In this book, Alec Basson examines the divine metaphors in a selection of biblical Hebrew Psalms of Lamentation from a cognitive-anthropological perspective. The study signals a move beyond the more traditional approaches to the Psalms and argues that the textual information in these poems is more than literary information as such; it is also a cognitive representation of the psalmist's world. The divine portrayals arise from the supplicant's cognitive organisation and utilisation of cultural information, which include the everyday experiences. In situations of affliction, the poet employs various cognitive strategies viz. cultural models, image-schemas and conceptual metaphors as a means of portraying the deity. The exploration illustrates the link between the psalmist's cultural experience, cognitive construal of reality and the metaphorical representations. The utilisation of the different cognitive tools gives rise to new and recurring images of the deity and accounts for the multiple depictions of Yahweh. The investigation arrives at the conclusion that, to appreciate fully the divine metaphors used in the Psalms of Lamentation, one has to examine the cognitive world of the poet.
In this book, Alec Basson examines the divine metaphors in a selection of biblical Hebrew Psalms of Lamentation from a cognitive-anthropological perspective. The study signals a move beyond the more traditional approaches to the Psalms and argues that the textual information in these poems is more than literary information as such; it is also a cognitive representation of the psalmist's world. The divine portrayals arise from the supplicant's cognitive organisation and utilisation of cultural information, which include the everyday experiences. In situations of affliction, the poet employs various cognitive strategies viz. cultural models, image-schemas and conceptual metaphors as a means of portraying the deity. The exploration illustrates the link between the psalmist's cultural experience, cognitive construal of reality and the metaphorical representations. The utilisation of the different cognitive tools gives rise to new and recurring images of the deity and accounts for the multiple depictions of Yahweh. The investigation arrives at the conclusion that, to appreciate fully the divine metaphors used in the Psalms of Lamentation, one has to examine the cognitive world of the poet.
This classic work has inspired and informed a whole generation of artists and technicians working in all branches of the audio industry. Now in its seventh edition, The Sound Studio has been thoroughly revised to encompass the rapidly expanding range of possibilities offered by today's digital equipment. It now covers: the virtual studio; 5.1 surround sound; hard drive mixers and multichannel recorders; DVD and CD-RW. Alec Nisbett provides encyclopaedic coverage of everything from acoustics, microphones and loudspeakers, to editing, mixing and sound effects, as well as a comprehensive glossary. Through its six previous editions, The Sound Studio has been used for over 40 years as a standard work of reference on audio techniques. For a new generation, it links all the best techniques back to their roots: the unchanging guiding principles that have long been observed over a wide range of related media and crafts. The Sound Studio is intended for anyone with a creative or technical interest in sound - for radio, television, film and music recording - but has particularly strong coverage of audio in broadcasting, reflecting the author's prolific career.
A new order. An ancient evil. A battle about to begin. It is the near future. Adrian De Vere, President of the European Union, oversees the signing of an unprecedented international treaty, ushering in a new era of one-world government. Jason De Vere, media mogul, finds himself forced out of the empire he helped create. With friends, allies and even family turning against him, help comes from an unexpected quarter… Nick De Vere, archaeologist and playboy – and newly returned from the dead – leads Jason into an underground world of hidden knowledge and forbidden secrets. Together they must face down the most ruthless of adversaries: their own brother. As the Antarctic ice gives up a grisly secret, and shadowy figures are plotting behind the scenes, armies of good and evil are being marshalled for the conflict to come. Operation Pale Horse is underway… “There could be no bigger canvas for film-making.” – Mark Ordesky (Executive Producer – Lord of the Rings) “Alec not only re-frames pre-history; she also imaginatively illustrates how the realm of spirit impacts the contemporary material world.” Ileen Maisel (Executive Producer for the Golden Compass) “This is the best work of fiction I have read since the last installment of Dean Koontz’ Frankenstein series” Jim McDonald – 1340Mag – Online Entertainment Magazine.
Award-winning journalist Alec Russell was in South Africa to witness the fall of apartheid and the remarkable reconciliation of Nelson Mandela's rule; and returned in 2007-2008 to see Mandela's successor, Thabo Mbeki, fritter away the country's reputation. South Africa is now perched on a precipice, as it prepares to elect Jacob Zuma as president -- signaling a potential slide back to the bad old days of post-colonial African leadership, and disaster for a country that was once the beacon of the continent. Drawing on his long relationships with all the key senior figures including Mandela, Mbeki, Desmond Tutu, and Zuma, and a host of South Africans he has known over the years -- including former activists turned billionaires and reactionary Boers -- Alec Russell's Bring Me My Machine Gun is a beautifully told and expertly researched account of South Africa's great tragedy: the tragedy of hope unfulfilled.
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