Cullrothes, in the Scottish Highlands, where Innes hides a terrible secret from his girlfriend Alice, a gorgeous, cheating, lying schoolteacher. In the same village, Donald is the aggressive distillery owner, who floods the country with narcotics alongside his single malt; when his son goes missing, he becomes haunted by an anonymous American investor intent on purchasing the Cullrothes Distillery by any means necessary. Schoolgirl Jessie is trying to get the grades to escape to the mainland, while Grandpa counts the days left in his life. This is a place where mountains are immense and the loch freezes in winter. A place with only one road in and out. With long storms and furious midges and a terrible phone signal. The police are compromised the journalists are scum, and the innocent folk of Cullrothes tangle themselves in a fermenting barrel of suspicion, malice and lies...
Remote Sensing of Landscapes with Spectral Images describes how to process and interpret spectral images using physical models to bridge the gap between the engineering and theoretical sides of remote-sensing and the world that we encounter when we venture outdoors. The emphasis is on the practical use of images rather than on theory and mathematical derivations. Examples are drawn from a variety of landscapes and interpretations are tested against the reality seen on the ground. The reader is led through analysis of real images (using figures and explanations); the examples are chosen to illustrate important aspects of the analytic framework. This textbook will form a valuable reference for graduate students and professionals in a variety of disciplines including ecology, forestry, geology, geography, urban planning, archaeology and civil engineering. It is supplemented by a website hosting digital colour versions of figures in the book as well as ancillary images: www.cambridge.org/9780521662214.
The Beatles were one of the most important musical phenomena of the twentieth century, and together with their manager, Brian Epstein, it can truly be stated that they changed the world. But there were dark aspects to the Beatles story to go along with the million-sellers, and the record-breaking tours. Lost opportunities, millions of pounds lost or squandered or stolen, and the involvement of some very unpleasant characters. "For No One" is the story of the Beatles rise to super-stardom and their descent into a petty squabbling break-up, and a decline highlighted by tragic death and squalid murder and a host of unanswered questions.
Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee. While Lomax is noted for his field recordings, these collected letters, many signed "Alan Lomax, Assistant in Charge," are a trove of information until now available only at the Library of Congress. They make it clear that Lomax was very interested in the commercial hillbilly, race, and even popular recordings of the 1920s and after. These letters serve as a way of understanding Lomax's public and private life during some of his most productive and significant years. Lomax was one of the most stimulating and influential cultural workers of the twentieth century. Here he speaks for himself through his voluminous correspondence.
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