The Shot Aleksandr Sergeyevich Pushkin - Alexander Sergeyevich Pushkin (June 6 [O.S. May 26] 1799 February 10 [O.S. January 29] 1837) was a Russian Romantic author who is considered to be the greatest Russian poet and the founder of modern Russian literature. Pushkin pioneered the use of vernacular speech in his poems and plays, creating a style of storytellingmixing drama, romance, and satireassociated with Russian literature ever since and greatly influencing later Russian writers. Born in Moscow, Pushkin published his first poem at the age of fourteen, and was widely recognized by the literary establishment by the time of his graduation from the Imperial Lyceum in Tsarskoe Selo. Pushkin gradually became committed to social reform and emerged as a spokesman for literary radicals; in the early 1820s he clashed with the government, which sent him into exile in southern Russia. While under the strict surveillance of government censors and unable to travel or publish at will, he wrote his most famous play, the drama Boris Godunov, but could not publish it until years later. His novel in verse, Eugene Onegin, was published serially from 18231831. Pushkin and his wife Natalya Goncharova, whom he married in 1831, later became regulars of court society. In 1837, while falling into greater and greater debt amidst rumors that his wife had started conducting a scandalous affair, Pushkin challenged her alleged lover, Georges d'Anth?s, to a duel. Pushkin was mortally wounded and died two days later. Because of his liberal political views and influence on generations of Russian rebels, Pushkin was portrayed by Bolsheviks as an opponent to bourgeois literature and culture and a predecessor of Soviet literature and poetry. They renamed Tsarskoe Selo after him.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Alexander Pushkin was a Russian poet and writer who is considered the father of the modern Russian novel. The so-called Golden Age of Russian Literature was inspired by the themes and aesthetics of Pushkin - we are talking about names like Ivan Turgenev, Ivan Goncharov, Leo Tolstoy, Mikhail Lermontov, Nikolai Gogol. This selection of short stories brings you the best of Pushkin selected by August Nemo: The Queen of Spades The Shot The Snowstorm The Postmaster The Coffin-maker Kirdjali Peter, The Great's Negro
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Gypsies, the anti-Romantic tale of a city-dweller whose search for "unspoiled" values among gypsies ends in tragedy, is modern Russian literature's first masterpiece. The Bridegroom turns the Romantic ballad into a whodunit filled with sexual dread and subconscious terror. Count Nulin, a deliciously comic tale of country life, stands Shakespeare's Rape of Lucrece on its head - what would have happened if Lucrece had slapped Tarquin's face? The Tale of the Dead Princess is Pushkin's version of the Snow White story, and the eerie Tale of the Golden Cockerel savagely politicizes the folk-tale form."--Jacket.
In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability."--BOOK JACKET.
The only novel Pushkin ever wrote, "The Captain’s Daughter" is a story written in the same vein as Walter Scott’s historical romances. Though his attempts at prose were not that warmly welcomed by the Russian audience as his poetic endeavours, the novel is a masterful and successful experiment with literary conventions and genres. A novel as real as life and portraying the consciousness of Russians at the time, "The Captain’s Daughter" is a romance of oppositions, revolutions, social criticism, and political turmoil, making it a milestone and major influence in Russian literature. Deservedly labelled "the best Russian poet", Pushkin’s short life did not prevent him from ushering Russian literature into its modern era. A master of the vernacular language and multifarious and vivid writing style, Pushkin’s oeuvre was of great influence to a whole legion of Russian writers and literary styles. Among his best-known works are the narrative poems "Ruslan and Ludmila" and "Eugene Onegin", the drama "Boris Godunov", several novels, short stories, and fairy tales.
The Queen of Spades Aleksandr Sergeyevich Pushkin - Pushkin's story tells of the Russianized German card player, Hermann--an engineer in the army in Russia--who becomes obsessed with the secret of three consecutive winning cards after hearing a story about an old countess' winnings years prior. His obsession drives him to manipulate the countess' ward, Lizaveta Ivanovna, into letting him into their home.
Defeated several times but rising again to besiege and burn several cities Pugachev was finally betrayed and sent to Moscow where he was paraded through the streets before being executed."--BOOK JACKET.
Pushkin on Literature approaches Pushkin's literary accomplishment from a unique perspective: it focuses on Pushkin the critic, and on his fascination with the literary world that surrounded him. This is the only English-language edition of the complete set of Pushkin's critical writing, both on his own work and on the wide range of European literature -- Byron, Shakespeare, Voltaire, Milton -- which he read and studied, and Which so profoundly influenced his own writing. These extracts from Pushkin's letters, articles, and working notes provide a complete chronological record of the artist's literary evolution, and provide a fascinating glimpse into the poet's intellectual passions.
Forty years after Pushkin's death, Dostoyevsky wrote: 'Everything we have comes from Pushkin'. This is no exaggeration. When Pushkin started writing, Russian poetry was either composed from the lofty, solemn language of the Old Church Slavonic, or from elements of French and German poetry, with a characteristic abundance of barbarism and cliché. Pushkin cast aside the conventional poetic language of his time, stripping it of pompous embellishments and incorporating into his work everyday words and expressions that his predecessors had regarded as vulgarisms. This transformation revitalised the Russian literary language and opened the way for a new generation of poets to experiment further with new forms and subject matter. This book traces the development of Pushkin's verse from the Romantic poetry of his youth to the more mature and original style of his later works. With prose translations at the foot of each page, John Fennell's selection is designed to appeal to the general reader as well as the student of Russian language.
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