted meaningful narratives about their service. Making Sense of the Great War reveals the mechanisms that allowed them to do so.
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