Alan Pryce-Jones (1908-2000) had a gift for living, for moving between countries and occupations, and above all for enjoying himself throughout. His memoir offers a highly entertaining account of these varied peregrinations and preoccupations. After Eton and Oxford and a stint on the London Mercury he married and moved to Vienna, joined the army upon the outbreak of war, and after the collapse of France became involved in military intelligence work, returning to Vienna with the Army of Occupation. In peacetime he joined the staff of the Times Literary Supplement, where he would be editor for twelve years. After his second marriage he moved to New York where he was book critic for the Herald Tribune. 'There is charity, gaiety, toughness and good sense in this book.' Alan Massie, Times 'Engaging, stylish.' John Gross, Observer
Alan Sinfield (1941-) is Professor of English at the University of Sussex. The publication of Literature, Politics and Culture in Postwar Britain in 1989 firmly established him as one of our foremost writers on literature and a leading critic of postwar culture and society. Literature, Politics and Culture in Postwar Britain is a landmark work in contemporary literary and cultural analysis. It offers a provocative and brilliant account of political change since 1945 and how such change shaped the cultural output of our time. It also looks at how and when literature intersects with other cultural forms, and the growth of American cultural dominance. This edition includes a new foreword by the author, specially written for the Impact edition.
Literature, Politics and Culture in Postwar Britain is a landmark work in contemporary literary and cultural analysis. It offers a provocative and brilliant account of political change since 1945 and how such change shaped the cultural output of our time. It also looks at how and when literature intersects with other cultural forms - including jazz and rock music, television, journalism, commercial and "mass" cultures - and the growth of American cultural dominance. This edition includes a new foreword by the author.
Winner of the Society for Theatre Research Book Prize 2020 Vivien Leigh was perhaps the most iconic actress of the twentieth century. As Scarlett O'Hara and Blanche Du Bois she took on some of the most pivotal roles in cinema history. Yet she was also a talented theatre actress with West End and Broadway plaudits to her name. In this ground-breaking new biography, Alan Strachan provides a completely new full-life portrait of Leigh, covering both her professional and personal life. Using previously unseen sources from her archive, recently acquired by the V&A, he sheds new light on her fractious relationship with Laurence Olivier, based on their letters and diaries, as well as on the bipolar disorder which so affected her later life and work. Revealing new aspects of her early life as well as providing glimpses behind-the-scenes of the filming of Gone with the Wind and A Streetcar Named Desire, this book provides the essential and comprehensive life-story of one of the twentieth century's greatest actresses.
Since antiquity, mankind has been searching for God in all the wrong places, which has resulted in a world that is tormented, driven by evil, and out of control. In traveling the globe, the author has witnessed firsthand the misery, squalor, and hopelessness of people who are struggling to find true meaning in their lives. Billions of people are living in darkness and ignorance because they have never known the peace and tranquility of a personal, loving relationship with the Lord, Jesus Christ. The author understands that trying to explain love to someone who has never been in love is not easy. But, with a fervent desire, the author attempts to show nonbelievers the way with the confidence that the Holy Spirit will do the rest.
This book describes the pre-eminent achievement from the first years of collaboration between two great artists of the twentieth century, Hugo von Hofmannsthal and Richard Strauss. It explains how the poet drew upon a wealth of classical and literary sources to fashion his vivid characters, and how the composer further enhanced their lifelike charm in his potent and often magical score. An explanation of the psychological undertones of the libretto is supplemented by an appendix on Hofmannsthal's use of language. Critical comments and attacks on Der Rosenkavalier from its premiere to recent times are described and assessed, and the opera's stage history is recounted. The long central chapter of the book, adapted by Norman Del Mar from his celebrated three-volume study of the composer, combines musical analysis with a detailed synopsis. An appendix discusses versions of the opera as film and play. The book includes a bibliography and a detailed discography.
Cassels offers a novel perspective on the part played by ideology in international relations over the past two centuries. His treatment is not restricted to the familiar totalitarian ideologies of communism and nazism, but also includes conservatism, liberalism and nationalism. The focus and emphasis given to ideology in an historical survey of such broad scope make this book unusual, and even controversial.
A Scottish journalist offers rare insight into the life and mind of the renowned expat author in this “beguiling, fascinating memoir” (The Guardian, UK). In 1990, Alan Taylor traveled to Arezzo, Italy, to interview one of the greatest novelists of the 20th century. That interview evolved into a close friendship between Taylor and Muriel Spark that lasted until her death in 2006. In this intimate, anecdotal, admiring and indiscreet memoir, Taylor charts the course of Spark’s life, revealing her as she really was. Once, Spark commented sitting over a glass of chianti at the kitchen table, that she was upset that the academic whom she had appointed her official biographer did not appear to think that she had ever cracked a joke in her life. Here, Taylor sets the record straight about this and many other things. With sources ranging from notebooks kept from his first encounter with Muriel and the hundreds of letters they exchanged over the years, this is an invaluable portrait of one of Edinburgh’s premiere novelists.
A chilling, fascinating, and nearly forgotten historical figure is resurrected in this riveting work that links the fascism of the last century with the terrorism of our own. Written with vigor and extraordinary access to primary sources in several languages, Icon of Evil is the definitive account of the man who, during World War II, was called "the führer of the Arab world" and whose ugly legacy lives on today. With new and disturbing details, David G. Dalin and John F. Rothmann show how al -Husseini ingratiated himself with his hero, Adolf Hitler, becoming, with his blond hair and blue eyes, an "honorary Aryan" while dreaming of being installed as Nazi leader of the Middle East. Al-Husseini would later recruit more than 100,000 Muslims in Europe to fight in divisions of the Waffen- SS, and obstruct negotiations with the Allies that might have allowed four thousand Jewish children to escape to Palestine. Some believe that al-Husseini even inspired Hitler to implement the Final Solution. At war's end, al-Husseini escaped indictment at Nuremberg and was harbored in France. Icon of Evil chronicles al-Husseini's postwar relationships with such influential Islamic figures as the radical theoretician Sayyid Qutb and Saddam Hussein's powerful uncle General Khairallah Talfah and his crucial mentoring of the young Yasser Ararat. Finally, it provides compelling evidence that al-Husseini's actions and writings serve as inspirations today to the leaders of Hamas, Hezbollah, and other terrorist organizations pledged to destroy Israel and the United States.
The work of Wallace Stevens has been read most widely as poetry concerned with poetry, and not with the world in which it was created; deemed utterly singular, it seems to resist being read as the record of a life and times. In this critical biography Alan Filreis presents a detailed challenge to this exceptionalist view as he traces two major periods of Stevens's career from 1939 to 1955, the war years and the postwar years. Portraying Stevens as someone whose alternation between cultural comprehension and ignorance was itself characteristically American, Filreis examines the poet's impulse to disguise and compress the very fact of his debt to the actual world. By actual world Stevens meant historical conditions, often in order to impugn his own interest in such externalities as the last resort of a man whose famous interiority made him feel desperately irrelevant. In light of events ranging from the U.S. entry into World War II to the Cold War, Filreis shows how Stevens was driven to make a "close approach to reality" in an effort to reconcile his poetic language with a cultural language. "Wallace Stevens and the Actual World is not only an impressive feat of historical recovery and analysis, but also a pleasure to read. It will be useful to anyone interested in the relationship between American politics and literature during World War II and the Cold War."--Milton J. Bates, Marquette University Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Ted Grant was a well-known figure in the international Marxist movement. He had a significant impact on British politics. When he died all the most important newspapers carried extensive obituaries that recognised this fact. This is a remarkable work that comprehensively covers the development of Ted's life and ideas, starting from his early family background in Johannesburg right up to his death in London in 2006 at the age of 93. From his earliest youth in South Africa Ted Grant dedicated his life to the struggle for the emancipation of the working class. Moving to Britain in 1934 to seek new horizons, within a decade he had become the leading theoretician of the Trotskyist movement. The book deals with the launch of the Fourth International and Ted's battle to defend the ideas of Trotsky, which brought him into conflict with the leaders of the International after the Second World War. It explains the important theoretical questions and debates of this period and it outlines Ted Grant's important theoretical contribution to Marxism. Ted was the founder and theoretical inspirer of the Militant Tendency, which Michael Crick once described as the fifth political party in Britain. The book traces the rise and fall of Militant. It provides a fascinating insight into a subject that remains a closed book to most political analysts even now.
Explores how the characters in Oscar Wilde's plays, though not specifically gay, epitomize today's image of the effeminate male, how they relate to British theatrical fops and other characters since early modern times, how the representation of same-sex passion was altered by Wilde's expose and trial as a homosexual, and how the stereotype of the gay man became established in the 20th century. Annotation copyright by Book News, Inc., Portland, OR
Alan Pryce-Jones (1908-2000) had a gift for living, for moving between countries and occupations, and above all for enjoying himself throughout. His memoir offers a highly entertaining account of these varied peregrinations and preoccupations. After Eton and Oxford and a stint on the London Mercury he married and moved to Vienna, joined the army upon the outbreak of war, and after the collapse of France became involved in military intelligence work, returning to Vienna with the Army of Occupation. In peacetime he joined the staff of the Times Literary Supplement, where he would be editor for twelve years. After his second marriage he moved to New York where he was book critic for the Herald Tribune. 'There is charity, gaiety, toughness and good sense in this book.' Alan Massie, Times 'Engaging, stylish.' John Gross, Observer
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