The story of the British amusement arcade from the 1800s to the present. Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline. Arcade Britannia highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain’s role in introducing coin-operated technologies into Europe, as well as the industry’s close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade’s history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play. Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema.
The story of the British amusement arcade from the 1800s to the present. Amusement arcades are an important part of British culture, yet discussions of them tend to be based on American models. Alan Meades, who spent his childhood happily playing in British seaside arcades, presents the history of the arcade from its origins in traveling fairs of the 1800s to the present. Drawing on firsthand accounts of industry members and archival sources, including rare photographs and trade publications, he tells the story of the first arcades, the people who made the machines, the rise of video games, and the legislative and economic challenges spurred by public fears of moral decline. Arcade Britannia highlights the differences between British and North American arcades, especially in terms of the complex relationship between gambling and amusements. He also underlines Britain’s role in introducing coin-operated technologies into Europe, as well as the industry’s close links to America and, especially, Japan. He shows how the British arcade is a product of centuries of public play, gambling, entrepreneurship, and mechanization. Examining the arcade’s history through technological, social, cultural, biographic, and legislative perspectives, he describes a pendulum shift between control and liberalization, as well as the continued efforts of concerned moralists to limit and regulate public play. Finally, he recounts the impact on the industry of legislative challenges that included vicious taxation, questions of whether copyright law applied to video-game code, and the peculiar moment when every arcade game in Britain was considered a cinema.
This book offers insight into one of the most problematic and universal issues within multiplayer videogames: antisocial and oppositional play forms such as cheating, player harassment, the use of exploits, illicit game modifications, and system hacking, known collectively as counterplay. Using ethnographic research, Alan Meades not only to gives voice to counterplayers, but reframes counterplay as a complex practice with contradictory motivations that is anything but reducible to simply being hostile to play, players, or commercial videogames. The book offers a grounded and pragmatic exploration of counterplay, framing it as an unavoidable by-product of interaction of mass audiences with compelling and culturally important texts.
The majority of the world's population is now urban, and for most this will mean a life lived in the suburbs. City Suburbs considers contemporary Anglo-American suburbia, drawing on research in outer London it looks at life on the edge of a world city from the perspective of residents. Interpreted through Bourdieu's theory of practice it argues that the contemporary suburban life is one where place and participation are, in combination, strong determinants of the suburban experience. From this perspective suburbia is better seen as a process, an on-going practice of the suburban which is influenced but not determined by the history of suburban development. How residents engage with the city and the legacy of particular places combine powerfully to produce very different experiences across outer London. In some cases suburban residents are able to combine the benefits of the city and their residential location to their advantage but in marginal middle-class areas the relationship with the city is more circumspect as the city represents more threat than opportunity. The importance of this relational experience with the city informs a call to integrate more fully the suburbs into studies of the city.
The Elizabethan Court poet Edward de Vere has, since 1920, lived a notorious second, wholly illegitimate life as the putative author of the poems and plays of William Shakespeare. The work reconstructs Oxford’s life, assesses his poetic works, and demonstrates the absurdity of attributing Shakespeare’s works to him. The first documentary biography of Oxford in over seventy years, Monstrous Adversary seeks to measure the real Oxford against the myth. Impeccably researched and presenting many documents written by Oxford himself, Nelson’s book provides a unique insight into Elizabethan society and manners through the eyes of a man whose life was privately scandalous and richly documented.
My hair is a statement and always will be, even when I no longer have any. The social revolution of the Swinging Sixties led to a renaissance of unchecked hair growth, and long hair, especially on men, was worn as a political or countercultural symbol of protest and as an expression of masculinity. No-one who was affected by one of a turbulent decade's loudest controversies - or anyone who ever wondered what all the fuss was about - will fail to be interested in this personal account of when the 'us and them' divide between youth and elders was most profound. An engaging, accessible mix of popular culture, social history and politics.
The outbreak of war in 1914 was greeted with euphoria by many in Europe, and it was widely believed that the conflict would be 'over by Christmas'. In the event, millions of men were destined to spend the first of four seasons away from their families and loved ones. Amid the shortages, tedium and dangers of life in the trenches, those at 'the sharp end' remained determined to celebrate Christmas as a time of comradeship and community, a time when war could be set aside, if only for a day. Unlike the famous Christmas truce of 1914, the Christmas experiences in other years of the war and on other fronts have received scant attention. Alan Wakefield has trawled the archives of the Imperial War Museum, National Archives and National Army Museum to provide a fascinating selection of first-hand accounts of the six wartime Christmases of the First World War.
By the mid 1980's, having endured ten years of civil war, Lebanon found itself in the midst of a struggle for power and domination by the myriad of militia groups born during the chaos and instability of the time. Desperation for international recognition and for political leverage led several of the Iranian-backed militias to seize American and other Western hostages. Prisoners of Circumstance is a novel set in the turmoil of this period. It reflects on the kidnapping of men whose only crime was the accident of birth. It deals with the interaction of the hostages with their captors and the initiatives of their wives to focus international attention on their plight, and finally, on a CIA-led effort to forcibly secure their release. Assigned newly to the Embassy in Beirut as the CIA station chief, George Kowalski's task became to plan, sell, and execute a daring rescue of the hostages. Drawing from the elite units of all branches of the military, a dream team' is assembled to launch the rescue mission; a mission which was fraught with surprising and unexpected twists. The characters in the book are fictitious, but the historical and geographical references are accurate. Through dialogue between the characters, the author describes the motivations behind the actions of the various parties involved in the Middle East conflict; a conflict that has persisted for over fifty years and has defied resolution to this day.
Brian Jones, the legend and icon, is familiar to generations of rock fans, but the reality of his life has always remaned mysterious. Granted godlike status alongside giants like Jim Morrison, Jimi Hendrix, and Janis Joplin, Jones was more than the Stones' ill-fated pretty boy. Set against the dramatic backdrop of the swingin' sixties, Alan Clayson's biography reveals an extremely talented musician and a surprisingly driven man whose creative energies propelled him to fame even as they prepared him for an early drink and drug-feuelled demise. Clayson interviewed many of Jones's family and contemporaries for this in-depth portrait. Clayson examines the many spheres of Brian Jones' life, from assessing his contributions in the crucial early years of The Rolling Stones to the rumors that Jones was murdered by a bodyguard.
A perfect love story' - Katie Fforde How can the mysterious disappearance of Anne Flint and the drowning of a young girl in a chalk stream in 1816 possibly affect the life of schoolteacher Harry Flint some two centuries later? With a failed marriage and no job, Harry begins to research his ancestors. The deeper he digs, the more he realises that the past is closer than he had ever imagined, that people are not what they seem and that the past is no more predictable than the future . . . The Haunting is a story of love, betrayal and intrigue from bestselling novelist and national treasure Alan Titchmarsh. READERS ARE LOVING THE HAUNTING: 'Oh, what a wonderful story. Do read this book, it will not disappoint' - 5 STARS 'Such a fantastic story. I couldn't put it down' - 5 STARS 'Alan's best book to date' - 5 STARS 'A great, fascinating read' - 5 STARS 'MORE please Alan. What a talented writer you are' - 5 STARS
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