This innovative study explores diverse aspects of Canadian and European identity on the information highway and reaches beyond technical issues to confront and explore communication, culture and the culture of communication. Published in English.
How partisanship, polarization, and medical authority stand in the way of evidence-based medicine The U.S. medical system is touted as the most advanced in the world, yet many common treatments are not based on sound science. Unhealthy Politics sheds new light on why the government's response to this troubling situation has been so inadequate, and why efforts to improve the evidence base of U.S. medicine continue to cause so much political controversy. This critically important book paints a portrait of a medical industry with vast influence over which procedures and treatments get adopted, and a public burdened by the rising costs of health care yet fearful of going against "doctor's orders." Now with a new preface by the authors, Unhealthy Politics offers vital insights into the limits of science, expertise, and professionalism in American politics.
A new biography of the beloved but mysterious Blind Lemon Jefferson, famous blues musician. Born in 1897, Jefferson was a blind street musician who played his guitar at the corner of Elm Street and Central Avenue in the Deep Ellum area of Dallas, Texas, until a Paramount Records scout discovered him. Between 1926 and his untimely death in 1929, Jefferson made more than 80 records and became the biggest-selling blues singer in America. Although his recordings are extensive, details about his life are relatively few. Through Govenar and Lornell's extensive interviews and research, See That My Grave is Kept Clean gathers the scattered facts behind Blind Lemon Jefferson's mythic representations.
The Civil Rights Act of 1875, enacted March 1, 1875, banned racial discrimination in public accommodations – hotels, public conveyances and places of public amusement. In 1883 the U.S. Supreme Court declared the law unconstitutional, ushering in generations of segregation until 1964. This first full-length study of the Act covers the years of debates in Congress and some forty state studies of the midterm elections of 1874 in which many supporting Republicans lost their seats. They returned to pass the Act in the short session of Congress. This book utilizes an army of primary sources from unpublished manuscripts, rare newspaper accounts, memoir materials and official documents to demonstrate that Republicans were motivated primarily by an ideology that civil equality would produce social order in the defeated southern states.
Danny" made himself right at home at the Cobb's. Never before had the family witnessed anything from the supernatural until they purchased the antique oak bed that "Danny" had died in 1899. "Danny" soon made his presence known by pulling toys out of the closet and shelves and playing with them on the bed. All stories are documented and many prominent Savannah residents have come forward to tell their stories.
Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee. While Lomax is noted for his field recordings, these collected letters, many signed "Alan Lomax, Assistant in Charge," are a trove of information until now available only at the Library of Congress. They make it clear that Lomax was very interested in the commercial hillbilly, race, and even popular recordings of the 1920s and after. These letters serve as a way of understanding Lomax's public and private life during some of his most productive and significant years. Lomax was one of the most stimulating and influential cultural workers of the twentieth century. Here he speaks for himself through his voluminous correspondence.
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