The Japanese in MangaLand series from JPT introduced language learners to an innovative, entertaining and educationally-sound way of learning Japanese through the use of manga. Now, this same approach is applied to the often-daunting task of mastering kanji—the Chinese ideograms—in Kanji in MangaLand, the first of a 3-volume course covering the 1,006 basic kanji characters. Aimed at Western students aged 12–25, the Kanji in MangaLand program differs from traditional methods in that it uses distinct drawings for the "parts" that form each kanji character; then it shows a manga-style illustration to help the student connect the shapes and the meaning. In addition, the books present information on compound words, stroke order, meaning and such unique features as identifying similar-looking kanji and alternative or older shapes for the same character. Kanji in MangaLand: Levels 1 & 2 includes 21 lessons. The first seven of these cover all 80 kanji characters learnt by Japanese children in their first primary school year. Lessons 8-21 cover the 160 kanji studied in the next year. In every lesson, the student will learn 8 to 12 kanji and then move on to the exercise section, which features one page of manga using all the characters learnt in that lesson; a page of different types of exercises; and a page with the correct answers, translations and a summary of the new drawing-compounds that will appear in the next lesson. The book also has two special exercise parts—one at the end of each level—as well as indexes of kanji and reading. With manga sales booming—in 2006, they approached $200 million—and interest in learning Japanese skyrocketing as well, the Kanji in MangaLand series is the perfect blend of entertainment and solid language instruction to make learning fun and effective.
And yet stories, even the best and truest, can't save us from our own folly. Stories can't protect us from suffering and error, from natural and artificial catastrophes, from our own suicidal greed. The only thing they can do is ... offer consolation for suffering and words to name our experience. Stories can tell us who we are ... and suggest ways of imagining a future that, without calling for comfortable happy endings, may offer us ways of remaining alive, together, on this much-abused earth.' Based on Canada's 2007 CBC Massey Lectures (to be broadcast in Australia by ABC Radio National in April 2008), Alberto Manguel's The City of Words takes a fresh look at the rise of violent intolerance in our societies. We strive to build societies with sets of values all citizens can agree on. But something has gone wrong- race riots in France, political murder in the Netherlands, bombings in Britain and Bali - are these symptoms of a multicultural experiment gone awry? Why is it so difficult for us to live together when the alternatives are demonstrably horrifying? With his trademark wit and erudition, Alberto Manguel suggests a fresh approach- we should look at what visionaries, poets, novelists, essayists and filmmakers have to say about building societies. Perhaps the stories we tell hold secret keys to the human heart. From Cassandra to Jack London, the Epic of Gilgamesh to the computer Hal in 2001- A Space Odyssey, Don Quixote to Atanarjuat- The Fast Runner, Manguel draws fascinating and revelatory parallels between the personal and political realities of our present-day world and those of myth, legend and story.
Curiosity has been seen through the ages as the impulse that drives our knowledge forward and the temptation that leads us toward dangerous and forbidden waters. The question “Why?” has appeared under a multiplicity of guises and in vastly different contexts throughout the chapters of human history. Why does evil exist? What is beauty? How does language inform us? What defines our identity? What is our responsibility to the world? In Alberto Manguel’s most personal book to date, the author tracks his own life of curiosity through the reading that has mapped his way. Manguel chooses as his guides a selection of writers who sparked his imagination. He dedicates each chapter to a single thinker, scientist, artist, or other figure who demonstrated in a fresh way how to ask “Why?” Leading us through a full gallery of inquisitives, among them Thomas Aquinas, David Hume, Lewis Carroll, Rachel Carson, Socrates, and, most importantly, Dante, Manguel affirms how deeply connected our curiosity is to the readings that most astonish us, and how essential to the soaring of our own imaginations.
A best-selling author and world-renowned bibliophile meditates on his vast personal library and champions the vital role of all libraries In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France’s Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan’s Upper West Side. Packing up his enormous, 35,000†‘volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading. In this poignant and personal reevaluation of his life as a reader, the author illuminates the highly personal art of reading and affirms the vital role of public libraries. Manguel’s musings range widely, from delightful reflections on the idiosyncrasies of book lovers to deeper analyses of historic and catastrophic book events, including the burning of ancient Alexandria’s library and contemporary library lootings at the hands of ISIS. With insight and passion, the author underscores the universal centrality of books and their unique importance to a democratic, civilized, and engaged society.
An original look at how literary characters can transcend their books to guide our lives, by one of the world's most eminent bibliophiles Alberto Manguel, in a style both charming and erudite, examines how literary characters live with us from childhood on. Throughout the years, they change their identities and emerge from behind their stories to teach us about the complexities of love, loss, and the world itself. Manguel's favorite characters include Jim from Huckleberry Finn, Phoebe from The Catcher in the Rye, Job and Jonah from the Bible, Little Red Riding Hood and Captain Nemo, Hamlet’s mother, and Dr. Frankenstein’s maligned Monster. Sharing his unique powers as a reader, Manguel encourages us to establish our own literary relationships. An intimate preface and Manguel’s own “doodles” complete this delightful and magical book.
Depuis toujours, les images transforment l'instant en éternité. Mais l'histoire qu'elles recèlent demeure souvent illisible. A. Manguel cherche ici à redonner vie au monde des images, à tisser des liens entre oeuvres prestigieuses et réalisations d'artistes moins connus, à révéler l'itinéraire de certaines traditions iconographiques.
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