Albrecht Dihle's Books

Professor Dihle sees the Greek and Latin literature between the 1st century B.C. and the 6th century A.D. as an organic progression. He builds on Schlegel's observation that art, customs and political life in classical antiquity are inextricably entwined and therefore should not be examined separately. Dihle does not simply consider narrowly defined `literature', but all works of cultural socio-historical significance, including Jewish and Christian literature, philosophy and science. Despite this, major authors like Seneca, Tacitus and Plotinus are considered individually. This work is an authoritative yet personal presentation of seven hundred years of literature.

The most up-to-date history of Greek literature from its Homeric origins to the age of Augustus. This magisterial survey by one of the leading European authorities on classical literature is establishing itself as the standard account.

Cicero was speaking like everybody, but better than anybody. Far from confining himself to the so-called 'periodic style', Cicero was a master of a thousand shades. This synopsis, followed by examples, shows in detail, why a study of Cicero's style might be rewarding even today.

Michael von Albrecht's A History of Roman Literature, originally published in German, can rightly be seen as the long awaited counterpart to Albin Lesky's Geschichte der Griechischen Literatur. In what will probably be the last survey made by a single scholar the whole of Latin literature from Livius Andronicus up to Boethius comes to the fore. 'Literature' is taken here in its broad, antique sense, and therefore also includes e.g. rhetoric, philosophy and history. Special attention has been given to the influence of Latin literature on subsequent centuries down to our own days. Extensive indices give access to this monument of learning. The introductions in Von Albrecht's texts, together with the large bibliographies make further study both more fruitful and easy.

Every human being knows that we are walking through life following trails, whether we are aware of them or not. Medieval poets, from the anonymous composer of Beowulf to Marie de France, Hartmann von Aue, Gottfried von Strassburg, and Guillaume de Lorris to Petrarch and Heinrich Kaufringer, predicated their works on the notion of the trail and elaborated on its epistemological function. We can grasp here an essential concept that determines much of medieval and early modern European literature and philosophy, addressing the direction which all protagonists pursue, as powerfully illustrated also by the anonymous poets of Herzog Ernst and Sir Gawain and the Green Knight. Dante’s Divina Commedia, in fact, proves to be one of the most explicit poetic manifestations of the fundamental idea of the trail, but we find strong parallels also in powerful contemporary works such as Guillaume de Deguileville’s Pèlerinage de la vie humaine and in many mystical tracts.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.

The most up-to-date history of Greek literature from its Homeric origins to the age of Augustus. Greek literary production throughout this period of some eight centuries is embedded in its historical and social context, and Professor Dihle sees this literature as a historical phenomenon, a particular mode of linguistic communication, with its specific forms developing both in an organic way and in response to the changing world around. In this it differs from conventional humanist approaches to Greek and Latin literature which analyse the works as objects of timeless value independent of any historical setting or purpose. This magisterial survey by one of the leading European authorities on classical literature will establish itself, as it already has in Germany, as the standard account of the subject.

Publisher Description

All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.

Documents the works of this Medieval artist.

Book's by Albrecht Dihle

Greek and Latin Literature of the Roman Empire

Greek and Latin Literature of the Roman Empire

A History of Greek Literature

A History of Greek Literature

Cicero's Style

Cicero's Style

A History of Roman Literature (2 vols.)

A History of Roman Literature (2 vols.)

Tracing the Trails in the Medieval World

Tracing the Trails in the Medieval World

The Theory of Will in Classical Antiquity

The Theory of Will in Classical Antiquity

The Theory of Will in Classical Antiquity

The Theory of Will in Classical Antiquity

Greek and Latin Literature of the Roman Empire

Greek and Latin Literature of the Roman Empire

History of Greek Literature

History of Greek Literature

A History of Greek Literature

A History of Greek Literature

Albrecht Dürer and the Venetian Renaissance

Albrecht Dürer and the Venetian Renaissance

The Complete Engravings, Etchings and Drypoints of Albrecht Drer

The Complete Engravings, Etchings and Drypoints of Albrecht Drer

Albrecht Dürer

Albrecht Dürer

Username

Password

Username

Password

Password again

Birthday

Email