An all-out all-action, complete-in-one brutal war story from the pages of the classic war comic, Battle, hugely influential on Preacher and The Boys creator Garth Ennis. Meet the deadliest band of fighters on the Eastern Front! During world War Two the Eastern Front was hell on Earth. German Punishment Battalions were thrown into the thick of the conflict where they were expected to fight well and die hard. In these harshest of conditions only the strongest warriors survived. Enter the Death Squad – Grandad, Swede, Licker, Gus and Frankie. Alone they were failures and outcasts, but together they were one of the most formidable combat units the Russians ever faced!
In the year 2886, Death-Bowl is the most popular sport in the galaxy. In the history of the game, 'Bad' Jack Keller and his squad of hardened killers, known as the Mean Team, have racked up more wins than anyone else - their incentive being the hope of freedom! But team owner Richman Von is not so eager to lose his champions.
Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee. While Lomax is noted for his field recordings, these collected letters, many signed "Alan Lomax, Assistant in Charge," are a trove of information until now available only at the Library of Congress. They make it clear that Lomax was very interested in the commercial hillbilly, race, and even popular recordings of the 1920s and after. These letters serve as a way of understanding Lomax's public and private life during some of his most productive and significant years. Lomax was one of the most stimulating and influential cultural workers of the twentieth century. Here he speaks for himself through his voluminous correspondence.
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