Alessandro Orsini is one of Italy's premier analysts of political extremism. His investigation of the beliefs and mind-sets of Europe's political fringe has largely focused on anarchist and far-left groups, but in Sacrifice he turns his inquiry to the rapidly expanding neofascist movement. He joined local groups of a neofascist organization he names Sacrifice in two neighboring cities with very different political cultures. In this gripping, "insider" book, which features dialogues with various militia members, Orsini shows how fascists live day to day, how they understand their world, and how they build a parallel universe in which the correctness and probity of their attitudes are clear. Orsini describes the long, troubled process by which these two groups slowly accepted him as an investigatoractivist and later expelled him for his ideologically uncommitted stance and refusal to subject his observations to censorship. His activities as a fascist were often mundane: leafleting, distributing food parcels to the indigent, and attending public rallies. In Sacrifice, Orsini describes from within the masculine ethos of the militias, the groups' relations with local police and politicians, and the central role of violence and anticommunist actions in building a sense of fascist community.
The theme of conspiracy is central to Machiavelli's writing. His work offers observations and analysis of conspiracy as part of the armoury of the Renaissance politician. Surprisingly, the theme has not yet received the attention it merits. This volume corrects an interpretation which reduces Machiavelli's position to one of censorious observer of conspiracies. Quite to the contrary, as Campi demonstrates, Machiavelli developed an anatomy of conspiracy and provided a practical manual for coup d'état" and violent seizure of power.
Taking into consideration the political and literary issues hanging upon the circulation of Machiavelli's works in England, this volume highlights how topics and ideas stemming from Machiavelli's books - including but not limited to the Prince - strongly influenced the contemporary political debate. The first section discusses early reactions to Machiavelli's works, focusing on authors such as Reginald Pole and William Thomas, depicting their complex interaction with Machiavelli. In section two, different features of Machiavelli's reading in Tudor literary and political culture are discussed, moving well beyond the traditional image of the tyrant or of the evil Machiavel. Machiavelli's historiography and republicanism and their influences on Tudor culture are discussed with reference to topical authors such as Walter Raleigh, Alberico Gentili, Philip Sidney; his role in contemporary dramatic writing, especially as concerns Christopher Marlowe and William Shakespeare, is taken into consideration. The last section explores Machiavelli's influence on English political culture in the seventeenth century, focusing on reason of state and political prudence, and discussing writers such as Henry Parker, Marchamont Nedham, James Harrington, Thomas Hobbes and Anthony Ascham. Overall, contributors put Machiavelli's image in sixteenth- and seventeenth-century England into perspective, analyzing his role within courtly and prudential politics, and the importance of his ideological proposal in the tradition of republicanism and parliamentarianism.
Alessandro Orsini is one of Italy's premier analysts of political extremism. His investigation of the beliefs and mind-sets of Europe's political fringe has largely focused on anarchist and far-left groups, but in Sacrifice he turns his inquiry to the rapidly expanding neofascist movement. He joined local groups of a neofascist organization he names Sacrifice in two neighboring cities with very different political cultures. In this gripping, "insider" book, which features dialogues with various militia members, Orsini shows how fascists live day to day, how they understand their world, and how they build a parallel universe in which the correctness and probity of their attitudes are clear. Orsini describes the long, troubled process by which these two groups slowly accepted him as an investigatoractivist and later expelled him for his ideologically uncommitted stance and refusal to subject his observations to censorship. His activities as a fascist were often mundane: leafleting, distributing food parcels to the indigent, and attending public rallies. In Sacrifice, Orsini describes from within the masculine ethos of the militias, the groups' relations with local police and politicians, and the central role of violence and anticommunist actions in building a sense of fascist community.
Bob Dylan’s iconic 1962 song “A Hard Rain’s A-Gonna Fall” stands at the crossroads of musical and literary traditions. A visionary warning of impending apocalypse, it sets symbolist imagery within a structure that recalls a centuries-old form. Written at the height of the 1960s folk music revival amid the ferment of political activism, the song strongly resembles—and at the same time reimagines—a traditional European ballad sung from Scotland to Italy, known in the English-speaking world as “Lord Randal.” Alessandro Portelli explores the power and resonance of “A Hard Rain’s A-Gonna Fall,” considering the meanings of history and memory in folk cultures and in Dylan’s work. He examines how the ballad tradition to which “Lord Randal” belongs shaped Dylan’s song and how Dylan drew on oral culture to depict the fears and crises of his own era. Portelli recasts the song as an encounter between Dylan’s despairing vision, which questions the meaning and direction of history, and the message of resilience and hope for survival despite history’s nightmares found in oral traditions. A wide-ranging work of oral history, Hard Rain weaves together interviews from places as varied as Italy, England, and India with Portelli’s autobiographical reflections and critical analysis, speaking to the enduring appeal of Dylan’s music. By exploring the motley traditions that shaped Dylan’s work, this book casts the distinctiveness and depth of his songwriting in a new light.
Abstract collection of the International Summer School "ENRICO GUIDONI", City and Territory: Archaeology and Architecture, Castel Madama (RM), Castello Orsini; Rome, Parco Regionale dell'Appia Antica, Italy, September 2-11, 2016, organized by the Proloco Castel Madama and the International Centre for Heritage Studies of Girne American University.
Published by the Fine Arts Museums of San Francisco and University of California Press on the occasion of the exhibition The Summer of Love Experience: Art, Fashion, and Rock and Roll at the de Young, San Francisco, April 8 through August 20, 2017"--Colophon.
Throughout the Cold War, the United States encountered unexpected challenges from Italy and France, two countries with the strongest, and determinedly most anti-American, Communist Parties in Western Europe. Based primarily on new evidence from communist archives in France and Italy, as well as research archives in the United States, Alessandro Brogi's original study reveals how the United States was forced by political opposition within these two core Western countries to reassess its own anticommunist strategies, its image, and the general meaning of American liberal capitalist culture and ideology. Brogi shows that the resistance to Americanization was a critical test for the French and Italian communists' own legitimacy and existence. Their anti-Americanism was mostly dogmatic and driven by the Soviet Union, but it was also, at crucial times, subtle and ambivalent, nurturing fascination with the American culture of dissent. The staunchly anticommunist United States, Brogi argues, found a successful balance to fighting the communist threat in France and Italy by employing diplomacy and fostering instances of mild dissent in both countries. Ultimately, both the French and Italian communists failed to adapt to the forces of modernization that stemmed both from indigenous factors and from American influence. Confronting America illuminates the political, diplomatic, economic, and cultural conflicts behind the U.S.-communist confrontation.
Amman, Jordan. As an ambitious digitization project gathers pace in a vast building outside Amman, some unpublished writings by Giordano Bruno - flawed genius of the late Renaissance, renegade philosopher, occultist with a prodigious memory - disappear together with the Jesuit priest sent by the Vatican to study them.When the priest is found dead and a series of mysterious threats ensues, it becomes clear that the stakes are high for all the parties openly or covertly involved. What dangerous ideas were contained in the stolen manuscripts? What was the ultimate secret that Bruno tried to hide from the Holy Inquisition, even as he was persecuted, imprisoned, tortured and finally burnt alive in Rome?In this riveting, meticulously researched new novel, Alessandro Gallenzi draws on his experience as a publisher in the digital era and casts a light on the darker side of our modern technological world, while revealing how a well-kept secret can change the course of history for ever.
Now, translator Federica Brunori Deigan presents lyrical English-language versions of these two tragedies which, taken together, dramatize the first two epochs in Manzoni's "history of Italy." (The Betrothed completes the triptych, illustrating the period of Spanish domination.) Long unavailable in English, The Count of Carmagnola and Adelchis are distinguished by their dramatic power and thematic gravity. Manzoni considers the interactions of Christian morals and Machiavellian politics through deft psychological portraiture, ultimately revealing the course of history as a fabric woven by individuals free will according to a logical pattern of actions and reactions, within the vaster providential plan, that human eyes can only dimly perceive."--BOOK JACKET.
The Red Brigades were a far-left terrorist group in Italy formed in 1970 and active all through the 1980s. Infamous around the world for a campaign of assassinations, kidnappings, and bank robberies intended as a "concentrated strike against the heart of the State," the Red Brigades' most notorious crime was the kidnapping and murder of Italy's former prime minister Aldo Moro in 1978. In the late 1990s, a new group of violent anticapitalist terrorists revived the name Red Brigades and killed a number of professors and government officials. Like their German counterparts in the Baader-Meinhof Group and today's violent political and religious extremists, the Red Brigades and their actions raise a host of questions about the motivations, ideologies, and mind-sets of people who commit horrific acts of violence in the name of a utopia. In the first English edition of a book that has won critical acclaim and major prizes in Italy, Alessandro Orsini contends that the dominant logic of the Red Brigades was essentially eschatological, focused on purifying a corrupt world through violence. Only through revolutionary terror, Brigadists believed, could humanity be saved from the putrefying effects of capitalism and imperialism. Through a careful study of all existing documentation produced by the Red Brigades and of all existing scholarship on the Red Brigades, Orsini reconstructs a worldview that can be as seductive as it is horrifying. Orsini has devised a micro-sociological theory that allows him to reconstruct the group dynamics leading to political homicide in extreme-left and neonazi terrorist groups. This "subversive-revolutionary feedback theory" states that the willingness to mete out and suffer death depends, in the last analysis, on how far the terrorist has been incorporated into the revolutionary sect. Orsini makes clear that this political-religious concept of historical development is central to understanding all such self-styled "purifiers of the world." From Thomas Müntzer's theocratic dream to Pol Pot's Cambodian revolution, all the violent "purifiers" of the world have a clear goal: to build a perfect society in which there will no longer be any sin and unhappiness and in which no opposition can be allowed to upset the universal harmony. Orsini’s book reconstructs the origins and evolution of a revolutionary tradition brought into our own times by the Red Brigades.
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