From a golden African sunset and a blanket of Midwestern clouds to a pastoral Italian countryside and an Australian surf break,The Art of Painting Landscapes, Seascapes, and Skyscapes in Oil & Acrylicfeatures an array of easy-to-follow step-by-step painting lessons gathered from some of Walter Foster’s bestselling titles. Six accomplished artists provide comprehensive instruction for capturing mood, time of day, and a variety of outdoor scenes, while valuable tips and techniques demonstrate just how fun working in oil and acrylic can be!
Many theoretical explanations had been offered for the rise of the European Community, but none had used historical analysis to draw out the deeper significance of the events that surrounded Maastricht. However, in this book, first published in 1993, the authors explored the process of European integration, and its future, drawing on extensive empirical research into the national archives of the member states. The authors brought their findings together in this consistently argued book to provide a new and coherent theory of European integration, which threw a fresh light on unexplored aspects of EC policy. The debate over the Treaty of Maastricht shows how ill-understood are the issues involved, and this book is intended to improve that understanding. It is essential reading to students of history, international relations and political science.
From a golden African sunset and a blanket of Midwestern clouds to a pastoral Italian countryside and an Australian surf break,The Art of Painting Landscapes, Seascapes, and Skyscapes in Oil & Acrylicfeatures an array of easy-to-follow step-by-step painting lessons gathered from some of Walter Foster’s bestselling titles. Six accomplished artists provide comprehensive instruction for capturing mood, time of day, and a variety of outdoor scenes, while valuable tips and techniques demonstrate just how fun working in oil and acrylic can be!
Psychobiography is often attacked by critics who feel that it trivializes complex adult personalities, "explaining the large deeds of great individuals", as George Will wrote, "by some slight the individual suffered at a tender age - say, seven, when his mother took away a lollipop". Worse yet, some writers have clearly abused psychobiography - for instance, to grind axes from the right (Nancy Clinch on the Kennedy family) or from the left (Fawn Brodie on Richard Nixon) - and others have offered woefully inept diagnoses (such as Albert Goldman's portrait of Elvis Presley as a "split personality" and a "delusional paranoid"). And yet, as Alan Elms argues in Uncovering Lives, in the hands of a skilled practitioner, psychobiography can rival the very best traditional biography in the insights it offers. Elms makes a strong case for the value of psychobiography, arguing in large part from example. Indeed, most of the book features Elms's own fascinating case studies of over a dozen prominent figures, among them Sigmund Freud (the father of psychobiography), B.F. Skinner, Isaac Asimov, L. Frank Baum, Vladimir Nabokov, Jimmy Carter, George Bush, Saddam Hussein, and Henry Kissinger. These profiles make intriguing reading. For example, Elms discusses the fiction of Isaac Asimov in light of the latter's acrophobia (fear of heights) and mild agoraphobia (fear of open spaces) - and Elms includes excerpts from a series of letters between himself and Asimov. He reveals an unintended subtext of The Wizard of Oz - that males are weak, females are strong (think of Scarecrow, Tin Man, the Lion, and the Wizard, versus the good and bad witches and Dorothy herself) - and traces this in part to Baum'schildhood heart disease, which kept him from strenuous activity, and to his relationship with his mother-in-law, Matilda Joslyn Gage, a distinguished advocate of women's rights. And in a fascinating chapter, he examines the abused childhood of Saddam Hussein, the privileged childhood of George Bush, and the radically different psychological paths that led these two men into the Persian Gulf War. Elms supports each study with extensive research, much of it never presented before - for instance, on how some of the most revealing portions of C.G. Jung's autobiography were deleted in spite of his protests before publication. Along the way, Elms provides much insight into how psychobiography is written. Finally, he proposes clear guidelines for judging high quality work, and offers practical tips for anyone interested in writing in this genre. Written with great clarity and wit, Uncovering Lives illuminates the contributions that psychology can make to biography. Elms's enthusiasm for his subject is contagious and will inspire would-be psychobiographers as well as win over the most hardened skeptics.
Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee. While Lomax is noted for his field recordings, these collected letters, many signed "Alan Lomax, Assistant in Charge," are a trove of information until now available only at the Library of Congress. They make it clear that Lomax was very interested in the commercial hillbilly, race, and even popular recordings of the 1920s and after. These letters serve as a way of understanding Lomax's public and private life during some of his most productive and significant years. Lomax was one of the most stimulating and influential cultural workers of the twentieth century. Here he speaks for himself through his voluminous correspondence.
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