Quando in un ipotetico sistema di potere internazionale tutte le dinamiche umane, perfino il pensiero, il linguaggio e i sentimenti, sembrano sotto controllo, allora a tale sistema non resta che controllare i sogni.
Almost certainly the content of the following specification is something already well known, therefore it may seem superfluous here, nevertheless we prefer to propose it just the same.During the length of this story, we will neglect the obvious definition regarding what is commonly considered as an “act of conscious will”.We’d rather observe that by “act of unconscious will” we mean an act performed according to the will of which the person who acts is not conscious; therefore, that act is the result of an unconscious will/pulsion.Instead, by “involuntary act” we mean an act performed without any conscious or unconscious will by the person who acts; for example, it’s the case of those acts belonging to circumstances such as unexpectedly meeting someone/something while you’re walking: that meeting does not depend on the conscious or unconscious will of the person. About all that, this is not the adequate place to deal with either supernal will or coincidence, the latter not to be interpreted as a casualness but literary as the event of “co-inciding”, as synchronicity, according to the undersigned.The dream and the acts it contains, here represent a matter on their own.You can conceptualize as you please the distinction among a nihilist, a dissident, a dissentient and a subversive: according to the power system described in this story, the latter two could be considered as interconnected, for precautionary measures.You can imagine as you please the complexions and the jobs of the characters in this story.The Author
Un'avventura fantascientifica in lingua genovese; non si sa se sia più fantascientifica la vicenda narrata o il proposito "impossibile" di raccontarla in genovese. L'autore, Alessandro Guasoni, nato nel 1958, è considerato uno dei maggiori scrittori in genovese viventi.
This book reveals for the first time the import of a huge network of connections between Tennessee Williams and the country closest to his heart, Italy. America's most thought-provoking playwright loved Italy more than any other country outside the US and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.
Winner of the prestigious 'Giuseppe Sormani International Prize' for the best monograph on Antonio Gramsci (4th edition, 2012-2017). Antonio Gramsci (1891-1937) is one of the most translated Italian authors of all time. After the Second World War his thought became increasingly influential, and remained relevant throughout the second half of the century. Today, it is generally agreed that his Marxism has highly original and personal features, as confirmed by the fact that his international influence has continued to grow since the fall of the Berlin Wall and the collapse of the Soviet Union. Gramsci and Languages offers an explanation of this originality and traces the origins of certain specific features of Gramsci’s political thought by looking at his lifelong interest in language, especially in questions of linguistic diversity and unification.
This book explores how music can improve skills that are impaired in some neurodevelopmental disorders, including ADHD (attention deficit hyperactivity disorder), autism, and Rett syndrome. Rehabilitation interventions based on the use of music, termed “music therapy”, are relatively widespread, but not all are supported by empirical evidence. This book offers readers an updated and scientifically grounded perspective on this theory and argues that music can be effective in promoting the acquisition of some basic mental abilities. Chapters present some of the latest research and data on how musical activities can lead children affected by neurodevelopmental disorders to improve those skills, including examples of training programs and exercises. The book will be a valuable resource for therapists, rehabilitators, psychologists, educators, musicians, researchers, as well as anyone interested in exploring the potential in music for human growth.
Living with Drugs explores topics surrounding their control, use and risk of misuse. The conclusions in this book are drawn from the seminar held at the EHESS in Paris during the years 2015-2017. It involved anthropologists, sociologists, historians, philosophers, economists, lawyers, doctors, psychiatrists, health center workers, community activists, users and former drug users. The seminar, like the resulting book, is based on a transversal approach to disciplines, space and time, and a confluence of academic, practical and experiential knowledge. - Details the progress of French research and public debates on French and international drug policy - Includes the input of human and social sciences and the expertise of health professionals and activists
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