In Love Song with Motor Vehicles, Alan Michael Parker marshals a penetrating wit and sharp irony that mirrors that of Charles Simic and John Berryman. Parker’s robust imagination explores the music in places poetry doesn’t usually travel. His poems find their epiphanies early on, and, most strikingly, do not close at their endings but, rather, open. Alan Michael Parker is the author of two books of poetry, and co-editor of two scholarly works, The Routledge Anthology of Cross-Gendered Verse and Who’s Who in 20th Century World Poetry (Routledge Books). In 2000, his poems were included in all three major volumes of "younger American poets" (Carnegie Mellon University Press, University of Southern Illinois Press, and University of New England Press).
In a tale satirizing bureaucracy told through ninety-nine connected stories, townsfolk disappear and hot air balloons are launched to search for the missing.
Elephants & Butterflies combines the imaginative forays of The Vandals with the more meditative approach of Love Song with Motor Vehicles. Both wild and calm, boisterous and quiet, the poems in Elephants & Butterflies use surprise, song, and startling metaphor while allowing the ideas to simmer just below the surface of the lyric. The poems manage the difficult task of being highly readable and accessible, while still containing complex philosophical and personal knowledge. Alan Michael Parker (www.amparker.com) teaches at Davidson College in Davidson, North Carolina. He also teaches at Queens University, where he is core faculty in the low-residency MFA program.
Elephants & Butterflies combines the imaginative forays of The Vandals with the more meditative approach of Love Song with Motor Vehicles. Both wild and calm, boisterous and quiet, the poems in Elephants & Butterflies use surprise, song, and startling metaphor while allowing the ideas to simmer just below the surface of the lyric. The poems manage the difficult task of being highly readable and accessible, while still containing complex philosophical and personal knowledge. Alan Michael Parker (www.amparker.com) teaches at Davidson College in Davidson, North Carolina. He also teaches at Queens University, where he is core faculty in the low-residency MFA program.
In Love Song with Motor Vehicles, Alan Michael Parker marshals a penetrating wit and sharp irony that mirrors that of Charles Simic and John Berryman. Parker’s robust imagination explores the music in places poetry doesn’t usually travel. His poems find their epiphanies early on, and, most strikingly, do not close at their endings but, rather, open. Alan Michael Parker is the author of two books of poetry, and co-editor of two scholarly works, The Routledge Anthology of Cross-Gendered Verse and Who’s Who in 20th Century World Poetry (Routledge Books). In 2000, his poems were included in all three major volumes of "younger American poets" (Carnegie Mellon University Press, University of Southern Illinois Press, and University of New England Press).
Academy Award–winning director Michael Curtiz (1886–1962)—whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954)—was in many ways the anti-auteur. During his unprecedented twenty-seven year tenure at Warner Bros., he directed swashbuckling adventures, westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. The director's staggering output of 180 films surpasses that of the legendary John Ford and exceeds the combined total of films directed by George Cukor, Victor Fleming, and Howard Hawks. In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures. He explores the director's little-known early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe before immigrating to the United States in 1926. In Hollywood, Curtiz earned a reputation for explosive tantrums, his difficulty with English, and disregard for the well-being of others. However, few directors elicited more memorable portrayals from their casts, and ten different actors delivered Oscar-nominated performances under his direction. In addition to his study of the director's remarkable legacy, Rode investigates Curtiz's dramatic personal life, discussing his enduring creative partnership with his wife, screenwriter Bess Meredyth, as well as his numerous affairs and children born of his extramarital relationships. This meticulously researched biography provides a nuanced understanding of one of the most talented filmmakers of Hollywood's golden age.
First published in 2001. Part of the Routledge Who's Who series, this is an accessible, authorative and enlightening definitive biographical guides to a range of subjects. Focusing on mythology, this book provides a uniquely comprehensive guide to world mythology beyond Greece and Rome with over 2,500 accessible and detailed entries. A complete historical and cultural context of each entry covering a wide geographical scope, from the Near East and Europe to Asia, the Americas, Australasia and Africa. Presented in an easy to use A-Z format this is the ideal reference resource for anyone interested in mythology.
Who's Who in Modern History is a unique reference book which examines those individuals who have shaped the political world since 1860. Coverage is truly global, including the most important figures in Europe, Asia, North America, Latin America, Africa and Australasia. It provides: * an easy-to-use A-Z layout * authoritative, detailed biographies of the most important figures since 1860, from Clemenceau and Chief Buthelezi to King Fahd and Benazir Bhutto * bibliographical references for each entry, to aid further research * extensive cross-referencing * an essential guide for students, researchers and the general reader alike.
This volume contains reports on excavations undertaken in the lower walled city at Lincoln, which lies on sloping ground on the northern scarp of the Witham gap, and its adjacent suburbs between 1972 and 1987, and forms a companion volume to LAS volumes 2 and 3 which cover other parts of the historic city. The earliest features encountered were discovered both near to the line of Ermine Street and towards Broadgate. Remains of timber storage buildings were found, probably associated with the Roman legionary occupation in the later 1st century AD. The earliest occupation of the hillside after the foundation of the colonia towards the end of the century consisted mainly of commercial premises, modest residences, and storage buildings. It seems likely that the boundary of the lower enclosure was designated before it was fortified in the later 2nd century with the street pattern belonging to the earlier part of the century. Larger aristocratic residences came to dominate the hillside with public facilities fronting on to the line of the zigzagging main route. In the 4th century, the fortifications were enlarged and two new gates inserted. Examples of so-called ‘Dark Earth’ deposits were here dated to the very latest phases of Roman occupation. Elements of some Roman structures survived to be reused in subsequent centuries. There are hints of one focus in the Middle Saxon period, in the area of St. Peter’s church, but occupation of an urban nature did not recommence until the late 9th century with the first phases of Anglo-Scandinavian occupation recorded here. Sequences of increasingly intensive occupation from the 10th century were identified, with plentiful evidence for industrial activity, including pottery, metalworking and other, crafts, as well as parish churches. Markets were established in the 11th century and stone began to replace timber for residential structures from the mid-12th century with clear evidence of the quality of some of the houses. With the decline in the city’s fortunes from the late 13th century, the fringe sites became depopulated and there was much rebuilding elsewhere, including some fine new houses. There was a further revival in the later post-medieval period, but much of the earlier fabric, and surviving stretches of Roman city wall, were swept away in the 19th century.
At Wembley in 1966, England’s football captain Bobby Moore received the World Cup from Queen Elizabeth and FIFA president Stanley Rous. This book takes the life of Rous (1895-1986) as a lens through which to understand the escalating profile of football both nationally and globally. It illuminates how it was possible for Rous to emerge from a Suffolk village and ascend to the top of FIFA’s hierarchy and the company of elites. Educational opportunities, service in the Great War and an international referee’s profile prepared Rous for the position of Secretary at The Football Association, alongside charity work in World War II and organisational responsibilities for the London 1948 Olympics. His FIFA role combined diplomacy with development, in post-colonial times of volatile international relations. The book informs scholars and fans alike, showing too that Rous’s crowning achievement as FIFA President at the 1966 World Cup marked a peak for England’s power and influence in world football.
Names and addresses of movie, tv stars, political leaders, musicians, artists, writers, sports heroes, executives, record holders, heads of state and many more.
Gotham City has endured much through its dark, twisted history, and even the cosmic changes wrought by the Crisis on Infinite Earths couldnÕt give the town a fresh startÑthe grime is in its DNA. The Crisis did, though, allow for the reintroduction of familiar foes, albeit with a fresh take on the Caped Crusader featuring a back-to-basics approach to crime-fighting. Criminals donÕt always wear a colorful costumes: some just stalk the shadows with sinister plots and evil intentions. A new threat, a fearsome assassin known as the KGBeast, is prowling the streets of Gotham City and heÕs out to dismantle AmericaÕs Strategic Defense Initiative. After saving the United States government, Batman must then solve the mystery of ten murdered women before the killer claims even more victims! An all-star cast of talent, led by writer Jim Starlin (Batman: The Cult, Mystery In Space) and the dynamic art duo of Jim Aparo (The Brave and The Bold, Batman & The Outsiders) and Mike DeCarlo (The Legion Of Super-Heroes), present Batman: The Caped Crusader Vol. 1, collecting Batman #417-425 and #430-431 and Batman Annual #12! DonÕt miss out on the companion series, Batman: The Dark Knight Detective, to chronicle all of BatmanÕs post-Crisis adventures!
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