New York Times Bestseller Named one of the Best Books of the Year by NPR, the Washington Post, Kirkus Reviews, and Library Journal Winner of the Audie Award The New York Times bestseller from the author of Watchmen and V for Vendetta finally appears in a one-volume paperback. Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).
The epic story of one of the most bitter and dramatic battles fought between German and Allied forces during the whole of the Second World War. The decisive action took place within five days, and twice its outcome hung in the balance. By the third day, the number of German dead exceeded their losses in all other theatres since the outbreak of hostilities. The German parachutists were confined for supply and reinforcements to a single airstrip at Maleme, yet on this one foothold they managed to land over eight thousand men, who defeated an Allied army nearly five times as numerous. With its vivid and compelling description of the battle for Crete, Clark confirmed his reputation as a military historian first recognised with The Donkeys, his account of the British Expeditionary Force in France in 1914.
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