The papers collected in this volume deal with the explorations of Science Fiction, Fantasy and, more generally, the representation of otherness through the narrative construction of fantastic, imaginary, appalling or attractive places, stories and figures. Contributions are arranged in four main sections. The first section (Other spaces, new worlds) deals with Hindi and Arabic Science Fiction. The second section (Constructing forms of otherness) analyses the narrative and psychological mechanisms that give forms to a stereotype or archetypical image of the threatening Other. The third section ((Re)shaping style(s), language(s) and discourse(s) of otherness) is centred on the idea of language as a tool to build up styles, genres and texts, and literature as an escape from disappointing history and a cross-cultural wandering space of narrative ghosts. The fourth section (Circulating fearful otherness) tests the limits and heuristic potential of a philological approach in reconstructing the wide circulation of motifs and characters from antiquity to (post-)modernity.
The papers collected in this volume deal with the explorations of Science Fiction, Fantasy and, more generally, the representation of otherness through the narrative construction of fantastic, imaginary, appalling or attractive places, stories and figures. Contributions are arranged in four main sections. The first section (Other spaces, new worlds) deals with Hindi and Arabic Science Fiction. The second section (Constructing forms of otherness) analyses the narrative and psychological mechanisms that give forms to a stereotype or archetypical image of the threatening Other. The third section ((Re)shaping style(s), language(s) and discourse(s) of otherness) is centred on the idea of language as a tool to build up styles, genres and texts, and literature as an escape from disappointing history and a cross-cultural wandering space of narrative ghosts. The fourth section (Circulating fearful otherness) tests the limits and heuristic potential of a philological approach in reconstructing the wide circulation of motifs and characters from antiquity to (post-)modernity.
Do we really need another book on airlines? Is the world looking for a new holy grail for good Management practices condensed in few inches of paper? We don' know but, if we want to have an "insider" look on the most common mishaps in an airline's day to day life, this book will provide a different view. The author will take us on a journey through the most complicated areas of airline management and will provide the patient readers with his honest and straightforward insights.
For centuries, social life in rural Tuscany has centered around the veglia, an evening gathering of family and friends at the hearth. Folklore by the Fireside is a thorough and insightful study of this custom—from the tales, riddles, lullabies, and folk prayers performed as the small children are put to bed to the courtship songs and dances later in the evening to the anti-veglia male gossip, card games, and protest songs originating in the tavern. Alessandro Falassi skillfully correlates the veglia to the rites of passage and family values of an agrarian society. Although the impact of mass media and other factors has tended to weaken the tradition, even today Tuscan children are taught to behave and adolescents are guided along the conventional path to adulthood, courtship, and marriage through veglia folklore. This is the first work to deal systematically with Tuscan folklore from a semiotic and structural viewpoint and to examine the veglia as a means of handing down traditional values. It is important not only for its careful, detailed description but also for its rigorous methodology and theoretical richness.
Dès sa naissance au XVIIe siècle, l'opéra italien se répand sur tout le continent grâce à un réseau de production internationale, forgeant l'identité du genre lyrique qui devint un patrimoine artistique commun, cultivé par des générations de compositeurs aux origines et formations différentes. Les contributions réunies ici étudient ce patrimoine cuturel européen.
The present publication ideally continues the CSCO 589-590, in which 17th-century religious poems in Vernacular Syriac (i.e., Neo-Aramaic or Sureth) were published. It offers the reader a rich anthology and the most complete historical sketch of the dorektha genre, surveying published and unpublished works by Chaldean and Assyrian authors. Texts dating from 1607/08 to 1980 AD are critically edited and translated into English, with linguistic, philological and literary comments: On Repentance by Hormizd of Alqosh (17th cent.); the poetic diptych On the Torments of Hell and On the Delights of the Kingdom by Damynanos of Alqosh, which shows the author's indebtedness to Italian Baroque sermons; On a Famine in the Year 1898 by the poetess Anne of Telkepe, probably the first work by a woman to enter the CSCO; the fascinating and living story of the Hermit Barmalka by Joseph 'Abbaya of Alqosh; On an Attack by the Mongols at Karamlish, in which Thomas Hanna of Karamlish elaborates on classical sources such as Gewargis Warda and Barhebreus; the touching and beautiful elegy On Exile by Yohannan Cholagh, who deals with the Christian emigration from Iraq, a contemporary social problem that is even more pressing today than in 1980, when the poem first appeared in Qala Suryaya.
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