The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.
The events of 1000-1130 were crucial to the successful emergence of the medieval kingdom of the Scots. Yet this is one of the least researched periods of Scottish history. We probably now know more about the Picts than the post-1000 events that underpinned the spectacular expansion of the small kingdom which came to dominate north Britain by the 1130s. This expansion included the defeat and absorption of other significant cultural and political groups to the north and south of the core kingdom, and was accompanied by the introduction of reformed monasticism. But perhaps the most momentous process amongst all these political and cultural changes was the move towards the domination of the kingship by just one segment of the royal kindred, the sons of King Mael Coluim mac Donnchada's second marriage to Queen Margaret. The story of how these sons managed to achieve political supremacy through machination, murder and mutilation runs like an unsavoury thread throughout this book. The book also investigates the building blocks from which the kingdom was constructed and the various processes which eventually allowed the kings of the different peoples of north Britain to describe themselves as Rex scottorum. It is a hugely rewarding voyage of discovery for anyone interested in the formation of the kingdom of the Scots.
King Hildebrand is off to war - again. He commands his three daughters not to enter a locked room in the palace. Naturally they do, and in it find the Book of Fate, which announces that two of them will marry handsome Kings, while the third, Flora, must wed a fat pig from the North. Drawing on Romanian and Norwegian folk tales with their origins in the myth of Cupid and Psyche, Alasdair Middleton weaves a fantastic musical story from traditional materials and takes us from palace to pigsty via the darkest corners of the universe in search of Flora's destiny. Funny and tender, miraculous and ridiculous, The Enchanted Pig moves heaven and earth for the sake of love and proves that even the best of men can be pigs. Some of the time. The Enchanted Pig opened at the Young Vic Theatre, London, in December 2006, with music by Jonathan Dove.
The events of 1000-1130 were crucial to the successful emergence of the medieval kingdom of the Scots. Yet this is one of the least researched periods of Scottish history. We probably now know more about the Picts than the post-1000 events that underpinned the spectacular expansion of the small kingdom which came to dominate north Britain by the 1130s. This expansion included the defeat and absorption of other significant cultural and political groups to the north and south of the core kingdom, and was accompanied by the introduction of reformed monasticism. But perhaps the most momentous process amongst all these political and cultural changes was the move towards the domination of the kingship by just one segment of the royal kindred, the sons of King Mael Coluim mac Donnchada's second marriage to Queen Margaret. The story of how these sons managed to achieve political supremacy through machination, murder and mutilation runs like an unsavoury thread throughout this book. The book also investigates the building blocks from which the kingdom was constructed and the various processes which eventually allowed the kings of the different peoples of north Britain to describe themselves as Rex scottorum. It is a hugely rewarding voyage of discovery for anyone interested in the formation of the kingdom of the Scots.
Photographer, filmmaker, writer, adventurer. Controversial, passionate, audacious. Frank Hurley was an extraordinary Australian, possibly most famous for his Antarctic photographs captured alongside expeditioners Sir Douglas Mawson and Sir Ernest Shackleton. From the early twentieth century until his death in 1962 Hurley created a stunning visual archive that chronicled the major events of the twentieth century, and Australia's achievements both home and overseas. This book and the Hurley Collection in the National Library of Australia make clear this outstanding contribution and the lengths to which the man would go in order to convey the gravity of events. For Hurley, image-making and exploration went hand-in-hand and he sought out experiences as a pioneer documentary film-maker, official photographer in two world wars, early aviator, and adventure and story-seeker in both the natural environment and in rapidly disappearing non-western worlds. In this readable, definitive and wonderfully illustrated re-issued biography, Alasdair McGregor describes Hurley's life and character in all its richness.
Alsadair Gray wrote the first edition of this book for the 1992 general election. In it he showed the poor state of present-day Scotland; gave a concise, elegant history of the Scottish people and their relations with the rulers of England; argued that Scotland should have a strong government elected by its own people. Five years later Scotland still does not have that and its state has worsened. The original chapters have been revised and largely rewritten. New chapters dealing with Scottish education, land owning, and law and the Labour Party bring the argument to date. This is a more openly political book than the first edition, written to persuade people who feel their vote does not much influence how their country is managed that Scottish independence matters, and that only one political party is honestly working to achieve it.
Superb ... There is no disputing the enormous knowledge, the sheer love of books that is gathered here' SCOTLAND ON SUNDAY ____________________ A great and fascinating work from Scottish literary legend Alasdair Gray, beautifully illustrated throughout, chronicling the history of how literature spread and developed throughout the world. This is a unique history of literature as presented through the collected and annotated prefaces of major writers, including commentary by a range of authors including James Kelman, A.L. Kennedy, and Virginia Woolf. The result of a lifetime's reading and creative labour, intellectual and artistic, The Book of Prefaces will delight, amaze and inform both casual browsers and students. Its like will not be seen again for at least another millennium. ____________________ Praise for Alasdair Gray 'A necessary genius' ALI SMITH 'One of the brightest intellectual and creative lights Scotland has known in modern times' NICOLA STURGEON
The cuneiform literature of ancient Mesopotamia is vast, ranging from economic texts, other sorts of record-keeping documents, and letters through texts that modern readers consider literary, including one category that is often considered esoteric. The latter works appear to be attempts on the part of the ancient scribe-scholars to explain parts of their own culture, to elucidate their own traditions. In the mid-1980s, Alasdair Livingstone studied these texts and then published the collection he had gathered. These texts demonstrate that the Assyrian and Babylonian scholars responsible for their creation had their own distinctive ideas about the function of myth and ritual. Livingstone's study was first published in 1986 by Oxford University Press but has been out of print for a number of years. Eisenbrauns is happy to make it available once again, in a quality hardback reprint.
Exploring the central themes in modern American cultural studies and discussing how these themes can be interpreted, American Cultural Studies offers a wide-ranging overview of different aspects of American cultural life such as religion, gender and sexuality, regionalism, and ethnicity and immigration. The fourth edition has been revised throughout to take into account the developments of the last four years. Updates and revisions include: discussion of Barack Obama’s time in the White House consideration of ‘Hemispheric American Studies’ and the increasing debates about globalisation and the international role of the USA long-form television and American Studies up-to-date case studies, such as Girls, The Wire and Orange is the New Black more material on Detroit, the Mexican border, same-sex relationships and Islam in America updated further reading lists and new follow-up work. Illustrated throughout, containing follow-up questions and further reading at the end of each chapter, and accompanied by a companion website (www.routledge.com/cw/campbell) providing further study resources, American Cultural Studies is a core text and an accessible guide to the interdisciplinary study of American culture.
From culinary desert to gastro heaven: The Spaghetti Tree shows how the transformation of Britain's food culture was sparked by two extraordinary Italians. Mario and Franco opened La Trattoria Terrazza in London's Soho in 1959. It soon became the most famous and influential restaurant in London, launching a social and gastronomic revolution.
The first sixteen tales in this collection were published by Canongate in 1983 with the title Unlikely Stories, Mostly. This collection also has fifty-seven tales from later books, plus sixteen new ones written for the hardback publication of this collection. This last section, Tales Droll and Plausible, shows that Gray's recent twenty-first-century fiction is as uncomfortably funny and up to date as his earliest.
This pamphlet is for anyone alarmed by the present British government. It argues that the component nations of the United Kingdom can become true democracies only by declaring themselves republics. The authors are Alasdair Gray, writer of fiction and pamphlets such as Why Scots Should Rule Scotland, and Adam Tomkins, Professor of Public Law in the University of Glasgow and author of Public Law and Our Republican Constitution. Both are committed republicans.
Drawing on literature, art, film theatre, music and much more, American Cultural Studies is an interdisciplinary introduction to American culture for those taking American Studies. This textbook: * introduces the full range and variety of American culture including issues of race, gender and youth * provides a truly interdisciplinary methodology * suggests and discusses a variety of approaches to study * highlights American distinctiveness * draws on literature, art, film, theatre, architecture, music and more * challenges orthodox paradigms of American Studies. This is a fast-expanding subject area, and Campbell and Kean's book will certainly be a staple part of any cultural studies student's reading diet.
Gray argues that a truly independent Scotland will only ever exist when people in every home, school, croft, farm, workshop, factory, island, glen, town and city feel that they too are at the centre of the world. Independence asks whether widespread social welfare is more possible in small nations such as Norway and New Zealand than in big ones like Britain and the U.S.A. It describes the many differences between Scotland and England. It examines the people who choose to live north of the border. It shows Scotland's relevance to the rest of the world. It attempts to conjure a vision of how a Scots parliament might benefit the people of this small but dynamic nation. And it tells how democracy will only truly succeed when every person believes that their vote will make a difference.
Illuminating the development and character of Scottish Protestantism, The Culture of Controversy proposes new ways of understanding religion and politics in early modern Scotland. The Culture of Controversy investigates arguments about religion in Scotland from the Restoration to the death of Queen Anne and outlines a new model for thinking about collective disagreement in seventeenth- and eighteenth-century societies. Rejecting teleological concepts of the 'public sphere', the book instead analyses religious debates in terms of a distinctively early modern 'culture of controversy'. This culture was less rational and less urbanised than the public sphere. Traditional means of communication such as preaching and manuscript circulation were more important than newspapers and coffeehouses. As well as verbal forms of discourse, controversial culture was characterised by actions, rituals and gestures. People from all social ranks and all regions of Scotland were involved in religious arguments, but popular participation remained of questionable legitimacy. Through its detailedand innovative examination of the arguments raging between and within Scotland's main religious groups, the presbyterians and episcopalians, over such issues as Church government, state oaths and nonconformity, The Culture ofControversy reveals hitherto unexamined debates about religious enthusiasm, worship and clerical hypocrisy. It also illustrates the changing nature of the fault line between the presbyterians and episcopalians and contextualises the emerging issues of religious toleration and articulate irreligion. Illuminating the development and character of Scottish Protestantism, The Culture of Controversy proposes new ways of understanding religion and politics in late seventeenth- and early eighteenth-century Scotland and will be particularly valuable to all those with an interest in early modern British history. Alasdair Raffe is Lecturer in History at Northumbria University, Newcastle upon Tyne.
Radio is a medium of seemingly endless contradictions. Now in its third century of existence, the technology still seems startlingly modern; despite frequent predictions of its demise, radio continues to evolve and flourish in the age of the internet and social media. This book explores the history of the radio, describing its technological, political, and social evolution, and how it emerged from Victorian experimental laboratories to become a near-ubiquitous presence in our lives. Alasdair Pinkerton’s story is shaped by radio’s multiple characters and characteristics—radio waves occur in nature, for instance, but have also been harnessed and molded by human beings to bridge oceans and reconfigure our experience of space and time. Published in association with the Science Museum, London, Radio is an informative and thought-provoking book for all enthusiasts of an old technology that still has the capacity to enthuse, entertain, entice, and enrage today.
For a while, it seemed impossible to lose money on real estate. But then the bubble burst. The financial sector was paralyzed and the economy contracted. State and federal governments struggled to pay their domestic and foreign creditors. Washington was incapable of decisive action. The country seethed with political and social unrest. In America's First Great Depression, Alasdair Roberts describes how the United States dealt with the economic and political crisis that followed the Panic of 1837. As Roberts shows, the two decades that preceded the Panic had marked a democratic surge in the United States. However, the nation’s commitment to democracy was tested severely during this crisis. Foreign lenders questioned whether American politicians could make the unpopular decisions needed on spending and taxing. State and local officials struggled to put down riots and rebellion. A few wondered whether this was the end of America’s democratic experiment. Roberts explains how the country’s woes were complicated by its dependence on foreign trade and investment, particularly with Britain. Aware of the contemporary relevance of this story, Roberts examines how the country responded to the political and cultural aftershocks of 1837, transforming its political institutions to strike a new balance between liberty and social order, and uneasily coming to terms with its place in the global economy.
A forger and convicted felon, Francis Greenway was transported to Sydney in 1814. Only a decade later, his dreams of a "city superior in architectural beauty to London" began to be realized as he designed Hyde Park Barracks, St James' Church, the Supreme Court, St Luke's Church in Liverpool, and the Windsor courthouse. In this first biography of Greenway since 1953, award-winning author Alasdair McGregor scrutinizes the character and creative output of a man beset by contradictions and demons. He profiles Greenway's landmark buildings, his complex and fraught relationship with Governor Lachlan Macquarie, and his thwarted ambitions and self-destruction.
Distributed free in Edinburgh's bars and bookshops the One O'Clock Gun began in 2004 as a thought provoking, ballsy and often irreverent paper that initially appeared with a humble few followers.Today, over fifteen years later, The Gun is an Edinburgh institutution.Distributed from handmade wooden boxes, the One O'Clock Gun appears to be an A4 sheet but in fact folds out to a double-sided A2 broadsheet, both sides crammed with stories poems and illustrations.Although the Gun began with a handful of writers penning their stories under pseudonyms, it wasn't long before amateur and professional authors alike were attracted, and slowly as its reputation grew, submissions came in from farther afield.CONTRIBUTORS: Andy Anderson; Raymond Bell; Don Birnam; Graham Brodie; Robin Cairns; Angus Calder; Paul Carter; Reggie Chamberlain-King; Sandy Christie; Michael Conway; Gav Duvet; Keith Farquhar; Craig Gibson; Peter Burnett; Alasdair Gray; Rodge Glass; Martin Hillman; Gavin Inglis; Robert Alan Jamieson; Will Lawson; Jenny Lindsay; Barry McLaren; Steve McLellan; James Mooney; Marc Phillips; Karl Plume; Jim Ritchie; Suhayl Saadi; Eoin Sanders; Cathy Scrutton; Andrew Smith; Robin Vandome; Kevin Williamson; Andrew J Wilson; Ross Wilson; Kirsti Wishart; James Wood
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