Albin Zak's Books

The Poetics of Rock

Cutting Tracks, Making Records

By: Albin J. Zak III

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The Poetics of Rock

Cutting Tracks, Making Records

By: Albin J. Zak III

After a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work. Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics--whether technical, conceptual, aesthetic, or historical--with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound.

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279

Publisher

Univ of California Press

Published Date

ISBN 10

0520928156

ISBN 13

9780520928152

The Poetics of Rock

Cutting Tracks, Making Records

By: Albin Zak

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The Poetics of Rock

Cutting Tracks, Making Records

By: Albin Zak

This title provides a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records.

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278

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Univ of California Press

Published Date

ISBN 10

0520232240

ISBN 13

9780520232242

I Don't Sound Like Nobody

Remaking Music in 1950s America

By: Albin Zak

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I Don't Sound Like Nobody

Remaking Music in 1950s America

By: Albin Zak

In Albin J. Zak III's highly original study, phonograph records are not just the medium for disseminating songs but musical works unto themselves. Fashioned from a mix of copyright law, recording studios and techniques, the talent of musicians and disc jockeys, the ingenuity and avarice of producers, and the appetites of record buyers, the all-powerful marketplace Zak describes is an unruly zone where music of, by, and for the people is made and anointed." ---Richard Crawford, author of America's Musical Life: A History "Wrestling clarity from the exuberant chaos of early rock 'n' roll, Albin Zak's I Don't Sound Like Nobody redefines our understanding of the record in the shaping of the post–World War II soundscape. Zak tracks the story which extends from Bing Crosby and Frank Sinatra through Elvis and Buddy Holly to the Beatles and Bob Dylan with excursions into dozens of lesser known, but crucial, players in a game with few established rules. A crucial addition to the bookshelf." ---Craig Werner, author of A Change Is Gonna Come: Music, Race & the Soul of America "I Don't Sound Like Nobody is a superb account of the transformation of American popular music in the 1950s. Albin Zak insightfully explores what recording actually means in terms of the process of making and consuming music. His discussion of the legal, aesthetic, and industrial ramifications of changes in the recording process over the course of the 1950s will make popular music scholars and record collectors reconsider what they think they know about the period." ---Rob Bowman, author of Soulsville, U.S.A.: The Story of Stax Records "Informative, original, and entertaining. Through a narrative that is not only enlightening but also compelling, I Don't Sound Like Nobody probes the sources and mechanisms of change within post-war American popular music, shedding a cultural and historical light on the convergence of musical idioms that created '50s rock and roll." ---Stan Hawkins, author of Settling the Pop Score "From the birth of the record industry through the legacy of Presley, the development of rock and roll, and the Beatles 'stunning arrival on the world's stage,' Albin Zak takes us on a journey of exceptional scholarship. The breadth of coverage and deep examination of recordings and repertoire reveal the author's reverence and sensitivity to the many dimensions and origins of this complex musical soundscape." ---William Moylan, author of Understanding and Crafting the Mix: The Art of Recording The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of songwriting, performance, and recording. When Elvis Presley claimed, "I don't sound like nobody," a year before he made his first commercial record, he unwittingly articulated the era's musical Zeitgeist. The central story line of I Don't Sound Like Nobody is change itself. The book's characters include not just performers but engineers, producers, songwriters, label owners, radio personalities, and fans---all of them key players in the decade's musical transformation. Written in engaging, accessible prose, Albin Zak's I Don't Sound Like Nobody approaches musical and historical issues of the 1950s through the lens of recordings and fashions a compelling story of the birth of a new musical language. The book belongs on the shelf of every modern music aficionado and every scholar of rock 'n' roll. Albin J. Zak III is Professor of Music at the University at Albany, State University of New York. He is the editor of The Velvet Underground Companion and the author of The Poetics of Rock: Cutting Tracks, Making Records, a groundbreaking study of rock music production. Zak is also a record producer, songwriter, singer, and guitarist. Jacket design by Paula Newcomb Jacket photograph © Eve Arnold/Magnum Photos

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Page Count

325

Publisher

University of Michigan Press

Published Date

ISBN 10

047202454X

ISBN 13

9780472024544

The Poetics of Rock

Cutting Tracks, Making Records

By: Albin Zak

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The Poetics of Rock

Cutting Tracks, Making Records

By: Albin Zak

This title provides a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records.

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Page Count

278

Publisher

Univ of California Press

Published Date

ISBN 10

0520232240

ISBN 13

9780520232242

Rock on Record

By: Albin J. Zak

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Rock on Record

By: Albin J. Zak

An introductory textbook for Rock Music Appreciation and History courses, Rock on Record traces the story of rock from the late 1940s through the pre-rock styles of the 1950s to rock in its heyday in the 1960s and, then follows its continued growth in the 1970s and early 1980s. Rock on Record puts listening first, teaching students how to listen to key recordings in the rock repertoire. The book opens with general guidance on how to listen to a recording as well as an overview of the song structures commonly used by rock songwriters. Then, in twenty-two chronological sections, Albin J. Zak provides historical context for each new genre or style, discussing its key recordings and performers and its impact on the artists who followed. Zak analyzes seventy-three recordings using easy-to-follow listening guides, giving students the tools they will need to enhance their enjoyment and understanding while also highlighting a wide range of examples that illustrate the richness of the rock repertory. Rock on Record examines how rock changed American culture and encourages students to explore further on their own.

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Page Count

469

Publisher

State University of New York Press

Published Date

ISBN 10

1438487541

ISBN 13

9781438487540

Rock on Record

By: Albin J. Zak

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Rock on Record

By: Albin J. Zak

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469

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State University of New York Press

Published Date

ISBN 10

1438487541

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9781438487540

Entrepreneurship and Management in Forestry and Wood Processing

Principles of Business Economics and Management Processes

By: Franz Schmithüsen,Bastian Kaiser,Albin Schmidhauser,Stephan Mellinghoff,Karoline Perchthaler,Alfred Kammerhofer

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Entrepreneurship and Management in Forestry and Wood Processing

Principles of Business Economics and Management Processes

By: Franz Schmithüsen,Bastian Kaiser,Albin Schmidhauser,Stephan Mellinghoff,Karoline Perchthaler,Alfred Kammerhofer

Forestry has long been in a rather favourable position in offering a valuable raw material source in high demand. However, with rapidly changing end-user demands and cost competitiveness within the forest and wood chain as a whole, the industry is needing to adapt. Explaining entrepreneurial action as part of a chain of comprehensive value-added processes leads to a new perception of forest production and wood processing. This book applies the main concepts of modern managerial science to the world of forestry and is the perfect book for students studying forestry and wood processing, as well as entrepreneurs and managers within the sector. Topics are covered from an entrepreneurial perspective and include perspectives from accounting, finance, economics, supply chain management, marketing and strategy.

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Page Count

528

Publisher

Routledge

Published Date

ISBN 10

1134652143

ISBN 13

9781134652143

Justice for Victims of Crime

Human Dignity as the Foundation of Criminal Justice in Europe

By: Albin Dearing

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Justice for Victims of Crime

Human Dignity as the Foundation of Criminal Justice in Europe

By: Albin Dearing

This book analyses the rights of crime victims within a human rights paradigm, and describes the inconsistencies resulting from attempts to introduce the procedural rights of victims within a criminal justice system that views crime as a matter between the state and the offender, and not as one involving the victim. To remedy this problem, the book calls for abandoning the concept of crime as an infringement of a state’s criminal laws and instead reinterpreting it as a violation of human rights. The state’s right to punish the offender would then be replaced by the rights of victims to see those responsible for violating their human rights convicted and punished and by the rights of offenders to be treated as accountable agents.

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Page Count

417

Publisher

Springer

Published Date

ISBN 10

3319450484

ISBN 13

9783319450483

I Don't Sound Like Nobody

Remaking Music in 1950s America

By: Albin Zak

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I Don't Sound Like Nobody

Remaking Music in 1950s America

By: Albin Zak

A definitive study of the most important decade in post-World War II popular music history

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Page Count

325

Publisher

University of Michigan Press

Published Date

ISBN 10

0472035126

ISBN 13

9780472035120

Book's by Albin Zak

The Poetics of Rock

The Poetics of Rock

The Poetics of Rock

The Poetics of Rock

I Don't Sound Like Nobody

I Don't Sound Like Nobody

The Poetics of Rock

The Poetics of Rock

Rock on Record

Rock on Record

Rock on Record

Rock on Record

Entrepreneurship and Management in Forestry and Wood Processing

Entrepreneurship and Management in Forestry and Wood Processing

Justice for Victims of Crime

Justice for Victims of Crime

I Don't Sound Like Nobody

I Don't Sound Like Nobody

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