John Ashbery's esteem for A. F. Moritz has been seconded repeatedly by critics and readers. Starting in 1975 with Here and continuing through the years to Moritz's latest, The Sentinel, this poet has carved an important career in poetry. This new collection has already begun garnering praise and awards: the title poem was honored by the prestigious Poetry magazine. These poems, exploring everything from vanishing civilizations to nature's mysteries, display Moritz’s intelligence and insight blended with a supple craft and wordplay that have made his work unique in the field.
This book has much of the modern sense of the individual being at a loss, but a partial answer comes from the inexhaustible freshness and splendor of the environment, a possession that can come back to us equally from some idea of Petra or Nineveh or from a roadside ditch by a mill." Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Early Poems reprints Moritz's first four books of poetry, Here (1975), Black Orchid (1981), Between the Root and Flower (1982) and The Visitation (1983).
In poems that blend reality and dream Conflicting Desire traces a visionary tour through hope, fear and aspiration. The poems return to things of the earth and the basic richness of living as a constantly available source of desire and renewal.
Translated from the Spanish by esteemed poet A.F. Moritz, this new collection from Zeller will find a place in the valued editions of contemporary world literature.With Spanish and English poems en face, The Eye on Fire offers readers the opportunity to engage in a poetry experience that transcends cultural and perceptual boundaries.
John Ashbery's esteem for A. F. Moritz has been seconded repeatedly by critics and readers. Starting in 1975 with Here and continuing through the years to Moritz's latest, The Sentinel, this poet has carved an important career in poetry. This new collection has already begun garnering praise and awards: the title poem was honored by the prestigious Poetry magazine. These poems, exploring everything from vanishing civilizations to nature's mysteries, display Moritz’s intelligence and insight blended with a supple craft and wordplay that have made his work unique in the field.
Early Poems reprints Moritz's first four books of poetry, Here (1975), Black Orchid (1981), Between the Root and Flower (1982) and The Visitation (1983).
Night Street Repairs contains elegiac meditations on time, modernity, and contemporary culture's unending flirtation with self-destruction. The many voices in these poems bear vigilant witness to humankind's urban wastes and wastefulness. Moritz's unmistakable cadences - magisterial, philosophical, and wry - mingle among the ancients, the Bible, Leopardi, Montale, and Rilke. These poems are mansions, at once derelict and opulent, inviting readers to wander with an open mind and hear through the poet's distinctive voice what the ages, humanity, and the myth of progress have wrought.
Night Street Repairs contains elegiac meditations on time, modernity, and contemporary culture's unending flirtation with self-destruction. The many voices in these poems bear vigilant witness to humankind's urban wastes and wastefulness. Moritz's unmistakable cadences - magisterial, philosophical, and wry - mingle among the ancients, the Bible, Leopardi, Montale, and Rilke. These poems are mansions, at once derelict and opulent, inviting readers to wander with an open mind and hear through the poet's distinctive voice what the ages, humanity, and the myth of progress have wrought.
From the outskirts of the fevered empire, and the embers that were its heart, Moritz sings us to our selves — our failures, our cruelties, our stupidities, and beauty which even now astonishes and leaves us breathless. Genuine political poetry is immensely difficult. Moritz succeeds, not because his list of atrocities is longer or more shocking, but because his vision is underwritten-not whitewashed-by an ecstatic lyricism that knows evanescence is the only enduring truth.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.