This study discusses the question of whether there is a linguistic difference between classical Attic prose texts intended for public oral delivery and those intended for written circulation and private performance. Identifying such a difference which exclusively reflects these disparities in modes of reception has proven to be a difficult challenge for both literary scholars and cultural historians of the ancient world, with answers not always satisfactory from a methodological and an analytical point of view. The legitimacy of the question is first addressed through a definition of what such slippery notions as 'orality' and 'oral performance' mean in the context of classical Athens, reconstruction of the situations in which the extant prose texts were meant to be received, and an explanation of the grounds on which we may expect linguistic features of the texts to be related to such situations. The idea that texts conceived for public delivery needed to be as clear as possible is substantiated by available cultural-historical and anthropological facts; however, these do not imply that the opposite was required of texts conceived for private reception. In establishing a rigorous methodology for the reconstruction of the native perception of clarity in the original contexts of textual reception this study offers a novel approach to assessing orality in classical Greek prose through examination of linguistic and grammatical features of style. It builds upon the theoretical insights and current experimental findings of modern psycholinguistics, providing scholars with a new key to the minds of ancient writers and audiences.
This study discusses the question of whether there is a linguistic difference between classical Attic prose texts intended for public oral delivery and those intended for written circulation and private performance. Identifying such a difference which exclusively reflects these disparities in modes of reception has proven to be a difficult challenge for both literary scholars and cultural historians of the ancient world, with answers not always satisfactory from a methodological and an analytical point of view. The legitimacy of the question is first addressed through a definition of what such slippery notions as "orality" and "oral performance" mean in the context of classical Athens, reconstruction of the situations in which the extant prose texts were meant to be received, and an explanation of the grounds on which we may expect linguistic features of the texts to be related to such situations. The idea that texts conceived for public delivery needed to be as clear as possible is substantiated by available cultural-historical and anthropological facts; however, these do not imply that the opposite was required of texts conceived for private reception. In establishing a rigorous methodology for the reconstruction of the native perception of clarity in the original contexts of textual reception this study offers a novel approach to assessing orality in classical Greek prose through examination of linguistic and grammatical features of style. It builds upon the theoretical insights and current experimental findings of modern psycholinguistics, providing scholars with a new key to the minds of ancient writers and audiences.
Il mare, un molo, un tramonto e un uomo. Come quattro amici che si ritrovano a godere in silenzio della reciproca compagnia. Il bibliotecario di Sumatra analizza il presente raccontando del suo passato, in un volteggio leggero come un frullio d’ali, delicato come il suono di un carillon. Nei libri custoditi nella struttura di cui è guardiano, è raccontata la storia dell’umanità, a cui invece spetta il compito di scrivere il futuro. Un testo tanto spirituale quanto pratico, che tratta della religione e del Cristo sotto una luce nuova, mettendo a nudo al contempo la necessità umana di avere una vedetta che ci indichi la strada. L’abilità di Alessandro Giudice nel raccontare è quella di un maestro pacato, appassionato e appassionante, in grado di catturare e portare a percorrere le strade delle sue storie facendoci sentire quasi come se fossimo noi a scriverle. Alessandro Giudice, l’autore dal cognome scomodo, è nato nel 1963. I suoi libri pubblicati sono: il saggio L’unificazione della trinità, la ragazza di Hare Krishna (2008 - 2010 - 2018), la raccolta di scritti ...and none of them the wiser (2014), il romanzo distopico The Dream Police (2017), scritto in Italiano e in Inglese, lanciato su RadioRai, e il testo teatrale Due Quartetti / Two Quartets (2018), bilingue anch’esso. Ha ricevuto vari riconoscimenti letterari nazionali. Ha inoltre creato il dynamic reading teatrale The Lighthouse - Nella lunga notte scura (2013, trailer disponibile su YouTube). Di questo libro è stata pubblicata una parziale prima edizione nel 2015.
This is an intellectual biography of the Italian Jewish writer and politician David Levi (1816-1898). Freemasonry, Saint-Simonianism, and the Enlightenment are his vessels for a new, secular, interpretation of Jewish identity and for innovative views on Judaism’s relation with modernity.
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