Long ages after the god-like Others unleashed the Genetic Wars that annihilated the Old Earth, war is once again threatening to consume the planet, shattering an uneasy peace between the remnant races of that primordial conflict. Kiel, First Commander of the reptilian Eligor Empire’s Imperial Intelligence Service is obsessed with seeking out help from the primitive human Protectorate in order to determine why the once-benign insect-like Ikonians are suddenly and inexplicably on the rampage, and together, find a way of stopping them. Bishop, the human selected to assist Kiel, has little love for the Eligor but is forced by the masters of his knightly order to comply with the Eligor plea for help due to his unique and prophetic ability to use certain Old Earth technologies. Prophecy might finally be fulfilled and order restored to the world if Bishop is successful. Unfortunately the near-magical and awesome science of the Others does not give up its secrets easily, and worse, Bishop must journey to the very heart of Ikonia wherein awaits an even greater threat, a threat out of time itself, and with nothing but a hated Eligor and an ill-bred Wolf-Bird for company.
First published in 1988, this book traces the evolution of Oxford and Cambridge from the twelfth through the sixteenth centuries. An overall view of the functioning of the universities, touching on the development of the academic hierarchy and teaching offered by these institutions, is given in this single-volume reappraisal of the institutions.
Fury 161 is a wretched planet – a penal colony and industrial complex manned by violent prisoners. When an escape pod from the USS Sulaco crash-lands there, Ellen Ripley appears to be the only passenger left alive. Then inmates begin to die, all at the hands of another survivor. A creature which encounters Ripley, and spares her life! Desperate to know why, she seeks out an answer – and discovers terror unlike any she’s ever known. Science fiction master Alan Dean Foster returns to the Alien universe to reveal the ultimate destinies of Ellen Ripley and her eternal foe, the xenomorph known as the Alien.
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
From the first worship services onboard English ships during the sixteenth century to the contentious toughmindedness of early clergymen to current debates about sexuality, Alan L. Hayes provides a comprehensive survey of the history of the Canadian Anglican Church. Unprecedented in the annals of Canadian religious history, it examines whether something like an Anglican identity emerged from within the changing forms of doctrine, worship, ministry, and institutions. With writing that conveys a strong sense of place and people, Hayes ultimately finds such an identity not in the relatively few agreements within Anglicanism but within the disagreements themselves. Including hard-to-find historical documents, Anglicans in Canada is ideal for research, classroom use, and as a resource for church groups.
This volume of the Index Emblematicus deals with three early seventeenth-century works: Remaines of a Greater Worke Concerning Britaine, by William Camden; The Mirrour of Maiestie, by H.G.; and Otto van Veen's Amorum Emblemata. Camden's Remaines is noteworthy for using imprese in language as pictorial image; for mixing imprese with cognizance; and for considering impresa itself as the identity of the individual rather than as a general principle. H.G.'s Mirrour is remarkable in that every one of its emblems consists of a personal heraldic coat of arms of an identified statesman twinned with a pictorial engraving, motto, and epigram on an opposite page. Van Veen's Emblemata enters literary history as a volume of emblem pictures consecrated to secular love experience, encapsulating some of the conventions of the sonnet sequences and having a strong influence on religious love literature. Each book is reproduced with critical and bibliographic introductions, translation of the poems and mottos, descriptions of the emblems, and indices to the visual and verbal components of the works.
Recent research on the Anglo-Saxon, Anglo-Norman, Viking and Angevin worlds of the eleventh and twelfth centuries. The latest volume of the Haskins Society Journal presents recent research on the Anglo-Saxon, Anglo-Norman, Viking and Angevin worlds of the eleventh and twelfth centuries. A set of articles explores aspects of Anglo-Saxonhistory, including the law of the highway, lordship formulas, royal succession in the ninth century, and the image of kinship under Edward the Confessor. Other contributions examine twelfth-century historians, saints lives in Normandy and Iceland, relationships between religious houses and the laity in thirteenth-century England, and eleventh-century Angevin dispute resolution. This volume of the Haskins Society Journal includes papers read at the 20th Annual Conference of the Charles Homer Haskins Society at Cornell University in October 2001 as well as other contributions. Contributors include DAVE POSTLES, JOHN GILLINGHAM, ALAN COOPER, THOMAS D. HILL, RICHARD ABELS, LYNN JONES, ASDIS EDILSDOTTIR, SAMANTHAT KAHN HERRICK, HENK TEUNIS, BERNARD S. BACHRACH.
An Oprah Book Club selection, Cry, the Beloved Country, the most famous and important novel in South Africa’s history, was an immediate worldwide bestseller in 1948. Alan Paton’s impassioned novel about a black man’s country under white man’s law is a work of searing beauty. Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or valley. For fear will rob him of all if he gives too much. The eminent literary critic Lewis Gannett wrote, “We have had many novels from statesmen and reformers, almost all bad; many novels from poets, almost all thin. In Alan Paton’s Cry, the Beloved Country the statesman, the poet and the novelist meet in a unique harmony.” Cry, the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son, Absalom, set against the background of a land and a people riven by racial injustice. Remarkable for its lyricism, unforgettable for character and incident, Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man.
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