Filmmaker Jack Duncan knows almost nothing about Terri Osborne, but is so entranced by her that he proposes, and, to his surprise, she accepts. Celebrating in an Omaha restaurant known as a hangout for actors, Duncan is distracted by a stranger who tries to interest him in filming a story about a mystery hundreds of years old. While his back is turned, Terri vanishesfrom both the present and, it seems, from the past, as though she had existed for only a few months. Duncan eventually summons police for help in finding Terri, but then realizes that he is their main suspect in her disappearance. As his arrest seems imminent he is sent to England to oversee a filmed quest for the real Shakespeare. But Duncans escape to England is not so lucky after all. The Keepers of the Shakespeare Myth have some nasty surprises waiting for him. And the pleasant old literary mystery leads him straight into a timeless nightmare in which no one can be trusted and he himself may be the villain. The investigation in Nebraska becomes inexplicably intertwined with the mysteries in England and a race ensues to determine who will be lucky enough to destroy Jack Duncan and bury the truth about Shakespeare for good.
Cutting a cake, dividing up the property in an estate, determining the borders in an international dispute - such problems of fair division are ubiquitous. Fair Division treats all these problems and many more through a rigorous analysis of a variety of procedures for allocating goods (or 'bads' like chores), or deciding who wins on what issues, when there are disputes. Starting with an analysis of the well-known cake-cutting procedure, 'I cut, you choose', the authors show how it has been adapted in a number of fields and then analyze fair-division procedures applicable to situations in which there are more than two parties, or there is more than one good to be divided. In particular they focus on procedures which provide 'envy-free' allocations, in which everybody thinks he or she has received the largest portion and hence does not envy anybody else. They also discuss the fairness of different auction and election procedures.
Since the coming of the talkies, the thriller has been the film-goer's favourite genre - world-wide. This guide to 500 best English language thrillers contains a brief plot summary of each film, and contemporary and later reviews. A star-rating system to assess each movie at a glance is provided. Movies by Alfred Hitchcock, John Huston, Martin Scorsese, Steven Spielberg and Francis Ford Coppola, and performances by James Cagney, Cary Grant, Grace Kelly, Uma Thurman, Brad Pitt and John Travolta are included. The author adds his often controversial views.
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