FINALIST: Best Poetry, Eyelands International Book Awards, Athens, 2019 FINALIST: Best Poetry Book, Miracle Makers Intl. Writers' Festival, Las Vegas, 2021 Window Spit is the new poetry collection by writer Alan David Pritchard, whose previous collection, Advancing Backwards, featured poems published in over 32 literary journals, magazines, websites and anthologies worldwide. His new volume explores the poet as observer, who spits at the world through rhyme, making critical - and often very acerbic - comments about society, media, social media, politics, religion and modern affairs. Using poetry to justify withdrawing away from people, he soon discovers no solace in verse, as it becomes increasingly difficult to define his role as a poet, to articulate his purpose in life, and to connect meaningfully with a world that he has spent so much time spitting at. "Window Spit is my sort of poetry; direct, unflinching, in your face, but most of all, honest." - Charles Remington, Readers' Favorite "This book is striking in its honest observations and in its sophisticated simplicity. This is a book the reader will not forget, as the poetry is truly provocative and captivating!" - Deborah Lloyd, Readers' Favorite "Window Spit is an invigorating collection covering a wide range of moods and themes that is at once challenging and rewarding." - Barbara Scott, Self-Publishing Review
This is a collection of poems written by a man perched on the edge of turning 40 and looking backwards at his life in order to make sense of where he is going next. Each poem describes a particular moment in his life, but there is no central character and the moments are not presented chronologically. Instead, like the tangents that memory takes, each poem represents a fragment of time, and this collection, the jigsaw picture that is created once the fragments are re-arranged.
The activity pages in this book complement the teaching of Macbeth by providing teachers with differentiated tasks which invite the students to explore the play using Howard Gardner's Theory of the Multiple Intelligences.* There are pre-framing activities to introduce key ideas and concepts.* There are class discussion pages to provide context and establish understanding of key ideas.* Activity pages can then be given to individuals, pairs, and small groups for independent work. These pages access different intelligences and critical + creative thinking skills.* These activities are differentiated to suit National Curriculum levels 2 to 5.
This is a collection of poems written by a man perched on the edge of turning 40 and looking backwards at his life in order to make sense of where he is going next. Each poem describes a particular moment in his life, but there is no central character and the moments are not presented chronologically. Instead, like the tangents that memory takes, each poem represents a fragment of time, and this collection, the jigsaw picture that is created once the fragments are re-arranged.
The Countess of Huntingdon's Connexion is one of the most interesting phenomena in the history of Non-Conformity and one of the most neglected strands in the history of the Evangelical Revival. The book is based on author's comprehensive and original research of hitherto unknown sources.
Stories of rape, murder, adultery, and conquest raise crucial issues in the Hebrew Bible, and their interpretation helps societies form their religious and moral beliefs. From the sacrifice of Isaac to the adultery of David, narratives of sin engender vivid analysis and debate, powering the myths that form the basis of the religious covenant, or the relationship between a people and their God. Rereading these stories in their different forms and varying contexts, Alan F. Segal demonstrates the significance of sinning throughout history and today. Drawing on literary and historical theory, as well as research in the social sciences, he explores the motivation for creating sin stories, their prevalence in the Hebrew Bible, and their possible meaning to Israelite readers and listeners. After introducing the basics of his approach and outlining several hermeneutical concepts, Segal conducts seven linked studies of specific narratives, using character and text to clarify problematic terms such as "myth," "typology," and "orality." Following the reappearance and reinterpretation of these narratives in later compositions, he proves their lasting power in the mythology of Israel and the encapsulation of universal, perennially relevant themes. Segal ultimately positions the Hebrew Bible as a foundational moral text and a history book, offering uncommon insights into the dating of biblical events and the intentions of biblical authors.
This book brings the emerging fields of practical theology and theology of the arts into a dialogue beyond the bias of modern systematic and constructive theology. The authors draw upon postmodern, post-secular, feminist, liberation, and dialogical/dialectical philosophy and theology, and their critiques of the narrow modern emphases on reason and the scientific method, as the model for all knowledge. Such a practical theology of the arts focuses the work of theology on the actual practices that engage the arts in their various forms as the means of interpreting and understanding the nature of the communities and their members, as well as the mechanisms through which these communities engage in transformative work, to make persons and neighborhoods whole. This book presents its theological claims through the careful analysis of several stories of communities around the world that have engaged in transformational practices through a specific art form, investigating communities from Europe, the Middle East, South America, and the U.S. The case studies explored include Jewish, Christian, Muslim, Druze, indigenous, and sometimes agnostic subjects, involved in visual art, music, dance, theatre, documentary film, and literature. Theology and the Arts demonstrates that the challenges of a postmodern and post-secular context require a fundamental rethinking of theology that focuses on discrete practices of faithful communities, rather than one-dimensional theories about religion.
This is a classic regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but the entire approach to social and cultural history with its quantitative and anthropological approach. The book provides an important case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition of this classic work adds a new historiographical introduction, placing the book in context today.
Looking at the building of country houses as a whole, this book investigates why owners embarked on extensive building programmes, often following a grand tour. It explores the cost of building and the cost of furnishing and decoration.
This volume offers a close reading of the historical books of I and II Kings, concentrating on not only issues in the history of Israel but also the literary techniques of storytelling used in these books. Marvin A. Sweeney provides a major contribution to the prominent Old Testament Library series with advanced discussions of textual difficulties in the books of Kings as well as compelling narrative interpretations. The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.
A biography of Scottish poet Hugh MacDiarmid (1892-1978). Examines not only his literary career in both Scots and English verse, but also his political work as a communist, cofounder of the Scottish National Party, and frequent candidate for Parliament. Annotation copyright Book News, Inc. Portland,
The complex and dramatic story of Joseph is the most sustained narrative in Genesis. Many call it a literary masterpiece and a story of great depth that can be read on many levels. In a lucid and engaging style, Alan T. Levenson brings the voices of Philo, Josephus, Midrash, and medieval commentators, as well as a wide range of modern scholars, into dialogue about this complex biblical figure. Levenson explores such questions as: Why did Joseph’s brothers hate him so? What is achieved by Joseph’s ups and downs on the path to extraordinary success? Why didn’t Joseph tell his father he was alive and ruling Egypt? What was Joseph like as a husband and father? Was Joseph just or cruel in testing his brothers’ characters? Levenson deftly shows how an unbroken chain of interpretive traditions, mainly literary but also artistic, have added to the depth of this fascinating and unique character.
This book is the culmination of a major research programme on the monetary history of the United Kingdom. This volume contains monetary series ranging from detailed balance sheet material to monetary aggregates such as M3 and are in monthly, quarterly and annual form. The data are drawn mostly from primary sources in the early part of the period and from more accessible published sources for more recent years. Critiques of existing series are given and assessments of the value of different sources are provided. The user should be able to build his/her own series from the basic constituents given here. This sources and assessment of data should be an essential reference to economic historians and applied economists with an interest and use to the students of money and banking and to monetary economists of other countries. This classic book was first published in 1985.
This ground-breaking study sets out a new understanding of transformations in the interaction between religion and political authority throughout history.
Creative Lives and Works: Adrian C. Mayer, M.N. Srinivas, André Béteille and Johnathan Parry is a collection of interviews conducted by one of England’s leading social anthropologists and historians, Professor Alan Macfarlane. Filmed over a period of 40 years, the four conversations in this volume, are part of a larger set of interviews that cut across various disciplines, from the social sciences, the sciences to the performing and visual arts. The current volume, on four of the world’s foremost social anthropologists and sociologists, who have been closely associated with the British anthropological tradition, is the third in the series of several such books. These conversations focus primarily on fieldwork experience in India and how new dimensions and interpretations were added to the discipline of sociology and social anthropology as more and more primitive cultures and ancient civilizations were studied. This book brings out the diversity of the Indian subcontinent and its people through its engaging conversations and occasional anecdotes. Immensely riveting as conversations, this collection gives one a flavour of the many different cultures that coexist in a vast country like India, often with no knowledge of each other’s existence while de-jargonizing complex sociological concepts. The book will be of enormous value not just to those interested in the subject of Sociology, Social Anthropology and Ethnography, but also those with an avid interest in History, Culture Studies as well as those with an interest in learning about other societies. Please note: This title is co-published with Social Science Press, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
From Antiquity to Ethnography: Keith Thomas, Brian Harrison and Peter Burke is the first time a collection of these interviews is being published as a book. They have been conducted by one of England’s leading social anthropologists and historians, Professor Alan Macfarlane. Filmed over a period of several years, the three conversations in this volume are part of the series Creative Lives and Works. These transcriptions form a part a larger set of interviews that cut across various disciplines, from the social sciences and the sciences to the performing and visual arts. The current volume is on three of Britain’s foremost social and cultural historians. The study of historical traditions, social mores and practices come alive in these conversations. We also learn about the painstaking nature of notetaking which the subject demands. The three conversations in this volume reflect how interconnected the disciplines of history and anthropology/ethnography are. Keith Thomas brings in his vast knowledge of historical sources combined with rich ethnography. Brian Harrison candidly describes his childhood trauma and his meticulous system of card indexing with equal ease. Peter Burke paints his canvas by combining linguist prowess with the interdisciplinary aspects of history and anthropology. The book will be of enormous value not just to those interested in the subject of History, Culture Studies and Ethnography but also to those with an avid interest in Comparative Studies and Literature. Please note: This title is co-published with Social Science Press, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
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