Curiously practical—this no-nonsense blend of literary biography and self-help unravels how interesting life can be if only you could resist the impulse to rush through the mundane rituals of modern life. Every morning, Marcel Proust sipped his two cups of strong coffee with milk, ate a croissant from one boulangerie, dunking it in his coffee as he slowly read the day’s paper with great care—poring over each headline and section. Only Alain de Botton could have pulled so many useful insights from the oeuvre of one the world’s greatest literary masters. Fascinating and vital, How to Take Your Time will urge you to find the wisdom in defying “the self-satisfaction felt by ‘busy’ men—however idiotic their business—at ‘not having time’ to do what you are doing.” A Vintage Shorts Wellness selection. An ebook short.
The New York Times–bestselling author’s modern classic that “takes a conventional love story and textures it with philosophical ruminations” (Kirkus Reviews). A man and a woman meet over casual conversation on a flight from Paris to London, and so begins a love story—from first kiss to first argument, elation to heartbreak, and everything in between. Each stage of the relationship is illuminated with starling clarity, as novelist and philosopher Alain de Botton explores young love and its emotions, often felt but rarely understood. With a brilliant new introduction by Sheila Heti, the New York Times-bestselling author of How Should a Person Be?, On Love is a contemporary classic from an author “who seems to have been born to write” (The Boston Globe). “Smart and ironic…The book’s success has much to do with its beautifully modeled sentences, its wry humor, and its unwavering deadpan respect for the reader's intelligence.” —Francine Prose, New Republic “Witty, funny, sophisticated…full of wise and illuminating insights.” —P.J. Kavanagh, Spectator
In a novel that explores the realities of "being in love," two young people meet on a plane to Paris and embark on a love affair based on what they perceive as destiny. A first novel. Reader's Guide included. Reprint.
“There's no writer alive like de Botton” (Chicago Tribune), and now this internationally heralded author turns his attention to the insatiable human quest for status—a quest that has less to do with material comfort than love. Anyone who’s ever lost sleep over an unreturned phone call or the neighbor’s Lexus had better read Alain de Botton’s irresistibly clear-headed new book, immediately. For in its pages, a master explicator of our civilization and its discontents explores the notion that our pursuit of status is actually a pursuit of love, ranging through Western history and thought from St. Augustine to Andrew Carnegie and Machiavelli to Anthony Robbins. Whether it’s assessing the class-consciousness of Christianity or the convulsions of consumer capitalism, dueling or home-furnishing, Status Anxiety is infallibly entertaining. And when it examines the virtues of informed misanthropy, art appreciation, or walking a lobster on a leash, it is not only wise but helpful.
How does love survive and thrive in the long term? In Edinburgh, Rabih and Kirsten, fall in love, get married, have children. But this is their story after the first flush of infatuation. As Rabih and Kirsten reform their ideals under the pressures of an average existence, they discover that love is a skill that needs to be learned, and not just experienced.
A wise and utterly original book of travel essays from an international bestselling author that will “give one an expansive sense of wonder” (The Baltimore Sun). Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why. With the same intelligence and insouciant charm he brought to How Proust Can Save Your Life, de Botton considers the pleasures of anticipation; the allure of the exotic, and the value of noticing everything from a seascape in Barbados to the takeoffs at Heathrow. Even as de Botton takes the reader along on his own peregrinations, he also cites such distinguished fellow-travelers as Baudelaire, Wordsworth, Van Gogh, the biologist Alexander von Humboldt, and the 18th-century eccentric Xavier de Maistre, who catalogued the wonders of his bedroom. The Art of Travel is a “refreshing and profoundly readable" book (The Philadelphia Inquirer). Don’t leave home without it.
A bestselling author draws on the work of one of history’s most important writers to show us how to best live life in a book that’s "delightfully original.... A self-help book in the deepest sense of the term" (The New York Times). Alain de Botton combines two unlikely genres—literary biography and self-help manual—in the hilarious and unexpectedly practical How Proust Can Change Your Life. Who would have thought that Marcel Proust, one of the most important writers of our century, could provide us with such a rich source of insight into how best to live life? Proust understood that the essence and value of life was the sum of its everyday parts. As relevant today as they were at the turn of the century, Proust's life and work are transformed here into a no-nonsense guide to, among other things, enjoying your vacation, reviving a relationship, achieving original and unclichéd articulation, being a good host, recognizing love, and understanding why you should never sleep with someone on a first date. It took de Botton to find the inspirational in Proust's essays, letters and fiction and, perhaps even more surprising, to draw out a vivid and clarifying portrait of the master from between the lines of his work. Here is Proust as we have never seen or read him before: witty, intelligent, pragmatic. He might well change your life.
From the international bestselling author of The Architecture of Happiness and How Proust Can Change Your Life comes this lyrical, erudite look at our world of work. We spend most of our time at work, but what we do there rarely gets discussed in the sort of lyrical and descriptive prose our efforts surely deserve. Determined to correct this lapse, armed with a poetic perspective and his trademark philosophical sharpness, Alain de Botton heads out into the world of offices and factories, ready to take in the beauty, interest, and sheer strangeness of the modern workplace. De Botton spends time in and around some less familiar work environments, including warehouses, container ports, rocket launch pads, and power stations, and follows scientists, landscape painters, accountants, cookie manufacturers, therapists, entrepreneurs, and aircraft salesmen as they do their jobs. Along the way, de Botton tries to answer some of the most urgent questions we can pose about work: Why do we do it? What makes it pleasurable? What is its meaning? To what end do we daily exhaust not only ourselves but also our planet? Equally intrigued by work’s pleasures and its pains, Alain de Botton offers a characteristically lucid and witty tour of the working day and night, in a book sure to inspire a range of life-changing and wise thoughts.
Bestselling author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this witty, erudite look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks provocatively. With his trademark lucidity and humour, de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates with great wisdom how buildings — just like friends — can serve as guardians of our identity. Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life. The Architecture of Happiness marks a return to what Alain does best — taking on a subject whose allure is at once tantalizing and a little forbidding and offering to readers a completely beguiling and original exploration of the subject. As he did with Proust, philosophy, and travel, now he does with architecture.
From the internationally heralded author of How Proust Can Change Your Life comes a remarkable book that presents the wisdom of some of the greatest thinkers of the ages as advice for our day to day struggles. "A fine introduction the world of philosophy." —Newsweek Solace for the broken heart can be found in the words of Schopenhauer. The ancient Greek Epicurus has the wisest, and most affordable, solution to cash flow problems. A remedy for impotence lies in Montaigne. Seneca offers advice upon losing a job. And Nietzsche has shrewd counsel for everything from loneliness to illness. The Consolations of Philosophy is a book as accessibly erudite as it is useful and entertaining.
A man accused by women of narcissism tries to show more interest in his next one, only to discover women don't like too much attention either. A romantic comedy set in Britain by the author of On Love.
The news is everywhere. We can’t stop constantly checking it on our computer screens, but what is this doing to our minds? We are never really taught how to make sense of the torrent of news we face every day, writes Alain de Botton (author of the best-selling The Architecture of Happiness), but this has a huge impact on our sense of what matters and of how we should lead our lives. In his dazzling new book, de Botton takes twenty-five archetypal news stories—including an airplane crash, a murder, a celebrity interview and a political scandal—and submits them to unusually intense analysis with a view to helping us navigate our news-soaked age. He raises such questions as Why are disaster stories often so uplifting? What makes the love lives of celebrities so interesting? Why do we enjoy watching politicians being brought down? Why are upheavals in far-off lands often so boring? In The News: A User’s Manual, de Botton has written the ultimate guide for our frenzied era, certain to bring calm, understanding and a measure of sanity to our daily (perhaps even hourly) interactions with the news machine. (With black-and-white illustrations throughout.)
A novel on two young people in love who are trying to make a science of it. The protagonists are Eric and Alice, both in their twenties. He is in banking, she is in advertising. With graphs and charts.
Progress. It is one of the animating concepts of the modern era. From the Enlightenment onwards, the West has had an enduring belief that through the evolution of institutions, innovations, and ideas, the human condition is improving. This process is supposedly accelerating as new technologies, individual freedoms, and the spread of global norms empower individuals and societies around the world. But is progress inevitable? Its critics argue that human civilization has become different, not better, over the last two and a half centuries. What is seen as a breakthrough or innovation in one period becomes a setback or limitation in another. In short, progress is an ideology not a fact; a way of thinking about the world as opposed to a description of reality. In the seventeenth semi-annual Munk Debates, which was held in Toronto on November 6, 2015, pioneering cognitive scientist Steven Pinker and bestselling author Matt Ridley squared off against noted philosopher Alain de Botton and bestselling author Malcolm Gladwell to debate whether humankind’s best days lie ahead.
From the author of The Architecture of Happiness, a deeply moving meditation on how we can still benefit, without believing, from the wisdom, the beauty, and the consolatory power that religion has to offer. Alain de Botton was brought up in a committedly atheistic household, and though he was powerfully swayed by his parents' views, he underwent, in his mid-twenties, a crisis of faithlessness. His feelings of doubt about atheism had their origins in listening to Bach's cantatas, were further developed in the presence of certain Bellini Madonnas, and became overwhelming with an introduction to Zen architecture. However, it was not until his father's death -- buried under a Hebrew headstone in a Jewish cemetery because he had intriguingly omitted to make more secular arrangements -- that Alain began to face the full degree of his ambivalence regarding the views of religion that he had dutifully accepted. Why are we presented with the curious choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle and effective rituals and practices for which there is no equivalent in secular society? Why do we bristle at the mention of the word "morality"? Flee from the idea that art should be uplifting, or have an ethical purpose? Why don't we build temples? What mechanisms do we have for expressing gratitude? The challenge that de Botton addresses in his book: how to separate ideas and practices from the religious institutions that have laid claim to them. In Religion for Atheists is an argument to free our soul-related needs from the particular influence of religions, even if it is, paradoxically, the study of religion that will allow us to rediscover and rearticulate those needs.
In On Seeing and Noticing, Alain de Botton takes everyday concerns such as expressing sadness or being romantic and dispenses advice and observations based on the works of some of history's greatest writers, artists and thinkers.
From the Enlightenment onwards, the West has had an enduring belief that through the evolution of institutions, innovations, and ideas, the human condition is improving. This process is supposedly accelerating as new technologies, individual freedoms, and the spread of global norms empower individuals and societies around the world. But is progress inevitable? Its critics argue that human civilization has become different, not better, over the last two and a half centuries. What is seen as a breakthrough or innovation in one period becomes a setback or limitation in another. In short, progress is an ideology not a fact; a way of thinking about the world as opposed to a description of reality. So is the cup half full or half empty? As part of the Munk Debates series, held in Toronto biannually, pioneering cognitive scientist Steven Pinker and bestselling author Matt Ridley squared off against noted philosopher Alain de Botton and bestselling author Malcolm Gladwell, giving us an entertaining and thought-provoking face-off between four of the world's most renowned thinkers.
The bestselling author of The Architecture of Happiness and The Art of Travel spends a week at an airport in a wittily intriguing meditation on the "non-place" that he believes is the centre of our civilization. In the summer of 2009, Alain de Botton was invited by the owners of Heathrow airport to become their first ever writer-in-residence. Given unprecedented, unrestricted access to wander around one of the world's busiest airports, he met travellers from all over the globe, and spoke with everyone from baggage handlers to pilots, and senior executives to the airport chaplain. Based on these conversations he has produced this extraordinary meditation on the nature of travel, work, relationships, and our daily lives. Working with the renowned documentary photographer Richard Baker, he explores the magical and the mundane, and the interactions of travellers and workers all over this familiar but mysterious "non-place," which by definition we are eager to leave. Taking the reader through departures, "air-side," and the arrivals hall, de Botton shows with his usual combination of wit and wisdom that spending time in an airport can be more revealing than we might think.
Renowned philosophers & authors Alain de Botton & John Armstrong explore the therapeutic potential of art, contextualise fifty eight individual or groups of works in the NGV collection according to their potential to help & guide us with some of life's everyday problems: work, love, status, self worth & questions of morality.
In the summer of 2009, Alain de Botton will be invited by the owners of Heathrow airport to become their first ever Writer in Residence. He will be installed in the middle of Terminal 5 on a raised platform with a laptop connected to screens, enabling passengers to see what he is writing and to come and share their stories. He will meet travellers from around the world, and will be given unprecedented access to wander the airport and speak with everyone from window cleaners and baggage handlers to air traffic controllers and cabin crew. Working with the renowned documentary photographer Richard Baker, de Botton will produce an extraordinary meditation upon the nature of place, time, and our daily lives. He will explore the magical and the mundane, personal and collective experiences and the interactions of travellers and workers all over this familiar but mysterious site. Like all airports, Heathrow (the 15th century village of Heath Row lies beneath the short stay car park) is a 'non-place' that we by definition want to leave, but it also provides a window into many worlds - through the thousands of people it dispatches every day. A Week at the Airport is sure to delight de Botton's large following, and anyone interested in the stories behind the way we live.
THE SUNDAY TIMES TOP TEN BESTSELLER From one of our great thinkers on modern life and the human condition - an unforgettable story of love and marriage from the author of bestselling novel Essays in Love as well as The Consolations of Philosophy, Religion for Atheists and The School of Life 'The Course of Love probes the very heart of marriage, its shifts and squalls, its great adventure, with such forensic tenderness. I laughed a lot, too' Deborah Moggach Modern love is never easy. Society is obsessed with stories of romance, but what comes after happily ever after? This is a love story with a difference. From dating to marriage, from having kids to having affairs, it follows the progress of a single ordinary relationship: tender, messy, hilarious, painful, and entirely un-Romantic. It is a love story for the modern world, chronicling the daily intimacies, the blazing rows, the endless tiny gestures that make up a life shared between two people. Moving and deeply insightful, The Course of Love offers us a window into essential truths about the nature of love. 'Engaging, sympathetic, acutely perceptive... There's a refreshing honesty in what de Botton has to say' Guardian
Alain de Botton – een van de grootste hedendaagse denkers - probeert in ‘Statusangst’ onze universele faalangst te begrijpen - en hoe we die ten goede kunnen veranderen. In Statusangst onderzoekt Alain de Botton een verschijnsel waarmee iedereen in de westerse wereld op de een of andere manier te maken krijgt. Een gebrek aan waardering van onze medemens, een te grote afhankelijkheid van de mening van anderen; het zijn allemaal factoren die ons het gevoel kunnen geven tekort te schieten. In een samenleving waarin onze waarde wordt afgemeten aan onze materiële wapenfeiten en ons maatschappelijk aanzien, zijn we ons pijnlijk bewust van de noodzaak om te presteren. Statusangst is de prijs die we betalen voor de erkenning van dit voor iedereen zichtbare verschil tussen een succesvol en een onsuccesvol leven.
Flughäfen sind die Kathedralen unserer Gegenwart. Nachts sind die erleuchteten Landebahnen selbst vom Weltall aus zu sehen. Ihre Terminals sind Orte von Abschied und Ankunft, ihre Besucher träumen von Ferne, und jeder Luxus scheint duty free. Alain de Botton lebte als erste ›writer in residence‹ eine Woche lang in London Heathrow. Doch in Terminal 5 entdeckte er weniger Warten und Transit, als ein Brennglas unserer Gegenwart. In unzähligen Geschichten und Begegnungen entwickelt er das rasende Standbild unseres Lebens, ein leuchtendes Kapitel seiner Philosophie des Alltags. Eine Woche Heathrow – die Sehnsucht des Reisens und das Glück der Ankunft
In a novel that explores the realities of "being in love," two young people meet on a plane to Paris and embark on a love affair based on what they perceive as destiny. A first novel. Reader's Guide included. Reprint.
- First contemporary exhibition to be presented in the galleries of the Winter Palace, St Petersburg with Marc Quinn's works integrated amongst the Museum's 3,000-piece collection - Showcases existing works including Bread Sculptures (1988-1994), The Complete Marbles (1999-2005), and many more Marc Quinn is an internationally-celebrated British contemporary artist whose work includes sculpture, installation and painting. Quinn explores 'what it is to be human in the world today' and uses materials varying from blood, bread and flowers, to marble and stainless steel. In 2020 Quinn presents a major exhibition at The State Hermitage Museum in St Petersburg from 22 May to 23 August 2020 - the first contemporary exhibition to be presented in the galleries of the Winter Palace. This book accompanies the exhibition, and brings together around 70 works, including a number of new pieces created especially for the exhibition. Quinn's work uses the language of Classical sculpture to explore the fundamental subject of human existence, cultural perceptions of beauty and expressions of identity. Through interviews and essays, this publication discusses Marc Quinn's practice in the context of ancient and Classical sculpture, explore contemporary sculpture techniques and examine new charitable projects that engage with some of the most important issues of our times. Marc Quinn was born in 1964 in London, where he lives and works. He belongs to the Young British Artists group, which became famous in 1997 through the legendary Sensation exhibition of works from Charles Saatchi's collection. Quinn's pioneering sculpture was Self, a frozen sculpture of his head, made with 4.5 liters of his own blood, extracted over five months. In 2005 his statue of Alison Lapper, a woman born with no arms and severely shortened legs, attracted much attention. The 15-ton marble statue, exhibited from 2005 until 2007 on the Fourth Plinth in Trafalgar Square, was extremely controversial. With his materials and techniques, Quinn - who studied history of art at Robinson College, Cambridge, in the early 1980s - challenges the boundaries between art and science. Besides using ice, glass, metal, marble and lead, he has experimented with flowers and plants frozen in silicon in order to conserve the beauty of their full bloom. Many of Quinn's works are in the vanitas tradition, showing clear, concrete references to classic works of art history. Text in English and Russian. Germano Celant (born 1940 in Genoa) is an Italian art historian, critic and curator who coined the term 'Arte Povera' (poor art) in 1967 and wrote many articles and books on the subject. Adam David Rutherford is a British geneticist, author and broadcaster. He was an audio-visual content editor for the journal Nature for a decade, and is a frequent contributor to The Guardian. Alain de Botton was born in Zurich, Switzerland in 1969 and now lives in London. He is a writer of essayistic books that have been described as a 'philosophy of everyday life'. Mikhail Borisovich Piotrovsky is the director of the State Hermitage Museum in St Petersburg. He is an author of over 250 works on art history. Natela Tetruashvili - Curator, Contemporary Art Department, State Hermitage Museum. Dimitri Ozerkov - Director, Contemporary Art Department, State Hermitage Museum.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.