Was bleibt von einem Film? Woran erinnern wir uns? An die Geschichte oder an die Gesichter? An die Worte oder die Stimmen? Oder geht es um jene Momente, die Albert Serra "magisch" nennt und Nathan Silver den „Wahnsinn des Lebens“? Aber was ist dann mit dem Rest davor, danach, dazwischen? Die Frage nach dem Moment als kleinster dramaturgischer Einheit jedenfalls ist das geheime Zentrum, in dem sich die Texte und Interviews kreuzen. Die Herausgeber Inhalt: Revolver live! Albert Serra Monte Hellman, Filmography Revolver live! Ruben Östlund Wortwechsel: Louie Revolver live! Close-up Arsenal Christoph Hochhäusler: Frankenstein-Technik Interview Nathan Silver Marcus Seibert: Im Kino schlafen heißt dem Film vertrauen Revolver ist eine Filmzeitschrift von Filmemachern herausgegeben und erscheint halbjährlich. Der Schwerpunkt liegt auf Werkstattgesprächen „auf Augenhöhe“. Die Redaktion sind Christoph Hochhäusler, Benjamin Heisenberg, Franz Müller, Nicolas Wackerbarth, Marcus Seibert, Saskia Walker, Zsuzsanna Kiraly und Hannes Brühwiler.
El congreso Discrete Mathematics Days (DMD20/22) tendrá lugar del 4 al 6 de julio de 2022, en la Facultad de Ciencias de la Universidad de Cantabria (Santander, España). Este congreso internacional se centra en avances dentro del campo de la Matemática discreta, incluyendo, de manera no exhaustiva: · Algoritmos y Complejidad · Combinatoria · Teoría de Códigos · Criptografía · Geometría Discreta y Computacional · Optimización Discreta · Teoría de Grafos · Problemas de localización discreta y temas relacionados Las ediciones anteriores de este evento se celebraros en Sevilla (2018) y Barcelona (2016), estos congresos heredan la tradición de las Jornadas de Matemática Discreta y Algorítmica (JMDA), el encuentro bienal en España en Matemática Discreta (desde 1998). Durante la celebración del congreso tendrán lugar cuatro conferencias plenarias, cuarenta y dos presentaciones orales y una sesión de once pósteres. Abstract The Discrete Mathematics Days (DMD20/22) will be held on July 4-6, 2022, at Facultad de Ciencias of the Universidad de Cantabria (Santander, Spain). The main focus of this international conference is on current topics in Discrete Mathematics, including (but not limited to): Algorithms and Complexity Combinatorics Coding Theory Cryptography Discrete and Computational Geometry Discrete Optimization Graph Theory Location and Related Problems The previous editions were held in Sevilla in 2018 and in Barcelona in 2016, inheriting the tradition of the Jornadas de Matemática Discreta y Algorítmica (JMDA), the Spanish biennial meeting (since 1998) on Discrete Mathematics. The program consists on four plenary talks, 42 contributed talks and a poster session with 11 contributions.
This book reveals how powerful undercurrents of sex, gender, and culture helped shape the history of the American frontier from the 1760s to the 1850s. Looking at California under three flags--those of Spain, Mexico, and the United States--Hurtado resurrects daily life in the missions, at mining camps, on overland trails and sea journeys, and in San Francisco. In these settings Hurtado explores courtship, marriage, reproduction, and family life as a way to understand how men and women--whether Native American, Anglo American, Hispanic, Chinese, or of mixed blood--fit into or reshaped the roles and identities set by their race and gender. Hurtado introduces two themes in delineating his intimate frontiers. One was a libertine California, and some of its delights were heartily described early in the 1850s: "[Gold] dust was plentier than pleasure, pleasure more enticing than virtue. Fortune was the horse, youth in the saddle, dissipation the track, and desire the spur." Not all the times were good or giddy, and in the tragedy of a teenage domestic who died in a botched abortion or a brutalized Indian woman we see the seamy underside of gender relations on the frontier. The other theme explored is the reaction of citizens who abhorred the loss of moral standards and sought to suppress excess. Their efforts included imposing all the stabilizing customs of whichever society dominated California--during the Hispanic period,arranged marriages and concern for family honor were the norm; among the Anglos, laws regulated prostitution,missionaries railed against vices, and "proper" women were brought in to help "civilize" the frontier.
This book reveals how powerful undercurrents of sex, gender, and culture helped shape the history of the American frontier from the 1760s to the 1850s. Looking at California under three flags--those of Spain, Mexico, and the United States--Hurtado resurrects daily life in the missions, at mining camps, on overland trails and sea journeys, and in San Francisco. In these settings Hurtado explores courtship, marriage, reproduction, and family life as a way to understand how men and women--whether Native American, Anglo American, Hispanic, Chinese, or of mixed blood--fit into or reshaped the roles and identities set by their race and gender. Hurtado introduces two themes in delineating his intimate frontiers. One was a libertine California, and some of its delights were heartily described early in the 1850s: "[Gold] dust was plentier than pleasure, pleasure more enticing than virtue. Fortune was the horse, youth in the saddle, dissipation the track, and desire the spur." Not all the times were good or giddy, and in the tragedy of a teenage domestic who died in a botched abortion or a brutalized Indian woman we see the seamy underside of gender relations on the frontier. The other theme explored is the reaction of citizens who abhorred the loss of moral standards and sought to suppress excess. Their efforts included imposing all the stabilizing customs of whichever society dominated California--during the Hispanic period,arranged marriages and concern for family honor were the norm; among the Anglos, laws regulated prostitution,missionaries railed against vices, and "proper" women were brought in to help "civilize" the frontier.
This book describes the collisions between the art world and the law, with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include + the fate of works of art in wartime, + the international trade in stolen and illegally exported cultural property, + artistic freedom, + censorship and state support for art and artists, + copyright, + droit moral and droit de suite, + the artist's professional life and death, + collectors in the art market, + income and estate taxation, + charitable donations and works of art, and + art museums and their collections. The authors are recognised experts in the field who have defined the canon in many aspects of art law.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The 10th anniversary edition A Guardian Best Book about Deforestation A New Scientist Best Book of the Year A Taipei Times Best Book of the Year “A perfectly grounded account of what it is like to live an indigenous life in communion with one’s personal spirits. We are losing worlds upon worlds.” —Louise Erdrich, New York Times Book Review “The Yanomami of the Amazon, like all the indigenous peoples of the Americas and Australia, have experienced the end of what was once their world. Yet they have survived and somehow succeeded in making sense of a wounded existence. They have a lot to teach us.” —Amitav Ghosh, The Guardian “A literary treasure...a must for anyone who wants to understand more of the diverse beauty and wonder of existence.” —New Scientist A now classic account of the life and thought of Davi Kopenawa, shaman and spokesman for the Yanomami, The Falling Sky paints an unforgettable picture of an indigenous culture living in harmony with the Amazon forest and its creatures, and its devastating encounter with the global mining industry. In richly evocative language, Kopenawa recounts his initiation as a shaman and first experience of outsiders: missionaries, cattle ranchers, government officials, and gold prospectors seeking to extract the riches of the Amazon. A coming-of-age story entwined with a rare first-person articulation of shamanic philosophy, this impassioned plea to respect indigenous peoples’ rights is a powerful rebuke to the accelerating depredation of the Amazon and other natural treasures threatened by climate change and development.
Our dependence on healthy vegetable crops as a reliable source of food transcends all barriers of nation and culture. Consumers now demand excellent quality from the industry that produces large volumes of high quality vegetables to be sold locally, regionally and shipped internationally. The diseases that affect vegetables compromise such quality
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