This book is the first authored overview of resilience in tourism and its relationship to the broader resilience literature. The volume takes a multi-scaled approach to examine resilience at the individual, organisation and destination levels, and with respect to the wider tourism system. It covers the different approaches to understanding resilience (the ecological and engineering approaches) and identifies issues with their understanding and application. The book connects issues of resilience to related key concepts such as vulnerability, adaptation, networks, systems, change and social capital. It is designed to be an upper level undergraduate and postgraduate primer on resilience in a tourism context and will be of interest to tourism researchers in planning, development, geography, impacts, sustainability, disaster management and environmental studies.
Tourism and Urban Regeneration: Processes Compressed in Time and Space presents the global phenomenon of tourism and urban regeneration through the contemporary frames of spatial planning theory, metagovernance, resilience and disaster capitalism. Drawing upon cases from several cities around the globe, the book advances the field with the inclusion of examples from post-disaster rebuilding and recovery. The book is rooted in a theoretical framework that considers time, space and tourism as core facets for the analysis. By doing so, it provides readers with an understanding of different yet similar processes of urban development and identifies the principles for tourism and urban regeneration to effectively contribute to socio-economic growth, urban change and long-term sustainability. The theory is illustrated through insightful case studies covering a range of urban tourism destinations including Dubai, Newcastle, Christchurch, Pittsburgh, Detroit and Taipei. This work will be of great interest to upper-level students and researchers in Tourism as well as those in the fields of Geography, Urban Planning, and Policy and Development.
Eros and Thanatos' is about the deadly nature of love. It is remarkable that literary critics have paid so little attention to the combination between love and death in literature. This book seeks to address this significant scholarly lacuna by exploring key literary texts of the last two hundred years as exemplary of a consistent tendency toward love and death. Its emphasis on singular characters and close readings suggests the spectrum of an arbitrary dichotomy never fully resolved. The existential discussion triggered by each plot is so intense that the erotic and the merely sexual seem inappropriate. Indeed, each writer chose to reduce it to the setting and background of a story that takes place elsewhere. With this in mind, the author intends to reflect love’s paradoxical nature. If love is triggered by beauty, beauty can be immoral and love must die to preserve the illusion of beauty.
This book is mainly dedicated to the processes of ozonolysis, destruction and stabilisation of polymers, reactions and structure formation of polymers in fractal spaces, hydrosilylation reactions, anti-adhesive coatings, synergism and antagonism in processes of polymers phototransformation and light stabilisation, selective oxidation, carbocations reactions and polymer analogous reactions.
This book is mainly dedicated to the processes of ozonolysis, destruction and stabilisation of polymers, reactions and structure formation of polymers in fractal spaces, hydrosilylation reactions, antiadhesive coatings, synergism and antagonism in processes of polymers phototransformation and light stabilisation, selective oxidation, carbocations reactions and polymer analogous reactions.
In this set of novellas, a few facts are constant. Sergio is a young intellectual, poor and proud of his new membership in the Communist Party. Maurizio is handsome, rich, successful with women, and morally ambiguous. Sergio’s young, sensual lover becomes collateral damage in the struggle between these two men. All three of these unfinished stories, found packed in a suitcase after Alberto Moravia’s death, share this narrative premise. But from there, each story unfolds in a unique way. The first patiently explores the slow unfurling of Sergio’s resentment toward Maurizio. The second reveals the calculated bargain Maurizio offers in exchange for his conversion to Sergio’s beloved Communism. And the third switches dramatically to the first person, laying bare Sergio’s conflicted soul. Anyone interested in literature will relish the opportunity to watch Moravia at work, tinkering with his story and working at it from three unique perspectives.
30 lettere ammassate una sopra l’altra, accartocciate in un armadio a due ante di colore grigio veleno. Il modo più diretto per rendersi ridicoli. Il modo più diretto per aprirsi alla morte. Destinazione Pam." Questo l'incipit di "Pam", 30 lettere scritte con lucida angoscia dal narratore, vittima di una storia d'amore troppo grande per lui. Pam, una femme fatale di 15 anni, terribile ma adorabile, trascina il protagonista e narratore in un vortice di eventi e riflessioni sugli eccessi dell'adolescenza e sulla natura umana in generale, il tutto ambientato nella Roma dei giorni nostri. E "Pam", in parte romanzo "Young Adult" e in parte diario di un'adolescenza inquieta ma affascinante, non mancherà di travolgere anche voi.
Pubblicate per la prima volta nel 1983, queste venti 'favole erotiche' si configurano come una delle opere più sorprendenti e coraggiose di Moravia. Attraverso una fenomenologia redatta con una pzienza da entomologo, l'autore de 'Gli indifferenti' racconta un'idea di sesso liberata da ogni vincolo morale e psicologico, ma proprio per questo indifferente all'erotismo, avventurandosi in spazi iperrealisti nei quali l'amore si impone sul dolore e su ogni forma di lutto. la stessa scrittura diventa uno strumento di conoscenza che tenta di aprire uno spiraglio du autenticità nel confuso agitarsi dell'esistenza - è solo là dove gli uomini e le donne tendono a confondersi che à possibile cogliere la verità umana celata nel segreto della persona.
A Prosopography to Martial’s Epigrams is the first dictionary of all the characters and personal names found in the work of Marcus Valerius Martialis, containing nearly 1,000 comprehensive entries. Each of them compiles and analyses all the relevant information regarding the characters themselves, as well as the literary implications of their presence in Martial’s poems. Unlike other works of this kind, the book encompasses not only real people, whose positive existence is beyond doubt, but also fictional characters invented by the poet or inherited from the cultural and literary tradition. Its entries provide the passages of the epigrams where the respective characters appear; the general category to which they belong; the full name (in the case of historical characters); onomastic information, especially about frequency, meaning, and etymology; other literary or epigraphical sources; a prosopographical sketch; a discussion of relevant manuscript variants; and a bibliography. Much attention is paid to the literary portrayal of each character and the poetic usages of their names. This reference work is a much needed tool and is intended as a stimulus for further research.
Ricordi di luoghi, persone o momenti vissuti con intensità, minuscoli monelli in fuga dai cassettini della memoria. Righe di emozioni si fanno solidarietà” dalla prefazione di Andrea Vitali. Raccolta di racconti in romano, italiano e inglese, tra passato e presente, tra Roma e Erba (Co). Due autori, un’illustratrice, un gruppo di studenti, l’attenzione di istituzioni e privati… insieme per un gesto di solidarietà. Il ricavato dalla vendita del libro viene destinato, dagli autori, all’Associazione Genitin (Genitori Terapia Intensiva Neonatale) Onlus – Policlinico A. Gemelli Roma Collegandosi al sito www.genitin.org è possibile ascoltare la lettura dei racconti in italiano e romano.
Monsignor Luigi Giussani (1922–2005) was the founder of the Catholic lay movement Communion and Liberation in Italy, which has hundreds of thousands of adherents around the globe. In The Life of Luigi Giussani Alberto Savorana, who spent an important part of his life working and studying with Giussani, draws on many unpublished documents to recount who the priest was and how he lived. Giussani’s life story is particularly significant because it shares many of the same challenges, risks, and paths toward enlightenment that are described in his numerous and influential publications. Savorana demonstrates that the circumstances Giussani experienced and the people he encountered played a crucial role in defining his vocation. Illuminating details are shared about Giussani’s parents, professors, and friends in the seminary, the things he read, his priesthood, his experience teaching, misunderstandings and moments of recognition, and illness. Luigi Giussani considered Christianity to be a fact, a real event in human life, which takes the form of an encounter, inviting anyone and everyone to verify its relevance to life’s needs. This is what happened for so many people all over the world who recognized in this priest and leader, with his rough and captivating voice, not only a teacher to learn from, but above all a man to compare oneself with – a companion for the journey who could be trusted to answer the question: how can we live? In addition to providing the first chronological reconstruction of the life of the founder of Communion and Liberation, The Life of Luigi Giussani provides a detailed account of his legacy and what his life’s work meant to individual people and the Church.
The book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries. Its comparative angle ranges from the Medieval and Baroque period to the visual and stylistic experimentations of the Romantic age, in the prose of Anne Radcliffe, the experiments of Friedrich Schlegel, and in Wordsworth’s Prelude. The book examines the cultural traces of the transformation of perception and representation in art, architecture, literature, and print culture, providing an indispensable background to any discussion of nineteenth-century culture at large and its striving for a figurative model of realism. Understanding the origins of nineteenth-century mimesis through an unacknowledged genealogy of visual practices helps also to redefine novel theory and points to the centrality of the new definition of ‘historicism’ irradiating from Jena Romanticism for the structuring of modern cultural studies.
In this set of novellas, a few facts are constant. Sergio is a young intellectual, poor and proud of his new membership in the Communist Party. Maurizio is handsome, rich, successful with women, and morally ambiguous. Sergio’s young, sensual lover becomes collateral damage in the struggle between these two men. All three of these unfinished stories, found packed in a suitcase after Alberto Moravia’s death, share this narrative premise. But from there, each story unfolds in a unique way. The first patiently explores the slow unfurling of Sergio’s resentment toward Maurizio. The second reveals the calculated bargain Maurizio offers in exchange for his conversion to Sergio’s beloved Communism. And the third switches dramatically to the first person, laying bare Sergio’s conflicted soul. Anyone interested in literature will relish the opportunity to watch Moravia at work, tinkering with his story and working at it from three unique perspectives.
This bibliography is a supplement to the three volumes previously published by Brill. This one covers material from 2007 to 2009. The chronology covers from the fourth to the eighth century. All of the Iberian Church Fathers are represented as in the previous ones. The book contains author and subject indexes and is cross-referenced throughout.
Nessi's ... strength as a poet rests with his own distinctive and daring language - a spirit level that enables him always to align himself with the subject of his verse. And, if his work is the product of a rational and realistic pessimism - occasionally softened by irony, it is also true that Nessi's emotional and ethical empathy deepens his analysis and heightens his response. - Marco Sonzogni
Italy, the country with a hundred cities and a thousand bell towers, is also the country with a hundred cuisines and a thousand recipes. Its great variety of culinary practices reflects a history long dominated by regionalism and political division, and has led to the common conception of Italian food as a mosaic of regional customs rather than a single tradition. Nonetheless, this magnificent new book demonstrates the development of a distinctive, unified culinary tradition throughout the Italian peninsula. Alberto Capatti and Massimo Montanari uncover a network of culinary customs, food lore, and cooking practices, dating back as far as the Middle Ages, that are identifiably Italian: o Italians used forks 300 years before other Europeans, possibly because they were needed to handle pasta, which is slippery and dangerously hot. o Italians invented the practice of chilling drinks and may have invented ice cream. o Italian culinary practice influenced the rest of Europe to place more emphasis on vegetables and less on meat. o Salad was a distinctive aspect of the Italian meal as early as the sixteenth century. The authors focus on culinary developments in the late medieval, Renaissance, and Baroque eras, aided by a wealth of cookbooks produced throughout the early modern period. They show how Italy's culinary identities emerged over the course of the centuries through an exchange of information and techniques among geographical regions and social classes. Though temporally, spatially, and socially diverse, these cuisines refer to a common experience that can be described as Italian. Thematically organized around key issues in culinary history and beautifully illustrated, Italian Cuisine is a rich history of the ingredients, dishes, techniques, and social customs behind the Italian food we know and love today.
Writing for general readers and specialists alike, Gallo illuminates the artistic, cultural, social, and political dimensions of secular music, vocal and instrumental. His account also sheds new light on the potent influence of French culture in Italian courtly life.
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