Post-war British artist Keith Vaughan (1912-77) was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Image of a Man provides a comprehensive critical reading of his extraordinary journal, uncovering the attitudes and arguments that shaped and reshaped Vaughan's identity as a man and as an artist.
This textbook examines corruption through a macroeconomic lens, exploring the relationship between corruption, fiscal policy, and political economy. It merges macroeconomic growth models with elements of political economic theory to address important applied topics such as income inequality within and across countries, growth slowdowns, and fiscal crises. Revised and updated to include new research findings and recent policy discussions, the second edition contains 15 new sections and 2 new chapters on topics such as public defaults, the wage elasticity of work and the interest elasticity of saving, and the economic and fiscal impact of the 2020 pandemic. Most of the basic ideas are illustrated using a two-period model of government investment that captures the future cost of policies that favor the present. The more subtle and advanced issues are illustrated and, in some cases, quantified, using the overlapping-generations model of economic growth. The models used to illustrate the mechanisms of economic growth are extended to incorporate politics and the behavior of public official. The text concludes with a thorough discussion of policy reforms designed to address the issues discussed in earlier chapters. Intended for students familiar with intermediate-level economics, the second edition contains a technical appendix, expanded end-of-chapter questions and problems, and a complete solutions manual. The second edition also offers updated resources for instructors, including sample syllabi and over 550 multiple choice questions. Offering a unified explanation for the causes and consequences of government failure, fiscal crisis, and needed policy reforms, this text is appropriate for advanced undergraduate and beginning graduate courses in macroeconomics, political economy, and public policy.
This compilation, Horizon Above and Beyond, is the outcome of the hard efforts of past two years. Unlike other projects or approaches that attempt to pool out literature and language from each other, the following text has attempted not to catalog either the text or the contents into any particular class of subjects of concern and, thus, keeping it broad and wide. It sheds the limelight onto the research works done by the scholars of various disciplines. The technical aspect of language, such as linguistics and translation, along with literary criticism and the researches on novels, poems, short stories, films, religion, etc., are brought under a single haven, thereby extending the subjectivity of research on language and literature. Similarly the rigidity, fluidity, and hypocrisy of the various social institutions are also put into scrutiny respectively in different areas. Therefore, instead of choosing the works that are purely literary, those tinted with the flavor of other styles and outlooks are muddled together here.
In this book, Alex Davis argues that the paradigms that have governed our ideas about the historical consciousness of the English Renaissance for more than half a century must be re-evaluated in the light shed by the Renaissance historical fictions of Philip Sidney, Thomas Deloney, and Thomas Nashe.
If you asked a passerby on the street what anarchism is, they may answer that it is an ideology based on chaos, disorder, and violence. But is this true? What exactly is anarchism? This Very Short Introduction provides a new point of departure for our understanding of anarchism. Prichard describes anarchism as a lived set of practices, with a rich historical legacy, and shows how anarchists have inspired and criticised some of our most cherished values and concepts, from the ideals of freedom, participatory education, federalism, to important topics like climate change, and wider popular culture in science fiction. By locating the emergence and globalization of anarchist ideas in a history of colonialism and imperialism, the book links anarchism into struggles for freedom across the world and demonstrates that anarchism has much to offer anyone trying to envision a better future. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Adopt a sales-orientated approach to your business and facilitate the same attitude throughout your company's culture, by ensuring the objective of generating business profit is embraced by the entire organization - not just the sales team - to achieve long term growth. Business Development Culture defines how to facilitate a sales-oriented perspective throughout a company culture, enabling it to sell more on an ongoing and consistent basis. Highly practical in its approach, this book empowers readers to break away from the frustrations of missed opportunities and lost leads, and to escape the repetitive 'feast and famine' sales patterns. Providing direct guidance on the implementation of an immersive business development culture, this book will ensure that the wider objective of generating business profit is embraced by the entire organization, not just the sales team. Easily tailored to maximize current processes, this book features numerous tools and market-tested insights to support leaders in adapting their approach at both team and strategy levels. This invaluable guidance is supporting by impactful interviews from across the industry. Insightful, practical and directly relevant, it is an essential read to achieve stable, consistent growth, and ultimately, long-term profits.
This provocative text considers the state of media and cultural studies today after the demolition of the traditional media paradigm, and engages with the new, active consumer culture. Media Studies, particularly within schools, has until recently been concerned with mass media and the effects of ‘the media’ in society and on people. As new media technology has blurred the boundaries between the audience and the media, the status of this area of education is threatened. Whilst some have called for a drastic re-think (Media Studies 2.0), others have called for caution, arguing that the power dynamics of ownership and gatekeeping are left intact. This book uses cultural and technological change as a context for a more forensic exploration of the traditional dependence on the idea of ‘the media’ as one homogenous unit. It suggests that it would be liberating for students, teachers and academics to depart from such a model and shift the focus to people and how they create culture in this contemporary ‘mediascape’.
This book helps teachers, student-teachers, teacher trainers and others interested in the sociology and psychology of education to explore and make better sense of professional practice by examining that practice in the context of popular views.
A highly original study that examines the central role played by women as mediums, healers, and believers during the golden age of spiritualism in the late Victorian era, The Darkened Room is more than a meditation on women mediums—it's an exploration of the era's gender relations. The hugely popular spiritualist movement, which maintained that women were uniquely qualified to commune with spirits of the dead, offered female mediums a new independence, authority, and potential to undermine conventional class and gender relations in the home and in society. Using previously unexamined sources and an innovative approach, Alex Owen invokes the Victorian world of darkened séance rooms, theatrical apparitions, and moving episodes of happiness lost and regained. She charts the struggles between spiritualists and the medical and legal establishments over the issue of female mediumship, and provides new insights into the gendered dynamics of Victorian society.
What were Shakespeare's politics? As this study demonstrates, contained in Shakespeare's plays is an astonishingly powerful reckoning with the tradition of Western political thought, one whose depth and scope places Shakespeare alongside Plato, Aristotle, Machiavelli, Hobbes and others. This book is the first attempt by a political theorist to read Shakespeare within the trajectory of political thought as one of the authors of modernity. From Shakespeare's interpretation of ancient and medieval politics to his wrestling with issues of legitimacy, religious toleration, family conflict, and economic change, Alex Schulman shows how Shakespeare produces a fascinating map of modern politics at its crisis-filled birth. As a result, there are brand new readings of Troilus and Cressida, Coriolanus, Julius Caesar, Antony and Cleopatra, King Lear, Richard II and Henry IV, parts I and II , The Merchant of Venice and Measure for Measure.
NATHAN TREEVES IS DEAD, murdered by the Master of Mordew, his remains used to create the powerful occult weapon known as the Tinderbox. His companions are scattered, making for Malarkoi, the city of the Mistress, the Master's enemy. They are hoping to find welcome there, or at least safety. They find neither – and instead become embroiled in a life and death struggle against assassins, demi-gods, and the cunning plans of the Mistress. Only Sirius, Nathan's faithful magical dog, has not forgotten the boy. Bent on revenge, he returns to the shattered remains of Mordew – only to find the city morphed into an impossible mountain, swarming with monsters. He senses something in the Manse at its pinnacle – the Master is there, grieving the loss of his manservant, Bellows – and in the ruins of the slums Sirius finds a power capable of destroying his foe, if only he has the strength to use it. The stage is set for battle, sacrifice, magic and treachery in the stunning sequel to Mordew. ... Welcome to Malarkoi..
This work defines the dramatic rationale of the Hamlet soliloquies in their dramatic contexts, thereby clarifying the tragic idea that organizes the play.
This text is an introduction to the newer features of growth theory that are particularly useful in examining the issues of economic development. Growth theory provides a rich and versatile analytical framework through which fundamental questions about economic development can be examined. Structural transformation, in which developing countries transition from traditional production in largely rural areas to modern production in largely urban areas, is an important causal force in creating early economic growth, and as such, is made central in this approach. Towards this end, the authors augment the Solow model to include endogenous theories of saving, fertility, human capital, institutional arrangements, and policy formation, creating a single two-sector model of structural transformation. Based on applied research and practical experiences in macroeconomic development, the model in this book presents a more rigorous, quantifiable, and explicitly dynamic dual economy approach to development. Common microeconomic foundations and notation are used throughout, with each chapter building on the previous material in a continuous flow. Revised and updated to include more exercises for guided self study, as well as a technical appendix covering required mathematical topics beyond calculus, the second edition is appropriate for both upper undergraduate and graduate students studying development economics and macroeconomics.
The material in this text is compiled to help students in the study for board examinations. It is not intended as a textbook, nor is it felt to be a complete reference book. It is my hope that it will be used to jog one's memory of material previously learned and to point out important concepts that should be grasped. The author has made every effort to include the learning objectives as outlined by the Committee on Curriculum of the Association for Surgical Education in this text. The book is laid out with much the same table of contents as most textbooks in general surgery. It is organized primarily in an organ system fashion but every effort has been made to address common clinical problems and differential diag noses. It has been written in an outline form and the author would encourage students to highlight important areas, write in the margins, and expand on the concepts or key phrases listed in the book.
Post-war British artist Keith Vaughan (1912-77) was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Image of a Man provides a comprehensive critical reading of his extraordinary journal, uncovering the attitudes and arguments that shaped and reshaped Vaughan's identity as a man and as an artist.
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