HOFFER AWARD WINNER • 2022 BEST COMMERCIAL FICTION "Outstanding...An impressive, complex horror tale—two (rotting) thumbs up." - Kirkus Reviews, starred She has an eerie gift for drawing faces. Will one terrifying vision tear apart everything she loves? Ohio, 1987. Adriana Krause hasn’t slept in weeks. Desperate for work to keep her three-year-old son out of her powerful father’s controlling clutches, her vivid illustrations land her a job as a police sketch artist. But the only image she can draw is the shockingly mangled visage from her recurring nightmare. With her disturbed nights spiraling into violent episodes, Adriana’s unique talents pull her into the tight-knit small-town’s buried secrets. And now fearing she’ll lose her little boy to the madness sucking her down, she’s convinced that the monstrous likeness she can’t stop scrawling holds the answer to a brutal crime. Can this struggling mother solve a dark puzzle before her family is destroyed? Face the Night is a bone-chilling supernatural thriller. If you like complex characters, lived-in settings, and tension dripping from every page, then you’ll be transfixed by Alan Lastufka’s gripping tale. Buy Face the Night today to survive until dawn! "Suspenseful… shocking… engaging small-town thriller. Great for fans of My Heart Is a Chainsaw." (BookLife) "Reminiscent of early works by Stephen King and Peter Straub." (Kirkus Reviews, starred) "Like a grown-up version of Stranger Things." (IndieReader)
HOFFER AWARD WINNER • 2022 BEST COMMERCIAL FICTION "Outstanding...An impressive, complex horror tale—two (rotting) thumbs up." - Kirkus Reviews, starred She has an eerie gift for drawing faces. Will one terrifying vision tear apart everything she loves? Ohio, 1987. Adriana Krause hasn’t slept in weeks. Desperate for work to keep her three-year-old son out of her powerful father’s controlling clutches, her vivid illustrations land her a job as a police sketch artist. But the only image she can draw is the shockingly mangled visage from her recurring nightmare. With her disturbed nights spiraling into violent episodes, Adriana’s unique talents pull her into the tight-knit small-town’s buried secrets. And now fearing she’ll lose her little boy to the madness sucking her down, she’s convinced that the monstrous likeness she can’t stop scrawling holds the answer to a brutal crime. Can this struggling mother solve a dark puzzle before her family is destroyed? Face the Night is a bone-chilling supernatural thriller. If you like complex characters, lived-in settings, and tension dripping from every page, then you’ll be transfixed by Alan Lastufka’s gripping tale. Buy Face the Night today to survive until dawn! "Suspenseful… shocking… engaging small-town thriller. Great for fans of My Heart Is a Chainsaw." (BookLife) "Reminiscent of early works by Stephen King and Peter Straub." (Kirkus Reviews, starred) "Like a grown-up version of Stranger Things." (IndieReader)
Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee. While Lomax is noted for his field recordings, these collected letters, many signed "Alan Lomax, Assistant in Charge," are a trove of information until now available only at the Library of Congress. They make it clear that Lomax was very interested in the commercial hillbilly, race, and even popular recordings of the 1920s and after. These letters serve as a way of understanding Lomax's public and private life during some of his most productive and significant years. Lomax was one of the most stimulating and influential cultural workers of the twentieth century. Here he speaks for himself through his voluminous correspondence.
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