In this book, Luigi Manca and Alessandra Manca examine the use of utopian imagery in magazine advertisements from the 1970s through the early 2020s. Positing that these advertisements reflect the public’s unbridled desires, rather than reality itself, the authors argue that these idealistic reflections can lead the public to be unable or unwilling to recognize real threats to democracy, social justice, and the environment. They extend this analysis to argue that political moderates have long underestimated the ability of mass media and charismatic, radical politicians to tap into the utopian dreams of millions of disillusioned—and predominantly white—Americans to leverage these dreams in order to further their own political agendas. Ultimately, this cumulative study spanning decades of advertisement history portrays a consumer utopia shaped almost exclusively by unrestrained consumer desire.
The letters of Alessandra Strozzi provide a vivid and spirited portrayal of life in fifteenth-century Florence. Among the richest autobiographical materials to survive from the Italian Renaissance, the letters reveal a woman who fought stubbornly to preserve her family's property and position in adverse circumstances, and who was an acute observer of Medicean society. Her letters speak of political and social status, of the concept of honor, and of the harshness of life, including the plague and the loss of children. They are also a guide to Alessandra's inner life over a period of twenty-three years, revealing the pain and sorrow, and, more rarely, the joy and triumph, with which she responded to the events unfolding around her. This edition includes translations, in full or in part, of 35 of the 73 extant letters. The selections carry forward the story of Alessandra's life and illustrate the range of attitudes, concerns, and activities which were characteristic of their author.
The story in short: Annika works in a museum, where several objects belonging to the famous composer Giuseppe Verdi are exhibited. She also takes singing lessons with the tenor Maestro Bertonzi, because she'd like to become an opera singer. But someone steals the Libretto of the opera "Aida" and Annika is among the suspects. She'll have to find the thief in order to clear her name. The book also contains several entertaining exercises, which will help you learn faster: "Read & Learn", Focus on Grammar, Solutions, Dossiers 1 + 2
With her series, the author invites the reader to a trip through Italy: to Rome (Vol. 1 "The War of the Roman Cats" A1), to Busseto, the city of Verdi (Vol. 2 "The Theft of Aida" B1), to Cremona, the city of Stradivari (Vol. 3 "The Lost Stradivari" B2), to Venice (Vol. 4 "The Gondolier of Death" A2), to Florence (Vol. 5 "The Poison of the Medici" A1), to verona (Vol. 6 "Death at the Opera" A2) and to Milano (Vol. 7. "Fear on the Catwalk" A1)
The story in short: Verona is the city of the most celebrated lovers in the history of literature: Romeo and Juliet. But Verona is also the city of the Arena, the world known opera stage. It is here that the famous opera singer Eva Tanzi will make her long-awaited comeback, in the role of Aida. Annika will also take part in the event... but she won't be only singing. The book also contains several entertaining exercises, which will help you learn faster: "Read & Learn", Focus on Grammar, Solutions, Dossiers 1 + 2
In this book, Luigi Manca and Alessandra Manca examine the use of utopian imagery in magazine advertisements from the 1970s through the early 2020s. Positing that these advertisements reflect the public’s unbridled desires, rather than reality itself, the authors argue that these idealistic reflections can lead the public to be unable or unwilling to recognize real threats to democracy, social justice, and the environment. They extend this analysis to argue that political moderates have long underestimated the ability of mass media and charismatic, radical politicians to tap into the utopian dreams of millions of disillusioned—and predominantly white—Americans to leverage these dreams in order to further their own political agendas. Ultimately, this cumulative study spanning decades of advertisement history portrays a consumer utopia shaped almost exclusively by unrestrained consumer desire.
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