The EU is to-day at a crossroad: either it becomes a great supranational union or it goes back to being an array of separate independent states. Alberto Martinelli and Alessandro Cavalli draw a grand fresco of the society in which the European Union is taking shape.
The EU is to-day at a crossroad: either it becomes a great supranational union or it goes back to being an array of separate independent states. Alberto Martinelli and Alessandro Cavalli draw a grand fresco of the society in which the European Union is taking shape.
Il leggendario rapporto tra cavalli ed esseri umani è antico. Dotato di incredibile grazia, di forza e di una bellezza elegante è stato a lungo analizzato, ammirato e rappresentato in forma artistica – sia attraverso la pittura, la scultura, la fotografia, la letteratura. Eppure… Non può essere sottaciuto il fatto che il cavallo - tra tutti gli animali domestici - nella nostra civiltà è l’unico ad essere nello stesso tempo considerato un animale da compagnia e da produzione: gli vogliamo bene, ma non ci facciamo troppi scrupoli a vederlo macellato. Una profonda contraddizione che non ci fa certo onore. Questa nuova edizione di “101 cavalli d’autore” vorrebbe essere una manifestazione di riconoscenza, un tributo verso questo animale ancora adesso troppe volte sfruttato, troppe volte incompreso, troppe volte sottovalutato. Se un giorno gli astratti diventeranno concreti, la libertà quel giorno sarà un cavallo che corre.
While continually broadcasting the deaths of "illegal immigrants" who have drowned at sea, the majority of mass media incessantly feeds the panic over the "invasion" of Italy by poor immigrants from the Third World. This study is not merely an examination of the familiar limitations of the media, but an investigation of the comprehensive attitude in Italian society of rejecting foreigners who have been transformed into public enemies through a vicious cycle of panic and exclusion. Political dialogue has not proven very aware of the problem of acknowledging the civil rights of the new migrants. The recent cultural rediscovery of the "Italian nation" and the "Italian homeland" - that communal sentiment on which national belonging is based - is not separate from these recent disturbing developments. Not only does this appeal to the "Italian nation" prove weak, but it corresponds to a process of inferiorization of other societies: poorer nations, the underdeveloped regions of Italy itself, and the less wealthy areas in dominant regions. The political left and right both display this disturbing mentality. In this extensively documented, polemical book, Alessandro Dal Lago clearly takes a stand regarding the most profound impulses in Italian society. This study reveals that what is involved in the cultural discussion on migration are the most fundamental parameters and values upon which our democracy rests.
Avventure di giovani esploratori maceratesi. Una storia di bambini con una strega, briganti, orchi, animali strani, una mamma sola, un babbo in prigione e altre simpatie che laddove la periferia si confonde con l'infinito prendono forma e vita.
Una storia sull’intolleranza e sulla paura del diverso. È la prima volta che gli abitanti di un piccolo borgo abbarbicato su una collina del Meridione d’Italia entrano in contatto con gente diversa da loro. Una famiglia di cinesi arriva in paese e, tra lo stupore generale e l’invidia, vi si impianta velocemente con un ristorante. Il sequestro e l’uccisione di un ragazzo da parte di un mafioso locale, per impedire la nascita di un’area di sviluppo industriale, lo spirito di abnegazione dei cinesi, la loro disponibilità di quattrini e l’acquisizione di una vecchia e gloriosa villa ai margini della campagna, l’adulterio di una donna del Nord, si intrecciano insieme e scatenano la cruda intolleranza dell’intera comunità, la quale si macchierà di un crimine orrendo.
Trame d'ombra, specchi oscuri, intrecci misteriosi. La materia stessa del film, pellicola trasparente e diafana sulla quale si muovono figure d'ombra, induce a pensare che la vocazione privilegiata del cinema sia nel fantastico, come già riteneva Artaud. I fantasmi, silenziose o sonore apparizioni, ci vengono incontro dallo schermo, in bianco e nero o a colori, da Nosferatu a Shutter Island: materia dei corpi come materia di sogni, incubi e visioni, portatori di maschere, generatori privilegiati di archetipi. Metafisico. Fantastico. Film noir. Horror. Termini usuali, ma inadeguati, per certi film. In realtà qui non siamo tanto di fronte a un'inadeguatezza terminologica, che si tratterebbe di superare inventando un termine più adatto, quanto alla generale insufficienza che l'ottica dei "generi" (un'ottica di comodo) dimostra nei confronti di ogni film che investa universi di senso sufficientemente complessi, tali da mettere in gioco qualcosa che potremmo chiamare memoria filogenetica.
Throughout the Cold War, the United States encountered unexpected challenges from Italy and France, two countries with the strongest, and determinedly most anti-American, Communist Parties in Western Europe. Based primarily on new evidence from communist archives in France and Italy, as well as research archives in the United States, Alessandro Brogi's original study reveals how the United States was forced by political opposition within these two core Western countries to reassess its own anticommunist strategies, its image, and the general meaning of American liberal capitalist culture and ideology. Brogi shows that the resistance to Americanization was a critical test for the French and Italian communists' own legitimacy and existence. Their anti-Americanism was mostly dogmatic and driven by the Soviet Union, but it was also, at crucial times, subtle and ambivalent, nurturing fascination with the American culture of dissent. The staunchly anticommunist United States, Brogi argues, found a successful balance to fighting the communist threat in France and Italy by employing diplomacy and fostering instances of mild dissent in both countries. Ultimately, both the French and Italian communists failed to adapt to the forces of modernization that stemmed both from indigenous factors and from American influence. Confronting America illuminates the political, diplomatic, economic, and cultural conflicts behind the U.S.-communist confrontation.
Teaching and Mobile Learning: Interactive Educational Design is a groundbreaking book which shows how to design innovative educational mobile learning environments to instructional designers, curriculum developers, and learning professionals. The book aims to solicit teachers, educators, and practitioners to adapt their teaching with the help of educational digital models related to mobile technologies. Mobile learning is a revolution in concepts like space, sound production, and learning to get more and more customized in always-connected and ever-changing educational mobile learning environments. Researchers and academicians can be trained in cognition processes in learning management of mixed reality and virtual bodies. Mixed reality mobile technologies are becoming tools for education and training in mixed reality mobile learning. Readers of this book will understand how user and device innovative interactions are borderline with attention deficit disorder, digital amnesia, and information overload. The book develops educational knowledge on how to manage mobile technology and specific learning disorders to monitor the use of smartphones and technology tools and to empower their role in learning enhancement processes.
Uncertainties have piled up over the past decade, casting doubt on the stability of the international system. They have been further compounded and exacerbated by last year’s events: from Brexit, and the ensuing uncertainty about the future of the UK-EU relations, to the ever-growing success of populist and nationalist movements across Europe; from the unnerving paralysis of the international community on the war in Syria, to the new wave of terrorist attacks in Europe, to the new economic and political crises of pivotal states (Brazil, South Africa, Egypt, and Turkey) in their respective regions. Not to mention Donald Trump’s victory in the US presidential election, which may turn out to be a new and momentous source of uncertainty, especially with regard to US-EU relations, the residual resilience of the multilateral framework, as well as the international economic balance of power. The 2017 ISPI Report analyses how last year’s major events add to international uncertainties, also with a view to identifying long-term, beyond-the-horizon trends. The first part of the Report focuses on the evolution of the international context, from both a political and an economic standpoint. The second part shifts the spotlight to Italy, where global uncertainties overlap with deep-rooted domestic uncertainties and vulnerabilities.
An up-to-date and two volume overview of recent developments in the field of chemocatalytic and enzymatic processes for the transformation of renewable material into essential chemicals and fuels. Experts from both academia and industry discuss catalytic processes currently under development as well as those already in commercial use for the production of bio-fuels and bio-based commodity chemicals. As such, they cover drop-in commodity chemicals and fuels, as well as bio-based monomers and polymers, such as acrylic acid, glycols, polyesters and polyolefins. In addition, they also describe reactions applied to waste and biomass valorization and integrated biorefining strategies. With its comprehensive coverage of the topic, this is an indispensable reference for chemists working in the field of catalysis, industrial chemistry, sustainable chemistry, and polymer synthesis.
On March 24, 1944, Nazi occupation forces in Rome killed 335 unarmed civilians in retaliation for a partisan attack the day before. Portelli has crafted an eloquent, multi-voiced oral history of the massacre, of its background and its aftermath. The moving stories of the victims, the women and children who survived and carried on, the partisans who fought the Nazis, and the common people who lived through the tragedies of the war together paint a many-hued portrait of one of the world's most richly historical cities. The Order Has Been Carried Out powerfully relates the struggles for freedom under Fascism and Nazism, the battles for memory in post-war democracy, and the meanings of death and grief in modern society.
*** Winner of the2019 Flaiano Prize in the category Italian Studies *** In Fellini's Eternal Rome, Alessandro Carrera explores the co-existence and conflict of paganism and Christianity in the works of Federico Fellini. By combining source analysis, cultural history and jargon-free psychoanalytic film theory, Carrera introduces the reader to a new appreciation of Fellini's work. Life-affirming Franciscanism and repressive Counter-Reformation dogmatism live side by side in Fellini's films, although he clearly tends toward the former and resents the latter. The fascination with pre-Christian Rome shines through La Dolce Vita and finds its culmination in Fellini-Satyricon, the most audacious attempt to imagine what the West would be if Christianity had never replaced classical Rome. Minimal clues point toward a careful, extremely subtle use of classical texts and motifs. Fellini's interest in the classics culminates in Olympus, a treatment of Hesiod's Theogony for a never-realized TV miniseries on Greek mythology, here introduced for the first time to an English-speaking readership. Fellini's recurrent dream of the Mediterranean Goddess is shaped by the phantasmatic projection of paganism that Christianity created as its convenient Other. His characters long for a “maternal space” where they will be protected from mortality and left free to roam. Yet Fellini shows how such maternal space constantly fails, not because the Church has erased it, but because the utopia of unlimited enjoyment is a self-defeating fantasy.
From two of the most visionary Italian minds, a collection of twenty horror stories where you will meet good and evil of every age, from the dusty streets of the old wild west up to the present and into the future. Soldiers, bandits, victims and executioners, she-devils, sinners, demons, zombies, and freaks haunt the New World shedding blood, evoking Death, damning and destroyed souls, while the vultures circling to target their prey. You’ll become very familiar with Mamatilda, the bloody star of a graphic novel, who makes her debut in this book. But who is she? The Boogeyman’s sister? But that’s not all, the hands of time are moving forward, and serial killers, cannibals, psychos, and evil people mark new horror borders in the world today and in the future, becoming the armed wing of an unstoppable, spectral apocalypse.
This book reveals for the first time the import of a huge network of connections between Tennessee Williams and the country closest to his heart, Italy. America's most thought-provoking playwright loved Italy more than any other country outside the US and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.
Aeromodelli a ventola intubata elettrica: Tutti i segreti della piu affascinante disciplina del modellismo dinamico. Tutto quel che c'e da sapere per scegliere, allestire, far volare e ottimizzare un jet edf: Tecniche di pilotaggio, consigli e trucchi per ottenere il massimo dal tuo jet. Un libro senza astrusi diagrammi e complicate formule matematiche, ma con dentro tutta l'esperienza e la pratica di un grande aeromodellista: Alessandro Ginestri, noto come Staudacher 300 nella community del Barone Rosso, il piu grande forum italiano di aeromodellismo: ""Questo libro non e stato scritto da uno scienziato per degli specialisti, ma da un praticone per dei praticanti.
Who invented the cork? And when? The answers to these and many other questions are revealed on a journey back through eight thousand years and the civilisations who have populated the western world. The ancestors of the cork (and caps, and stoppers, and lids!) were found hiding in the first Neolithic settlements in Iran and among the ruins of Cretan civilisations, in the markets in ancient Egypt and on Phoenician ships. In more recent times, when stoppers began to take on the shape we are familiar with, they were protected by the laws of the Venetian Republic, or preserved as relics in the ancient abbey in Hautvillers, where dom Pérignon was the first to stopper a champagne bottle with a cork. Today, lids are such a common everyday object that they have become almost invisible to our eyes, and yet they marked an evolution in the food and drink culture of mankind. In its most collectable ‘crown' version, the bottle cap is the emblem of our entire modern age, not only because it wiped out almost two thousand alternative patents for stoppers, but above all because it paved the way, good or bad, for the disposable era. This is the first (and so far only) book about the history of the most used object in the world.
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