The upheavals of how European contact affected the development of a powerful traditional art are examined in this comprehensive survey of the Native arts of the Pacific Northwest Coast.
An indispensible guide for identifying totem poles along British Columbia's inside passage from Vancouver to Alaska. Whether rising from a forest mist or soaring overhead in parks and museums, magnificent cedar totem poles have captivated the attention and imagination of visitors to Washington State, British Columbia and Alaska. Discovering Totem Poles is the first guidebook to focus on the complex and fascinating histories of the specific poles visitors encounter in Seattle, Victoria, Vancouver, Alert Bay, Prince Rupert, Haida Gwaii (Queen Charlotte Islands), Ketchikan, Sitka and Juneau. It debunks common misconceptions about totem poles and explores the stories behind the making and displaying of 90 different poles. Travelers with this guide in their pocket will return home with a deeper knowledge about these monumental carvings, their place in history and the people who made them.
In 1905 George Hunt, at the insistence of anthropologist Franz Boas, acquired a remarkable collection of materials from the Mowachaht band of the Nuu-chah-nulth (Nootka) for the American Museum of Natural History. An assemblage of 92 carved wooden figures and whales, 16 human skulls, and the small building that sheltered them, the shrine had for centuries stood in Yuquot, or Friendly Cove, on the remote west coast of Vancouver Island, visited only by chiefs and their wives. Since its removal to New York, it has been represented in anthropological and historical writings, film, television, and newspapers. In this fascinating study, Aldona Jonaitis investigates and reconstructs the history of the shrine both before and after it was acquired for the museum. Clues to the shrine's complex history--traced to the mid-17th century--and meaning are provided by historical and anthropological writings, photographs, stories, the Hunt-Boas correspondence, and the artifacts themselves. Jonaitis addresses important contemporary issues, including the Mowachaht band's desire to have the shrine repatriated for display in Yuquot.
A seminal work on the Northwest Coast totem pole by two of the most renowned anthropologists in their field. Totem poles are probably the best-known symbol of First Nations art. Highly regarded anthropologists Aldona Jonaitis and Aaron Glass reconstruct the history of totem poles, analyze their functions in different contexts and highlight the ways in which they have been appropriated -- spreading from the Northwest Coast to World's Fairs -- and how they play an integral part in Aboriginal peoples' struggles for control of their own culture and lands. Solidly researched, engagingly written and generously illustrated, The Totem Pole is an insightful look at the impact of this beautiful art form on Aboriginal peoples and on our society as a whole. It includes short essays by well-known artists and scholars, including Nathan Jackson, Robert Davidson, Susan Point, Richard Hunt, Lyle Wilson, Bill Holm, Robin Wright, Vickie Jensen, Charlotte Townsend-Gault and Andrea Laforet, that illustrate the relationships between people and totem poles.
In 1943 French anthropologist Claude Levi-Strauss arrived in New York City, along with countless refugees from the war in Europe. He became a frequent visitor to the North Pacific Hall at the American Museum of Natural History where he could lose himself in what he affectionately called "a magic place where the dreams of childhood hold a rendezvous, where century-old tree trunks sing and speak, where undefinable objects watch out for the visitor, with the anxious stare of human faces, where animals of superhuman gentleness join their little paws like hands in prayer." Two and a half million people now visit the Museum each year to share in these enchantments. The American Museum houses the most extensive collection of Northwest Coast Indian art in existence. It includes material from virtually every Indian group that once lived along the west coast of British Columbia and Alaska. In this book, Dr. Aldona Jonaitis traces the history of this magnificent collection, beginning in the late nineteenth century before those coastal peoples had much contact with Europeans, and their customs, languages, and art were still intact. Shortly after the collections was formed, between 1880 and 1910, Indian culture in this region went into a severe decline, to be revived a half century later as another generation of North Americans discovered their heritage. The story alternately captivates and distresses. Populations were decimated by disease in the last years of the nineteenth century, art objects left their makers' hands bound for museums all over the world, traditional rituals were outlawed, and governments exerted strong pressures on the Indians to become assimilated. On the other side of the story are the individuals--like Franz Boas, under whose direction much of the Museum collection was assembled, Lt. George Thornton Emmons, who immersed himself in the native cultures, George Hunt, prized Kwakiutl informant for Boas and other researchers, and Charles Edenshaw, master Haida carver and painter--whose colorful lives intersect the Age of Museum Collecting. Artifacts in the American Museum come alive through the details Dr. Jonaitis provides of their cultural context, their traditional uses, and their acquisition by collectors. Viewers see spoons and bowls that held food eaten by Boas at a potlatch; feel the spirit power emanating from a shaman's charm removed from its owner's grave by Lieutenant Emmons; sense the sadness behind the display of family crests on a house model carved by Edenshaw. Nearly 100 color plates in the book and numerous historical photographs from the Museum's archives recall a bygone era and are a tribute to the stunning artworks of the North Pacific region. Dr. Jonaitis has written the first book devoted solely to the collection of Northwest Coast Indian art in the American Museum of Natural History. As such, the book is both an essential work for scholars and a valuable resource for the general reader.
Published to accompany an exhibition at the Vancouver Art Gallery, of the work of Robert Davidson, a Haida artist, from Alaska, of the Northwest Coast tradition, who creates sculpture in argillite, bronze and wood, paintings in both paper and deerskin drums, drawings and sketches, jewelry in silver and gold, and prints.
In 1905 George Hunt, at the insistence of anthropologist Franz Boas, acquired a remarkable collection of materials from the Mowachaht band of the Nuu-chah-nulth (Nootka) for the American Museum of Natural History. An assemblage of 92 carved wooden figures and whales, 16 human skulls, and the small building that sheltered them, the shrine had for centuries stood in Yuquot, or Friendly Cove, on the remote west coast of Vancouver Island, visited only by chiefs and their wives. Since its removal to New York, it has been represented in anthropological and historical writings, film, television, and newspapers. In this fascinating study, Aldona Jonaitis investigates and reconstructs the history of the shrine both before and after it was acquired for the museum. Clues to the shrine's complex history--traced to the mid-17th century--and meaning are provided by historical and anthropological writings, photographs, stories, the Hunt-Boas correspondence, and the artifacts themselves. Jonaitis addresses important contemporary issues, including the Mowachaht band's desire to have the shrine repatriated for display in Yuquot.
Rising from a forest mist or soaring overhead in parks and museums, magnificent cedar totem poles have captured the attention and imagination of visitors to Washington State, British Columbia, and Alaska. Discovering Totem Poles is the first guidebook to focus on the complex and fascinating histories of the specific poles visitors encounter in Seattle, Victoria, Vancouver, Alert Bay, Prince Rupert, Haida Gwaii (Queen Charlotte Islands), Ketchikan, Sitka, and Juneau. It debunks common misconceptions about totem poles and explores the stories behind the making and displaying of 90 different poles. Travelers with this guide in their pockets will return home with a deeper knowledge of the monumental carvings, their place in history, and the people who made them. Watch the book trailer: https://www.youtube.com/watch?v=iAaAnYctJcg
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