Records the tragic circumstances which led to one man committing a sequence of vicious sexual assaults through to the murders of Rachel Nickell and Samantha and Jazmine Bisset. It has taken Alan Jackaman over 25 years to come to terms with what he experienced, but he now tells of his part in the downfall of serial killer Robert Napper. Reveals for the first time information not until now in the public domain and tells of the author’s tenacity as a lower-ranking officer in the face of dwindling resources and sometimes disparagement by more senior investigators. A straightforward account of the solving of heinous and complex crimes, it also delves into media fascination with serious offences and shows how the press may latch on to one murder whilst ignoring another, even more horrific, one. The author was an investigator on the Bisset case from day one through to seeing that case linked to London’s Green Chain Walk rapes and the discovery that Napper also killed Rachel Nickell on Wimbledon Common. The book tells for the first time the behind the scenes story of how the misguided targeting of Colin Stagg and rebuffing of the Bisset team’s suspicions allowed Napper to escape justice for 15 years. The book also looks at the mind of Robert Napper, his bizarre behaviour, family history and ‘doodlings’ (some reproduced in this book) and the fact that sheer ‘chance’ allowed him to remain free for so long. By the detective who arrested Napper. Looks at the emergence of criminal profiling. Enters the mind of a psychotic killer. Shows how media ‘obsession’ can hinder justice. Contains previously unpublished material. Extract: ‘To be able to properly investigate the murders of Samantha and Jazmine it was necessary to research the sequence of Green Chain Walk rapes. At first glance the string of offences bore the classic hallmarks of a psychopath who grew ever more cunning, yet reckless, but more importantly ever more violent. Studies of this type of offender clearly show they learn as they progress in their offending…’
Records the tragic circumstances which led to one man committing a sequence of vicious sexual assaults through to the murders of Rachel Nickell and Samantha and Jazmine Bisset. It has taken Alan Jackaman over 25 years to come to terms with what he experienced, but he now tells of his part in the downfall of serial killer Robert Napper. Reveals for the first time information not until now in the public domain and tells of the author’s tenacity as a lower-ranking officer in the face of dwindling resources and sometimes disparagement by more senior investigators. A straightforward account of the solving of heinous and complex crimes, it also delves into media fascination with serious offences and shows how the press may latch on to one murder whilst ignoring another, even more horrific, one. The author was an investigator on the Bisset case from day one through to seeing that case linked to London’s Green Chain Walk rapes and the discovery that Napper also killed Rachel Nickell on Wimbledon Common. The book tells for the first time the behind the scenes story of how the misguided targeting of Colin Stagg and rebuffing of the Bisset team’s suspicions allowed Napper to escape justice for 15 years. The book also looks at the mind of Robert Napper, his bizarre behaviour, family history and ‘doodlings’ (some reproduced in this book) and the fact that sheer ‘chance’ allowed him to remain free for so long. By the detective who arrested Napper. Looks at the emergence of criminal profiling. Enters the mind of a psychotic killer. Shows how media ‘obsession’ can hinder justice. Contains previously unpublished material. Extract: ‘To be able to properly investigate the murders of Samantha and Jazmine it was necessary to research the sequence of Green Chain Walk rapes. At first glance the string of offences bore the classic hallmarks of a psychopath who grew ever more cunning, yet reckless, but more importantly ever more violent. Studies of this type of offender clearly show they learn as they progress in their offending…’
Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.
Looking at the building of country houses as a whole, this book investigates why owners embarked on extensive building programmes, often following a grand tour. It explores the cost of building and the cost of furnishing and decoration.
In recent years, the world trading system has been confronted by a range of new and developing challenges: the risk of climate change, the instability of the digital economy, the ongoing impacts of COVID-19 and the threat of future pandemics, to name but a few. In this book, veteran trade negotiator, Ambassador Alan Wm. Wolff, draws from his years of experience at the World Trade Organization to consider the history of trade, the current trading system and how it should be reformed in the future. Offering a rare insight into the inner workings of the WTO, Wolff is uniquely placed to identify deficiencies in the current system and suggest actionable solutions. This essential guidebook to the WTO equips readers with the tools and knowledge required to tackle to emerging and emergent challenges of a global trading system.
Surreal Beckett situates Beckett‘s writings within the context of James Joyce and Surrealism, distinguishing ways in which Beckett forged his own unique path, sometimes in accord with, sometimes at odds with, these two powerful predecessors. Beckett was so deeply enmeshed in Joyce’s circle during his early Paris days (1928 - late 1930s) that James Knowlson dubbed them his "Joyce years." But Surrealism and Surrealists rivaled Joyce for Beckett’s early and continuing attention, if not affection, so that Raymond Federman called 1929-45 Beckett’s "surrealist period." Considering both claims, this volume delves deeper into each argument by obscuring the boundaries between theses differentiating studies. These received wisdoms largely maintain that Beckett’s Joycean connection and influence developed a negative impact in his early works, and that Beckett only found his voice when he broke the connection after Joyce’s death. Beckett came to accept his own inner darkness as his subject matter, writing in French and using a first-person narrative voice in his fiction and competing personal voices in his plays. Critics have mainly viewed Beckett’s Surrealist connections as roughly co-terminus with Joycean ones, and ultimately of little enduring consequence. Surreal Beckett argues that both early influences went much deeper for Beckett as he made his own unique way forward, transforming them, particularly Surrealist ones, into resources that he drew upon his entire career. Ultimately, Beckett endowed his characters with resources sufficient to transcend limitations their surreal circumstances imposed upon them.
Publisher's Note: Products purchased from 3rd Party sellers are not guaranteed by the Publisher for quality, authenticity, or access to any online entitlements included with the product. This extensive title, which combines scientific principles with up-to-date clinical procedures, has been thoroughly updated for the fourteenth edition. You’ll find in-depth material on the biology and pathophysiology of lymphomas, leukemias, platelet destruction, and other hematological disorders as well as the procedures for diagnosing and treating them.
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