This study aims to provide a comparative analysis of the dynamics of musical and poetical meta-performance as they emerge both from the surviving corpus of ancient Attic comedy (which adds up, for our purposes, to Aristophanes’ eleven extant plays) and from Ben Jonson’s comedies. As a matter of fact, both corpora show a huge presence of meta-performative elements, that is, of moments in which musical and/or poetical performance is explicitly thematized or enacted in the drama. Those moments are hardly ever fortuitous, or not significant. On the contrary, they play each time a vital role in the development of the plot, in the portrait of characters, or in the definition of the ideology of the play. By means of a comparative analysis between the two authors, the book aims at providing a taxonomy of meta-performance in Aristophanes and Ben Jonson, with particular attention to its role in the definition of the characters' poetic ability. Such comparison will show that, despite using similar comic and performative strategies, the two authors draw a completely different ideology around the crucial themes of culture and titularity.
This study aims to provide a comparative analysis of the dynamics of musical and poetical meta-performance as they emerge both from the surviving corpus of ancient Attic comedy (which adds up, for our purposes, to Aristophanes’ eleven extant plays) and from Ben Jonson’s comedies. As a matter of fact, both corpora show a huge presence of meta-performative elements, that is, of moments in which musical and/or poetical performance is explicitly thematized or enacted in the drama. Those moments are hardly ever fortuitous, or not significant. On the contrary, they play each time a vital role in the development of the plot, in the portrait of characters, or in the definition of the ideology of the play. By means of a comparative analysis between the two authors, the book aims at providing a taxonomy of meta-performance in Aristophanes and Ben Jonson, with particular attention to its role in the definition of the characters' poetic ability. Such comparison will show that, despite using similar comic and performative strategies, the two authors draw a completely different ideology around the crucial themes of culture and titularity.
Feeling History is a study of apostrophe (i.e., the rhetorical device in which the narrator talks directly to his characters) in Lucan's Bellum Civile. Through the narrator's direct addresses, irony, and grotesque imagery, Lucan appears not as a nihilist, but as a character deeply concerned about ethics. The purpose of this book is to demonstrate how Lucan's style represents a criticism of the Roman approach to history, epic, ethics, and aesthetics. The book's chief interest lies in the ethical and moral stance that the poet-narrator takes toward his characters and his audience. To this end, Francesca D'Alessandro Behr studies the ways in which the narrator communicates ethical and moral judgments. Lucan's retelling of this central historical epic triggers in the mind of the reader questions about the validity of the Roman imperial project as a whole. An analysis of selected apostrophes from the Bellum Civile allows us to confront issues that are behind Lucan's disquieting imagery: how can we square the poet's Stoic perspectives with his poetically conveyed emotional urgency? Lucan's approach seems inspired by Aristotle, especially his Poetics, as much as by Stoic philosophy. In Lucan's aesthetic project, participation and alienation work as phases through which the narrator leads the reader to a desired understanding of his work of art. At the same time, the reader is confronted with the ends and limits of the aesthetic enterprise in general. Lucan's long-acknowledged political engagement must therefore be connected to his philosophical and aesthetic stance. In the same way that Lucan is unable to break free from the Virgilian model, neither can he develop a defense of morality outside of the Stoic mold. His philosophy is not a crystal ball to read the future or a numbing drug imposing acceptance. The philosophical vision that Lucan finds intellectually and aesthetically compelling does not insulate his characters (and readers) from suffering, nor does it excuse them from wrongdoing. Rather, it obligates them to confront the responsibilities and limits of acting morally in a chaotic world.
This paper presents a new dataset of capital control restrictions on both inflows and outflows of 10 categories of assets for 100 countries over the period 1995 to 2013. Building on the data in Schindler (2009) and other datasets based on the analysis of the IMF’s Annual Report on Exchange Arrangements and Exchange Restrictions (AREAER), this dataset includes additional asset categories, more countries, and a longer time period. The paper discusses in detail the construction of the dataset and characterizes the data with respect to the prevalence and correlation of controls across asset categories and between controls on inflows and controls on outflows, the aggregation of the separate categories into broader indicators, and the comparison of this dataset with other indicators of capital controls.
For centuries, social life in rural Tuscany has centered around the veglia, an evening gathering of family and friends at the hearth. Folklore by the Fireside is a thorough and insightful study of this custom—from the tales, riddles, lullabies, and folk prayers performed as the small children are put to bed to the courtship songs and dances later in the evening to the anti-veglia male gossip, card games, and protest songs originating in the tavern. Alessandro Falassi skillfully correlates the veglia to the rites of passage and family values of an agrarian society. Although the impact of mass media and other factors has tended to weaken the tradition, even today Tuscan children are taught to behave and adolescents are guided along the conventional path to adulthood, courtship, and marriage through veglia folklore. This is the first work to deal systematically with Tuscan folklore from a semiotic and structural viewpoint and to examine the veglia as a means of handing down traditional values. It is important not only for its careful, detailed description but also for its rigorous methodology and theoretical richness.
Avventure di giovani esploratori maceratesi. Una storia di bambini con una strega, briganti, orchi, animali strani, una mamma sola, un babbo in prigione e altre simpatie che laddove la periferia si confonde con l'infinito prendono forma e vita.
Animal phylogeny is undergoing a major revolution due to the availability of an ever increasing amount of molecular data, the application of novel methods of phylogenetic reconstruction, and advances in palaeontology and molecular developmental biology.This book revises the major events in animal evolution in the light of these recent advances.
Many inflation stabilizations succeed only temporarily. Using a sample of 51 episodes of stabilization from inflation levels above 40 percent, we show that most of the failures are explained by bad luck, unfavorable initial conditions, and inadequate political institutions. The evolution of trading partners' demand and U.S. interest rates captures the effect of bad luck. Past inflation affects the outcome in two different ways: a long history of high inflation makes failure more likely, while a high level of inflation prior to stabilization increases the chances of success. Countries with short-lived political institutions, a weak executive authority, and proportional electoral rules also tend to fail. After controlling for all these factors, we find that exchange-rate-based stabilizations are more likely to succeed. These findings are robust across measures of failure (two dichotomous and one continuous), sample selection criteria, and estimation techniques, including Heckman's correction for the endogeneity of the anchor.
Ariosto in the Machine Age reveals how the most influential poet of the Renaissance was conjured or appropriated to shape Magical Realism, avant-garde painting, Fascist cultural propaganda, and cinema in modern Italy between the birth of Futurism and the end of the Second World War. Based on substantial archival findings, bold iconographic hypotheses, and novel interpretations of literary texts, the book proposes a new account of Italy’s twentieth-century culture through a unique take on Ludovico Ariosto’s early modern poetics and legacy. Starting from the unexpected passéism of Futurists visiting Ferrara on the eve of the First World War, it rereads the development of Giorgio de Chirico’s Metaphysical art and Massimo Bontempelli’s Realismo Magico. The book reconstructs the multimedia archive of the Fascist initiatives for the 1933 centennial anniversary of Ariosto’s death, and then focuses on the passage between Fascist cinema and the birth of neorealism, unearthing unfinished adaptations of the Orlando Furioso by Luchino Visconti and Alessandro Blasetti. Questioning the very concept of reception, this radically interdisciplinary book warns twenty-first-century readers about the risks of monumentalizing the "great authors" of the past.
Una storia sull’intolleranza e sulla paura del diverso. È la prima volta che gli abitanti di un piccolo borgo abbarbicato su una collina del Meridione d’Italia entrano in contatto con gente diversa da loro. Una famiglia di cinesi arriva in paese e, tra lo stupore generale e l’invidia, vi si impianta velocemente con un ristorante. Il sequestro e l’uccisione di un ragazzo da parte di un mafioso locale, per impedire la nascita di un’area di sviluppo industriale, lo spirito di abnegazione dei cinesi, la loro disponibilità di quattrini e l’acquisizione di una vecchia e gloriosa villa ai margini della campagna, l’adulterio di una donna del Nord, si intrecciano insieme e scatenano la cruda intolleranza dell’intera comunità, la quale si macchierà di un crimine orrendo.
This paper proposes a signaling model that offers a new perspective on why governments deviate from optimal tax smoothing and delay debt stabilization. In our model, dependable—but not fully credible—governments have an incentive to tighten the fiscal regime when the signaling effect on credit ratings is larger (that is, when a sufficiently large stock of debt has been accumulated). At this point, they may deviate from tax smoothing not to be mimicked by weak governments. The model predicts that primary balances and debt stocks are complementary inputs in the credit rating function as tests on Italian, Irish, Belgian, and Danish data show.
Il sospetto che in un comune disco club di provincia si nasconda lo scenario di un macabro complotto si tramuterà in certezza quando Anatole asseconderà l'invito di Herbert a varcare la soglia del "Gorgeous" per ammirare i prodigi anatomici e vocali della misteriosa cantante dei "Madame Creole". Sopravvissuta agli anni che separano i due conflitti mondiali, l'ossessione di Charles per la figura leggendaria di Roberto Il Diavolo lo ricondurrà su quell'isola di Jersey dove i miti della storia Normanna e l'amore per la piccola Shirley che nutrirono la sua epopea di adolescente combattuto tra passione e disinganno, suggelleranno la fine di quel lungo "anno d'inverno" iniziato all'indomani dell'omicidio dell'erede al trono d'Austria-Ungheria. Queste e altre storie compongono il rutilante mosaico di personaggi e situazioni catturati ancora una volta dalla prosa immaginifica di Alessandro Fantini, sull'orlo dell'abisso dove storia e fantasia si rimestano nell'abbacinante oscurità del rituale letterario
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