Albion Winegar Tourgee (1838 -1905) was an American soldier, radical Republican, lawyer, judge, novelist, and diplomat. Tourgee introduced the metaphor of "color-blind" justice into legal discourse. Tourgee was wounded in the spine at the First Battle of Bull Run, from which he suffered temporary paralysis and a permanent back problem that plagued him for the rest of his life. Financial success came in 1879 with the publication of A Fool's Errand, by One of the Fools, a novel based on his experiences of Reconstruction. Bricks Without Straw was the sequel. Bricks without straw is a phrase which refers to a task which must be done without appropriate resources. An excerpt from the beginning of the story reads, "I specs its all 'long o' freedom, though I can't see why a free nigger needs enny mo' name dan the same one hed in ole slave times. Mus' be, though. I mind now dat all de pore white folks hez got some two tree names, but I allus thought dat wuz 'coz dey hedn't nuffin' else ter call dere can. Must be a free feller needs mo' name, somehow. Ef I keep on I reckon I'll git enuff atter a while. H'yer it's gwine on two year only sence de s'rrender, an' I'se got tree ob 'em sartain " The speaker was a colored man, standing before his log-house in the evening of a day in June. His wife was the only listener to the monologue. He had been examining a paper which was sealed and stamped with official formality, and which had started him upon the train of thought he had pursued. The question he was trying in vain to answer was only the simplest and easiest of the thousand strange queries which freedom had so recently propounded to him and his race.
Albion W. Tourgée, a former Union officer from Ohio, came to North Carolina in search of economic opportunity after the collapse of the Confederacy. A young man and a fearless advocate of freedmen’s rights, he soon became a radical Republican leader and a prominent figure in local politics. After he quit the South in 1874, Tourgée published a succession of novels and stories which made him famous. Bricks Without Straw, one of his two best-selling novels, is not only a moving story but an important commentary on the Reconstruction process in the South. This new edition of the book remains faithful to the original, which appeared in 1880. In his introduction, Profession Otto H. Olsen gives a comprehensive evaluation of the book and its author, and their impact on the era of Reconstruction. Tourgée was an astute and reliable observer of the Reconstruction scene. In Bricks Without Straw he concentrated on the problems and the continuing dilemma of freed slaves. Led by Nimbus Ware, a “good enough nigger but might aggravating to the white folk,” and Eliab Hill, a crippled mulatto preacher, former slaves begin their postwar experience by availing themselves of the educational, economic, and political opportunities of freedom. But as soon as federal protection is withdrawn, their existence becomes precarious in the face of the Ku Klux Klan and resentful southern whites. The novel conveys a true sense of the trials and accomplishments of a severely handicapped black population caught in the oppressive racist environment of the postwar South. But, as Professor Olsen points out, the book’s pioneering—and still pertinent—literary achievement is its repudiation of racist stereotypes and its effective portrayal of the essential humanity of the freed black slaves.
Subtitled "A Novel of the South During Reconstruction," this 1879 bestseller, by a participant in that great social experiment, is the barely fictionalized account of the career of a Northern lawyer in North Carolina after the Civil War. A champion of the poor and landless of any race, and a keen observer of the dilemmas facing uneducated Negroes in the postwar period, Tourge offers us an important eyewitness account of one of the most tumultuous eras of American history, one that continues to influence the course of the American experiences of race and class to this day.
A classic of American political fiction first published in 1880, a mere three years after Reconstruction officially ended, Bricks Without Straw offers an inside view of the struggle to create a just society in the post-slavery South. It is unique among the white-authored literary works of its time in presenting Reconstruction through the eyes of emancipated slaves. As a leading Radical Republican, the author, Albion W. Tourgée, played a key role in drafting a democratized Constitution for North Carolina after the Civil War, and he served as a state superior court judge during Reconstruction. Tourgée worked closely with African Americans and poor whites in the struggle to transform North Carolina’s racial and class politics. He saw the ravages of the Ku Klux Klan firsthand, worked to bring the perpetrators of Klan atrocities to justice, and fought against what he called the “counter-revolution” that destroyed Reconstruction. Bricks Without Straw is Tourgée’s fictionalized account of how Reconstruction was sabotaged. It is a chilling picture of violence against African Americans condoned, civil rights abrogated, constitutional amendments subverted, and electoral fraud institutionalized. Its plot revolves around a group of North Carolina freedpeople who strive to build new lives for themselves by buying land, marketing their own crops, setting up a church and school, and voting for politicians sympathetic to their interests, until Klan terrorism and the ascendancy of a white supremacist government reduce them to neo-slavery. This edition of Bricks Without Straw is enhanced by Carolyn L. Karcher’s introduction, which sets the novel in historical context and provides an overview of Albion W. Tourgée’s career, a chronology of the significant events of both the Reconstruction era and Tourgée’s life, and explanatory notes identifying actual events fictionalized in the novel.
Albion W. Tourgée, a former Union officer from Ohio, came to North Carolina in search of economic opportunity after the collapse of the Confederacy. A young man and a fearless advocate of freedmen’s rights, he soon became a radical Republican leader and a prominent figure in local politics. After he quit the South in 1874, Tourgée published a succession of novels and stories which made him famous. Bricks Without Straw, one of his two best-selling novels, is not only a moving story but an important commentary on the Reconstruction process in the South. This new edition of the book remains faithful to the original, which appeared in 1880. In his introduction, Profession Otto H. Olsen gives a comprehensive evaluation of the book and its author, and their impact on the era of Reconstruction. Tourgée was an astute and reliable observer of the Reconstruction scene. In Bricks Without Straw he concentrated on the problems and the continuing dilemma of freed slaves. Led by Nimbus Ware, a “good enough nigger but might aggravating to the white folk,” and Eliab Hill, a crippled mulatto preacher, former slaves begin their postwar experience by availing themselves of the educational, economic, and political opportunities of freedom. But as soon as federal protection is withdrawn, their existence becomes precarious in the face of the Ku Klux Klan and resentful southern whites. The novel conveys a true sense of the trials and accomplishments of a severely handicapped black population caught in the oppressive racist environment of the postwar South. But, as Professor Olsen points out, the book’s pioneering—and still pertinent—literary achievement is its repudiation of racist stereotypes and its effective portrayal of the essential humanity of the freed black slaves.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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