McNairn analyses representations of Wolfe in both popular culture and high art, from mass-produced ceramics to Benjamin West's famous painting of the death of Wolfe, from popular songs to the writings of Oliver Goldsmith, Horace Walpole, Tobias Smollett, Thomas Godfrey, Benjamin Franklin, and William Cowper. He argues that Wolfe became the embodiment of British patriotism and the superiority of the English way of life, and that the multitude of literary and visual works about Wolfe, which primarily focus on his death, were created in an environment in which legends of inspiring, politically persuasive heroics were much in demand. Behold the Hero will be of interest to historians of eighteenth-century England and America, art historians, material historians, and students of eighteenth-century English literature and drama.
The Pulitzer Prize-winning historian author of William Cooper's Town assesses the early 19th century conflict over the legacy of the American Revolution, citing the agendas of key contributors while offering insight into the war's role in shaping the United States and Canada.
Winner of the 2022 New-York Historical Society Book Prize in American History A Washington Post and BookPage Best Nonfiction Book of the Year From a Pulitzer Prize–winning historian, the powerful story of a fragile nation as it expands across a contested continent. In this beautifully written history of America’s formative period, a preeminent historian upends the traditional story of a young nation confidently marching to its continent-spanning destiny. The newly constituted United States actually emerged as a fragile, internally divided union of states contending still with European empires and other independent republics on the North American continent. Native peoples sought to defend their homelands from the flood of American settlers through strategic alliances with the other continental powers. The system of American slavery grew increasingly powerful and expansive, its vigorous internal trade in Black Americans separating parents and children, husbands and wives. Bitter party divisions pitted elites favoring strong government against those, like Andrew Jackson, espousing a democratic populism for white men. Violence was both routine and organized: the United States invaded Canada, Florida, Texas, and much of Mexico, and forcibly removed most of the Native peoples living east of the Mississippi. At the end of the period the United States, its conquered territory reaching the Pacific, remained internally divided, with sectional animosities over slavery growing more intense. Taylor’s elegant history of this tumultuous period offers indelible miniatures of key characters from Frederick Douglass and Sojourner Truth to Elizabeth Cady Stanton and Margaret Fuller. It captures the high-stakes political drama as Jackson and Adams, Clay, Calhoun, and Webster contend over slavery, the economy, Indian removal, and national expansion. A ground-level account of American industrialization conveys the everyday lives of factory workers and immigrant families. And the immersive narrative puts us on the streets of Port-au-Prince, Mexico City, Quebec, and the Cherokee capital, New Echota. Absorbing and chilling, American Republics illuminates the continuities between our own social and political divisions and the events of this formative period.
Alan Tippett’s publications played a significant role in the development of missiology. The volumes in this series augment his distinguished reputation by bringing to light his many unpublished materials and hard-to-locate printed articles. These books—encompassing theology, anthropology, history, area studies, religion, and ethnohistory—broaden the contours of the discipline. As a gift to Edna and the children on the occasion of their golden wedding anniversary, Tippett completed his autobiography, ironically just months prior to his death. Containing personal reflections on his childhood and later mission experiences in the South Pacific, relationship with Donald McGavran and the founding of the School of World Mission, and retirement years in Australia, No Continuing City is the inside story. These are Tippett’s Personal reflections that can be found in no other publication. Twenty years as a missionary in Fiji, following pastoral ministry in Australia and graduate degrees in history and anthropology, provide the rich database that made Alan R. Tippett a leading missiologist of the twentieth century. Tippett served as Professor of Anthropology and Oceanic Studies at Fuller Theological Seminary.
While teaching at Fuller School of World Mission, Tippett inspired and challenged the founding generation of "great commission" or "church growth" missiologists. This collection brings together almost 40 of his best writings. In a style that is both academic and personal, he deals first with missiological theory then with anthropological and historical dimensions of missiology. He then treats a number of specific missiological problems from these perspectives including seminal material on power encounters.
Historians have long engaged in passionate debate about collective memory and the building of national identities. This book focuses on one national hero – Jacques Cartier – to explore how notions about the past have been created and passed on through the generations and used to present particular ideas about the world in English- and French-speaking Canada. The cult of celebrity surrounding Cartier by the mid-nineteenth century, Gordon reveals, reflected a particular understanding of history, one which accompanied the arrival of modernity in North America. This new sensibility, in turn, shaped the political and cultural currents of nation building in Canada. Cartier may have been a point of contact between English and French Canadian nationalism, but the nature of that contact, as Gordon shows, had profound limitations. The Hero and the Historians is necessary reading for anyone interested in the underlying culture of national identity – and national unity – in Canada.
McNairn analyses representations of Wolfe in both popular culture and high art, from mass-produced ceramics to Benjamin West's famous painting of the death of Wolfe, from popular songs to the writings of Oliver Goldsmith, Horace Walpole, Tobias Smollett, Thomas Godfrey, Benjamin Franklin, and William Cowper. He argues that Wolfe became the embodiment of British patriotism and the superiority of the English way of life, and that the multitude of literary and visual works about Wolfe, which primarily focus on his death, were created in an environment in which legends of inspiring, politically persuasive heroics were much in demand. Behold the Hero will be of interest to historians of eighteenth-century England and America, art historians, material historians, and students of eighteenth-century English literature and drama.
Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee. While Lomax is noted for his field recordings, these collected letters, many signed "Alan Lomax, Assistant in Charge," are a trove of information until now available only at the Library of Congress. They make it clear that Lomax was very interested in the commercial hillbilly, race, and even popular recordings of the 1920s and after. These letters serve as a way of understanding Lomax's public and private life during some of his most productive and significant years. Lomax was one of the most stimulating and influential cultural workers of the twentieth century. Here he speaks for himself through his voluminous correspondence.
British comics writer Alan Moore (b. 1953) has a reputation for equal parts brilliance and eccentricity. Living hermit-like in the same Midlands town for his entire life, he supposedly refuses contact with the outside world while creating his strange, dense comics, fiction, and performance art. While Moore did declare himself a wizard on his fortieth birthday and claims to have communed with extradimensional beings, reticence and seclusion have never been among his eccentricities. On the contrary, for long stretches of his career Moore seemed to be willing to chat with all comers: fanzines, industry magazines, other artists, newspapers, magazines, and personal websites. Well over one hundred interviews in the past thirty years serve as testimony to Moore's willingness to be engaged in productive conversation. Alan Moore: Conversations includes ten substantial interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major works, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentlemen, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work.
Collects stories written by Moore during the 1980s featuring superheroes in the DC universe, including Superman, Batman, the Vigilante, Swamp Thing, and Green Arrow.
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