Russian theatre director, Vsevolod Meyerhold, has been called the Picasso of modern theatre. A ceaseless experimenter with new forms and techniques and the leader of an aesthetic revolution, he left no body of theoretical writings. What takes their place are the reminiscences and confessions made in conversations with pupils and friends, some of which were recorded by Aleksandr Gladkov during his years of close association with Meyerhold. This book aims to capture the essence of Meyerhold's personality and temperament as revealed in the director's own informal comments about his rich, varied experiences. His notes, made at rehersals, present Meyerhold in action.
Voronsky was an outstanding figure of post-revolutionary Soviet intellectual life, editor of the most important literary journal of the 1920s in the USSR and a supporter of Trotsky and the Left Opposition in the struggle against Stalinism. A defender of "fellow traveler" writes and an opponent of the Proletarian Culture movement, Voronsky was one of the authentic representatives of classical Marxism in the field of literary criticism in the twentieth century. He was executed by Stalin in 1937. Following Voronsky's "rehabilitation" in 1957, several of his writings were published in the USSR in heavily censored form. All cuts have been restored for this edition.
The work of A. V. Chayanov is today drawing more attention among Western scholars than ever before. Largely ignored in his native Russia because they differed from Marxist-Leninist theory, and neglected in the West for more than forty years, Chayanov's sophisticated theories were at last published in English in 1966. That trenchant is reprinted in this Wisconsin paperback edition, which includes a new introduction by the sociologist Teodor Shanin, of the University of Manchester, one of the world's leading Chayanov scholars. The Wisconsin edition will be essential reading for political scientists, anthropologists, and all whose interests include peasant studies, Third World development, and women's studies. "The past two decades have seen the emergence of a whole new field called 'peasant studies' and, along with those of Karl Marx, Chayanov's ideas have been central to its development. . . . The publishers are to be commended for re-issuing the book with both old and new introductions and making it available as an affordable paperback for students. The work is a classic."--Times Higher Education Supplement
After years of living in exile, Aleksandr Solzhenitsyn returned to Russia in 1994 and published a series of eight powerfully paired stories. These groundbreaking stories— interconnected and juxtaposed using an experimental method Solzhenitsyn referred to as "binary"—join Solzhenitsyn's already available work as some of the most powerful literature of the twentieth century. With Soviet and post–Soviet life as their focus, they weave and shift inside their shared setting, illuminating the Russian experience under the Soviet regime. In "The Upcoming Generation," a professor promotes a dull but proletarian student purely out of good will. Years later, the same professor finds himself arrested and, in a striking twist of fate, his student becomes his interrogator. In "Nastenka," two young women with the same name lead routine, ordered lives—until the Revolution exacts radical change on them both. The most eloquent and acclaimed opponent of government oppression, Solzhenitsyn was awarded the Nobel Prize in Literature in 1970, and his work continues to receive international acclaim. Available for the first time in English, Apricot Jam: And Other Stories is a striking example of Solzhenitsyn's singular style and only further solidifies his place as a true literary giant/
He unhesitatingly names those individuals who bear responsibility for these catastrophic deaths, bringing into sharper focus than ever before the facts, the perpetrators, and the events of the Soviet Union's years of terror."--BOOK JACKET.
Russian theatre director, Vsevolod Meyerhold, has been called the Picasso of modern theatre. A ceaseless experimenter with new forms and techniques and the leader of an aesthetic revolution, he left no body of theoretical writings. What takes their place are the reminiscences and confessions made in conversations with pupils and friends, some of which were recorded by Aleksandr Gladkov during his years of close association with Meyerhold. This book aims to capture the essence of Meyerhold's personality and temperament as revealed in the director's own informal comments about his rich, varied experiences. His notes, made at rehersals, present Meyerhold in action.
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