This volume of the New York Times’ bestselling series of superbly restored, classic crime and horror EC Comics re-presents the work of Jack Kamen, Al Feldstein, and Ray Bradbury. Grand Master crime novelist Max Allan Collins (Road to Perdition) introduces these tales, which include the infamous “The Orphan” one of the stories that got EC Comics into hot water during the U.S. Senate’s investigation into comic books. “The October Game” is adapted from the chilling classic short story by Ray Bradbury. A gruesome look at a malevolent Halloween party game perpetrated by a man who believes the child of his unfaithful wife is not his. In “Frozen Assets!,” a woman and her lover seal her still-living husband in a chest freezer. “Standing Room Only” ― a brother murders his twin sister and her husband, and disguises himself as her so he can inherit their estate. But then the estate lawyer makes a play for the “widow” ... “Three for the Money” ― A woman finds her husband dead ― with a knife in his back and a bullet in his head. The police arrest two suspects ― but to get a conviction, they must determine who acted first. Who actually committed the murder, and who stabbed or shot a man who was already dead?
Classic EC science fiction from the pen of Joe Orlando, including two Ray Bradbury stories, all of EC's "Adam Link" adaptations, and the famous anti-racism title story.
Collects Weird science-fantasy #27-29 and Incredible science fiction #30-33, originally published between January 1955 and February 1956 by I.C. Publishing Co., Inc"--Copyright page.
EC Comics are widely credited for causing the dissolution of the morals of kids and teens in the 1950s, thus playing a large part in the public outcry over comics that led to Senate hearings condemning the sex and violence within their pages. Dark Horse brings their usual high quality design and production to the creation of collector's editions of these seminal comics.
Volume 1: "Foreword by Robert Englund -- Volume 2: "Foreword by Tim Sullivan -- Volume 3: "Introduction by Grant Geissman; foreword by Cullen Bunn -- Volume 4: "Introduction by Grant Geissman; foreword by Rob Zombie -- Volume 5: "Foreword by Clive Barker.
EC Comics are widely credited for causing the dissolution of the morals of kids and teens in the 1950s, thus playing a large part in the public outcry over comics that led to Senate hearings condemning the sex and violence within their pages. Dark Horse brings their usual high quality design and production to the creation of collector's editions of these seminal comics.
Volume 1: "Foreword by Robert Englund -- Volume 2: "Foreword by Tim Sullivan -- Volume 3: "Introduction by Grant Geissman; foreword by Cullen Bunn -- Volume 4: "Introduction by Grant Geissman; foreword by Rob Zombie -- Volume 5: "Foreword by Clive Barker.
Collects tales from iconic writers and artists including Al Feldstein, William Gaines, Jack Kamen, George Roussos, Wally Wood, Joe Orlando, and Max Elkan"--
Collects tales from iconic writers and artists including Al Feldstein, William Gaines, Jack Kamen, George Roussos, Wally Wood, Joe Orlando, and Max Elkan"--
Delight in fright! This fourth volume of the EC Comics horror classic The Haunt Of Fear collects even more of the unforgettable scares! Featuring art from the timeless talents of Bill Gaines, Al Feldstein and Otto Binder! Includes a foreword by Rob Zombie.
Volume 1: "Foreword by Robert Englund -- Volume 2: "Foreword by Tim Sullivan -- Volume 3: "Introduction by Grant Geissman; foreword by Cullen Bunn -- Volume 4: "Introduction by Grant Geissman; foreword by Rob Zombie -- Volume 5: "Foreword by Clive Barker.
Dark Horse Comics brings even more macabrely majestic stories from the Vault! This terrifying tome has been digitally recolored--using Marie Severin's original palette as a guide--and features stories drawn by all-star comic artists Johnny Craig, Graham Ingels, Joe Orlando, Jack Davis, Jack Kamen, Graham Ingels, and George Evans! Includes new forward from editor Daniel Chabon! Collects Vault of Horror issues #36-#40 in full color!
Al Feldstein is best known as the main writer/editor of the EC comics line during the first half of the 1950s―and then the editor of Mad Magazine for the first three decades of its existence. But what many don’t know or remember is that Feldstein was also an accomplished and distinctive cartoonist, whose comics (which he both wrote and drew, a relative rarity in those days) adorned the pages of many of those self same EC comics. His powerfully composed, meticulously inked pages, often featuring grotesque creatures or scenes of ghastly destruction (and some of the greatest stiffly handsome/beautiful specimens of 1950s humanity ever put to paper), were a vital part of the allure of these classic comics.
Stories in this volume include "The Martian Monster," in which a 9-year-old boy befriends a Martian in the woods and asks him to kill his stepmother ― but the "Martian" convinces him that it’s really his father who he should target. There’s sharp social commentary in "…And Then There Were Two!" (highly intelligent robots unveil a plan for world peace, but political opportunists launch an anti-robot campaign to discredit them) and "Prediction of Disaster!" (an astronomer concludes that our sun is about to go nova and tries to warn the world).
This collection features all of the stories Feldstein created for both of EC Comics' crime and horror titles, including the very first appearances of The Crypt-Keeper and the Vault-Keeper! This volume collects stories Feldstein wrote and drew about "The Machine-Gun Mad Mobsters" and "The Case of the Floating Corpse," as well such horror gems as "The Mummy’s Curse," "The Thing in the Swamp!" and our title story, "Terror Train." Plus: the most unlikely origin story of them all ― the tongue-in-cheek origin of EC Comics itself, in "Horror Beneath the Streets!" There are more than 30 stories in all, with essays and commentary by EC experts.
Jack Kamen's precise, clean style was perfect subversion for EC Comics tales of seemingly normal men and women who cooly act on the rage, jealousy, and greed just below their glamorous façades. Kamen’s crime capers include “Forty Whacks” (Whatever became of that ax Lizzie Borden used?), “Contract for Death” (A suicidal man agrees to accept $5,000 for his fresh corpse, then changes his mind. But the contract fails to specify that the body has to be his…), “The Neat Job!” (Her “neat freak” husband drove her crazy, so when she chopped him up into little pieces…), “Just Desserts!” (A madman bent on revenge hosts a dinner for his victims … and the final course is a killer!) ― plus 20 more gripping tales of tension as only EC could do them!
Reed Crandall's mastery of fine line detail and expertly nuanced pen-and-ink texture is a perfect fit for EC Comics. This collection of 21 Crandall favorites, delineated in his classically illustrative style, includes “The Silent Towns,” a Ray Bradbury story about the last man and woman on Mars; “Carrion Death,” a stark horror story about a man struggling through the desert with a corpse handcuffed to his wrist as the vultures circle closer; “Sweetie-Pie,” the grisly story of a ghoul who sets up a roadside hazard to procure, um, fresh meat; “The Kidnapper,” about a man who decides to kidnap a baby to replace the baby that had been stolen from him and his wife; “Space Suitors,” a science fiction love triangle that leads to jealously, betrayal, and murder, and “The High Cost of Dying,” the title story, in which a man must make an awful choice between burying his wife and feeding his children.
Even 60 years after their original release, in an era of explicit horror, EC Comics superstar Graham “Ghastly” Ingels’s grisly pages retain the power to shock. His loving depictions of the endless corruption of flesh and nature made him the go-to guy for stories involving swamps, maniacs, and dismemberment ― and all three combined to best effect in one of the standouts of this collection of his stories: “Horror We? How’s Bayou?” ― considered the single most spectacularly drawn of all of EC’s horror stories, with a climax that would give body-horror king David Cronenberg nightmares. Ingels specialized in depicting the unimaginable. If you ever wondered what the vengeful, decaying corpse of an elephant stomping a woman to death would look like, it’s in here (“Squash...Anyone?”). Or living rats sewn into the bodies of a tyrannical king and queen (“A Grim Fairy Tale”)... or the results of injecting a “poison-pen” letter writer with literal poison and reducing him to, in the words of Al Feldstein’s script, a “foul-smelling, oozing pool of putrescence” (“Notes to You!”). One of the two Ray Bradbury adaptations in the book, “There Was an Old Woman” (about a deceased crone who simply refuses to stay dead) provides the closest thing to a note of sweetness that you’ll find here ― perhaps with the exception of the genuinely romantic “A Little Stranger!” and its loving marriage between a dead vampire and a dead werewolf. Sucker Bait And Other Stories features 25 classic stories from Tales From the Crypt, Shock Suspen-Stories, Vault of Horror, and Ingels and his “Old Witch” character’s special showcase Haunt of Fear ― plus the usual fascinating historical, critical, and biographical material.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.