Background of Thomson's Seasons was first published in 1942. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. There have been many valuable scattered studies of James Thomson's famous Seasons,but this is the first comprehensive book on the subject to be published in this country. This most popular long poem published in England in the eighteenth century well deserves reexamination. It is interesting not only to students of literature but also to those concerned with the history of ideas and the relationship of the fields of human knowledge. Thomson's Seasons reflects the trends of his time in literature, philosophy, science, history, and religion. Professor McKillop presents an illuminating and systematic analysis of the general philosophic and literary situation in which Thomson worked. Then he discusses Thomson's use of the natural sciences and of the literature of history, geography, and travel. He shows that the poet was also concerned with the patterns of human society, both primitive and civilized. The author reveals clearly how Thomson was indebted to the classical tradition; to the literary inspiration of Milton; to the scientific discussions and theories of Newton, Halley, Burnet, and the writers of popular physico-theological manuals; to the philosophical discussions of Shaftesbury and Locke; to the contemporary periodical essay; to the religious works of Blackmore and Hill; to the descriptions of remote regions and peoples in such writers as Scheffer, Varenius, and Maupertuis. All Thomson's borrowings and characteristic ideas fall into the framework of his poem. As this book was leaving the bindery, discovery was made in Glasgow of a catalogue of Thomson's library. The document substantiates many of Professor McKillop's deductions.
Background of Thomson's Seasons was first published in 1942. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. There have been many valuable scattered studies of James Thomson's famous Seasons,but this is the first comprehensive book on the subject to be published in this country. This most popular long poem published in England in the eighteenth century well deserves reexamination. It is interesting not only to students of literature but also to those concerned with the history of ideas and the relationship of the fields of human knowledge. Thomson's Seasons reflects the trends of his time in literature, philosophy, science, history, and religion. Professor McKillop presents an illuminating and systematic analysis of the general philosophic and literary situation in which Thomson worked. Then he discusses Thomson's use of the natural sciences and of the literature of history, geography, and travel. He shows that the poet was also concerned with the patterns of human society, both primitive and civilized. The author reveals clearly how Thomson was indebted to the classical tradition; to the literary inspiration of Milton; to the scientific discussions and theories of Newton, Halley, Burnet, and the writers of popular physico-theological manuals; to the philosophical discussions of Shaftesbury and Locke; to the contemporary periodical essay; to the religious works of Blackmore and Hill; to the descriptions of remote regions and peoples in such writers as Scheffer, Varenius, and Maupertuis. All Thomson's borrowings and characteristic ideas fall into the framework of his poem. As this book was leaving the bindery, discovery was made in Glasgow of a catalogue of Thomson's library. The document substantiates many of Professor McKillop's deductions.
In this study, the author examines the evolution of Byron's poetry from Childe Harold I and II through to the composition of Beppo. Beginning with a close reading of the sustained poetic experimentation that constitutes Childe Harold I and II, he charts the progress of that experimentation in the Tales where Byron's poetry gets entrenched in a tragic idiom. The author then describes Byron's prolonged struggle to break clear of the imaginative limitations imposed by that tragic idiom and to break into a sustainable comic mode: a struggle that drives Childe Harold III, The Prisoner of Chillon, and The Dream only to culminate in success in Childe Harold IV. It is here, as Rawes demonstrates, that the path forward into the comic mode of Beppo and Don Juan is discovered. Byron's Poetic Experimentation also offers a substantial reconsideration of Byron's shifting attitude towards Wordsworthian idealism and a detailed analysis of the structured eclecticism of Manfred.
“From its founding, Rice University has been an institution devoted to making a strong impact on the world,” according to current president David Leebron. Nestled near Houston’s cultural heart, Rice University is characterized by seriousness of purpose as well as by such quirky traditions as the MOB (Marching Owl Band). In Rice University: One Hundred Years in Pictures, more than 300 photographs tell the story of a century of student life, a world-famous faculty, and news-making events. Distinguished by its dignified architecture and stately grounds, respected for its intellectual depth and international reputation, and loved by its alumni for the community fostered by residential colleges, moderate size, and diverse campus organizations, Rice University celebrates its centennial in 2012. This collection of unique images, artfully supplemented by brief narrative, explanatory captions, and carefully chosen text sidebars, presents vignettes of significant episodes, characters, and events. A splendid commemoration of one hundred years of distinguished academics, groundbreaking research, and the spirited students and faculty who have made this institution unique among American universities, Rice University: One Hundred Years in Pictures pays fitting tribute to an eminent citadel of learning and the people who have made it great.
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