This book presents radically revised and updated versions of the most important and innovative articles published by Alan Cameron in the field of late antique Greek poetry and philosophy, attempting to define pagan and Christian elements in early Byzantine literary culture. The longest chapter presents a new account of the closing of the Academy of Athens, and a new article discusses recent theories on the date of the epigrammatist Palladas.
The year is 1980, and President Jimmy Carter has given away the Panama Canal. The Russians have invaded Afghanistan, and Iranian radical Muslims are holding fifty-six American embassy employees hostage. Interest rates and unemployment are in the double digits. At this point in history, the world is a nasty place, and for the Palm Avenue Auction Gallery in Sarasota, Florida, things are equally bad. The auction business had been a source of entertainment in small resort areas throughout most of the 20th century. Then, times began to change as young people threw ink on fur coats. It became dangerous to wear expensive jewelry, and silver tea sets were no longer a status symbol. Summer stock, dinner theaters, and comedy clubs filled the entertainment appetite. Colby chose a bad time to join the auction business. He spent his early years as an SAS British Army officer, same as the secretive Delta Force. Making his transition as a resort area auctioneer felt natural. At the Sarasota gallery, Colby is a comedian one minute and a salesman the next. Then, within one months time, two people end up dead, two are missing, and twenty million dollars has been stolen. The craziness of world history can take a back seat to Florida.
Rufinus' vivid account of the battle between the Eastern Emperor Theodosius and the Western usurper Eugenius by the River Frigidus in 394 represents it as the final confrontation between paganism and Christianity. It is indeed widely believed that a largely pagan aristocracy remained a powerful and active force well into the fifth century, sponsoring pagan literary circles, patronage of the classics, and propaganda for the old cults in art and literature. The main focus of much modern scholarship on the end of paganism in the West has been on its supposed stubborn resistance to Christianity. The dismantling of this romantic myth is one of the main goals of Alan Cameron's book. Actually, the book argues, Western paganism petered out much earlier and more rapidly than hitherto assumed.The subject of this book is not the conversion of the last pagans but rather the duration, nature, and consequences of their survival. By re-examining the abundant textual evidence, both Christian (Ambrose, Augustine, Jerome, Paulinus, Prudentius) and "pagan" (Claudian, Macrobius, and Ammianus Marcellinus), as well as the visual evidence (ivory diptychs, illuminated manuscripts, silverware), Cameron shows that most of the activities and artifacts previously identified as hallmarks of a pagan revival were in fact just as important to the life of cultivated Christians. Far from being a subversive activity designed to rally pagans, the acceptance of classical literature, learning, and art by most elite Christians may actually have helped the last reluctant pagans to finally abandon the old cults and adopt Christianity. The culmination of decades of research, The Last Pagans of Rome will overturn many long-held assumptions about pagan and Christian culture in the late antique West.
Lord Reynolds, heir apparent to the sixteen-century Reynolds Castle in Southern England, is about to lose his fortune and status to a tax collector. A tax collector can do more with a pen than your ancestors ever did with a sword, says Lady Margaret Reynolds. Desperate for the money to preserve his familys 500-year heritage, Reynolds opts for illegal measures as he hires petty thieves to steal a painting by the famed artist Titian. The plan itself is a work of art. Reynolds has already hired art forger, Anton Bakeur, to make twelve copies of the Titian piece, to be sold throughout the world, making back the money Reynolds needs to keep his family castle. However, things go wrong when the petty thieves steal not the Titian but a Michelangelo, recently donated to the museum by a Mafia don. Don Carlo Manicotti is in exile in Sicily and hopes his donation will sway public opinion and allow him to return to the United States. The disappearance of his donation, however, doesnt help his cause. Now, in the name of family honorand personal prideLord Reynolds must outwit not only the art world but also the police and murderous mafia.
By the Roman age the traditional stories of Greek myth had long since ceased to reflect popular culture, and become instead a central element in elite culture. This book illustrates the importance of semi-learned mythographic handbooks in the social, literary, and artistic world of Rome. One of the most intriguing features of these works is the fact that they all cite classical sources for the stories they tell, sources which are often forged.
Callimachus has usually been seen as the archetypal ivory-tower poet, the epitome if not the inventor of the concept of art for art's sake, author of erudite works written to be read in book form by fellow poets and scholars. Abundant evidence, much of it assembled here for the first time, suggests a very different story: a world of civic festivals rather than books and libraries, a world in which poetry and poets played a central and public role. In the course of the argument, Cameron casts fresh light on the lives, dates, works, and interrelationships of most of the other leading poets of the age. Another axiom of modern scholarship is that the object of Callimachus's literary polemic was epic. Yet Cameron shows that the thriving school of epic poets celebrating the wars of Hellenistic kings that has so dominated modern study simply never existed. Elegy was the fashionable genre of the age, and the bone of contention between Callimachus and his rivals (all fellow elegists) was the nature of elegiac narrative. A final chapter sketches some of the implications of this revised view of Callimachus and his world for the interpretation of Roman, especially Augustan, poetry. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The chaotic events of A.D. 395–400 marked a momentous turning point for the Roman Empire and its relationship to the barbarian peoples under and beyond its command. In this masterly study, Alan Cameron and Jacqueline Long propose a complete rewriting of received wisdom concerning the social and political history of these years. Our knowledge of the period comes to us in part through Synesius of Cyrene, who recorded his view of events in his De regno and De providentia. By redating these works, Cameron and Long offer a vital new interpretation of the interactions of pagans and Christians, Goths and Romans. In 394/95, during the last four months of his life, the emperor Theodosius I ruled as sole Augustus over a united Roman Empire that had been divided between at least two emperors for most of the preceding one hundred years. Not only did the death of Theodosius set off a struggle between Roman officeholders of the two empires, but it also set off renewed efforts by the barbarian Goths to seize both territory and office. Theodosius had encouraged high-ranking Goths to enter Roman military service; thus well placed, their efforts would lead to Alaric’s sack of Rome in 410. Though the authors’ interest is in the particularities of events, Barbarians and Politics at the Court Of Arcadius conveys a wonderful sense of the general time and place. Cameron and Long’s rebuttal of modern scholarship, which pervades the narrative, enhances the reader’s engagement with the complexities of interpretation. The result is a sophisticated recounting of a period of crucial change in the Roman Empire’s relationship to the non-Roman world. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
Frances Sanders is a talented New York actress on vacation in Sarasota, Florida. After two fabulous weeks, she discovers her younger sister, Precious, whom she hasnt seen for 35 years, is in a Sarasota jail for a bloody murder. Precious swears she has been framed. Frances believes her and decides to stay and investigate. While you sign autographs? asks her husband, realizing her fame. Frances has created many characters to play on the stage. Now she must create a character to play on the stage of real life. Enter Marla Pearl: Blond Frances sits in front of a mirror and sees the opposite of herself: tough talking, black haired Marla who goes forth only to find herself topless in a red neck bar, locked in a sinking sailboat, and worse before the final scene. Failure equals final curtain for Frances and for Precious, too.
Domain-Specific Languages (DSLs)--languages geared to specific vertical or horizontal areas of interest--are generating growing excitement from software engineers and architects. DSLs bring new agility to the creation and evolution of software, allowing selected design aspects to be expressed in terms much closer to the system requirements than standard program code, significantly reducing development costs in large-scale projects and product lines. In this breakthrough book, four leading experts reveal exactly how DSLs work, and how you can make the most of them in your environment. With Domain-Specific Development with Visual Studio DSL Tools, you'll begin by mastering DSL concepts and techniques that apply to all platforms. Next, you'll discover how to create and use DSLs with the powerful new Microsoft DSL Tools--a toolset designed by this book's authors. Learn how the DSL Tools integrate into Visual Studio--and how to define DSLs and generate Visual Designers using Visual Studio's built-in modeling technology. In-depth coverage includes Determining whether DSLs will work for you Comparing DSLs with other approaches to model-driven development Defining, tuning, and evolving DSLs: models, presentation, creation, updates, serialization, constraints, validation, and more Creating Visual Designers for new DSLs with little or no coding Multiplying productivity by generating application code from your models with easy-to-use text templates Automatically generating configuration files, resources, and other artifacts Deploying Visual Designers across the organization, quickly and easily Customizing Visual Designers for specialized process needs List of Figures List of Tables Foreword Preface About the Authors Chapter 1 Domain-Specific Development Chapter 2 Creating and Using DSLs Chapter 3 Domain Model Definition Chapter 4 Presentation Chapter 5 Creation, Deletion, and Update Behavior Chapter 6 Serialization Chapter 7 Constraints and Validation Chapter 8 Generating Artifacts Chapter 9 Deploying a DSL Chapter 10 Advanced DSL Customization Chapter 11 Designing a DSL Index
The Greek Anthology is one of the great books of European literature, "a garden containing the flowers and weeds of 1500 years of Greek epigram." Cameron's study adds a wealth of new information about its growth over an even longer period, from the earliest papyrus anthologies down to the 1606 rediscovery of the Palatine Anthology (AP), our principal source for the entire history of Greek epigram, from Simonides to the Byzantine age. It was a Byzantine schoolmaster, Constantine Cephalas, who excerpted all the major ancient collections around 900. His work is reconstructed from a closer analysis of AP (ca 940) and the various later collections. Following a number of neglected clues, Cameron identifies the compiler of AP as Constantine the Rhodian, and solves the mystery of the wanderings of AP during the renaissance, showing that it once belonged to Sir Thomas More.
Following Alfred's tragic death in "City of Bane," this collection gathers the greatest stories in the character's 75-year history, including his debut appearance in 1943's Batman #16, the mystery of "The Man Who Killed Mlle. Marie," and the touching "Father's Day." Collects stories from Batman #16 and #31; Detective Comics #83, #356, #501, #502, #806, and #807; Untold Legends of the Batman #2; Batman Annual #13; Batman: Shadow of the Bat #31; Batman: Gotham Adventures #16; Batman Eternal #31; and Batman Annual (2016) #1 and #3.
Remarkable short stories by New York's hottest new literary voices, exploring all the intrigue and mystery that arise from the act of following. Edited by Pushcart Prize winning author Alex Mindt. Stories by Gabrielle Small Tullman, Cary Sklaren, Cameron Hope, LeAnn Davis, Maura Donnelly O'Halloran, Alan Altschuler, Belinda Whitney, CJ Trotter, and Judy Freni.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.