Der 3D-Film hat die Art, wie wir das Geschehen auf der Leinwand erleben, verändert. Einen Schritt weiter geht der stereoskopische Film, der nicht nur die Wahrnehmung der Zuschauer in neue Dimensionen führt, sondern auch die 3D-Filmproduktion revolutioniert. Die Hochschule für Film und Fernsehen „Konrad Wolf“ hat in einem interdisziplinären Filmprojekt Wirtschaft und Forschung zusammengebracht: Gemeinsam mit Profis der Filmbranche erarbeiteten Studenten und Absolventen Lösungsstrategien zu aktuellen technischen und ästhetischen Fragen der Stereoskopie und der s3D-Filmproduktion. Grundlage des Projekts bildete die wissenschaftliche Begleitung des s3D-Films „The Magician“, dessen Entstehung im Buch sowie durch eine s3D- und eine 2D-Produktion auf Blu-ray dokumentiert wurde.
Le vocabulaire indispensable du prêt-à-porter pour travailler dans la mode (vêtements, détails, bases de textiles, mercerie et accessoires) - Ouvrage illustré et bilingue. Avec plus de 1200 illustrations en couleurs, ce lexique Français-Anglais rassemble cinq grandes familles du vocabulaire de la mode : les vêtements classés par catégorie de forme, les détails de vêtements, les bases des textiles, la mercerie et les accessoires regroupant chapeaux, chaussures, sacs, ceintures et bretelles, cravates, écharpes, gants et lunettes. Chaque mot du lexique est enrichi par sa traduction phonétique en Français et en Anglais permettant ainsi d'assurer au lecteur sa bonne interprétation du mot dans le langage parlé. Fashion vocabulary glossary for garments, details, textiles basics, haberdashery and accessories. With over 1200 colour illustrations, this French-English lexicon gathers all the fashion vocabulary along with phonetic transcription in both langage, thus enabling the reader to pronounce the word correctly when speaking.
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects. Featuring more than sixty paintings highlighting the artists' full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers.
The first full biography of one of the greatest figures of eighteenth-century Europe, known in his time as the "Black Mozart" Virtually forgotten until now, his life is the stuff of legend. Born in 1739 in Guadeloupe to a slave mother and a French noble father, he became the finest swordsman of his age, an insider at the doomed court of Louis XVI, and, most of all, a virtuosic musician. A violinist, he directed the Olympic Society of Concerts, which was considered the finest in Europe in an age of great musicians, including Haydn, from whom he commissioned a symphony, and Mozart, to whom he was often compared. He also became the first Freemason of color, embracing the French Revolution with the belief that it would end the racism against which-despite his illustrious achievements-he struggled his whole life. This is the life of Joseph Bologne, known variously as Monsieur de Saint-George, the "Black Mozart," and, because of his origins, "the American." Alain Guédé offers a fascinating account of this extraordinary individual, whose musical compositions are at long last being revived and whose story will never again be forgotten.
From the late Middle Ages to THE MARRIAGE OF FIGARO to Mel Gibson's BRAVEHEART, the ultimate symbol of feudal barbarism has been the right of a feudal lord to sleep with the bride of a vassal on her wedding night. But here, in a fascinating case study of the folklore of sexuality, Alain Boureau elegantly demonstrates such tradition is a myth.
This book provides substantial background on what Adam Smith did during his stay in Toulouse and the Languedoc region of France during the 18th century. This is a crucial period in Smith’s life for at least two reasons: i) it is during this time that Smith began to work on The Wealth of Nations; and ii) it is generally understood that although some of his ideas about political economy were already formed before his trip, his encounters with many French political economists during his time in France helped him to further develop them. As such, this book provides a rich resource to further understanding Smith's world, his travel experiences and the people he met during this time and situates these within the broader context of Smith's life as a whole, and within the British aristocracy. This work will be of value to students and researchers in the history of economic thought, travel studies and Scottish studies.
Recent studies and exhibitions, combined with the discovery of work by hitherto little-known artists have enabled Merot to take a fresh look at the period and to suggest a new configuration. The great names of the period - Poussin, Vouet, Le Sueur, de La Tour, Mignard - are located in relation to other developments. Merot includes discussion of the impact of contemporary literature and political, philosophical and social influences. The foundation of the Royal Academy of Painting in 1648, and the influence of Mazarin on artistic developments are considered with other issues of status, patronage and connoisseurship. The book provides a panorama of the period; the text is profusely illustrated in colour, and accompanied by a comprehensive bibliography.
Our world is steeped in attitudes and concepts derived from a sacred worldview, and this book helps us understand why. Alain Cabantous shows that blasphemy is a battlefield where religious dogma and secular rule clash, with their respective agents (the priest and the judge) competing for the proper reaction to a variety of curses. The book takes us on a journey through the Christian West with braggarts, craftsmen, soldiers, sailors, and their coarse, forbidden exchanges. More than simply an exhaustive inventory of the uses of and bans on blasphemy, the book is a lively analysis of the relationship between the blasphemer, the machinery of language, and that of repression. Beginning with a review of acts and crimes of blasphemy in biblical times, including the second commandment's injunction against taking God's name in vain, Cabantous reviews the close relationship between religious authority and royal authority in the sixteenth century, when the king ruled by divine right and attacks against God were implicit attacks on the nature of kingship. Punishing blasphemy was a way for the king to rule as God's representative and an occasion for the church to take control of language. The narrative continues with an exploration of acts of blasphemy, as well as related acts of desecration and profanation, which were regarded as civil and religious offenses up to the French Revolution of 1789 and afterward. The book then explores blasphemy through the mid-nineteenth century, when Catholic opponents of the French Revolution claimed that revolution itself was a blasphemy and a profanation.
Originally published in 1918, this book contains the French text of Alain-René Lesage's satire Turcaret, written in the early eighteenth century. Thompson prefaces the comedy with a biography of Lesage and an analysis of his place in the canon of French playwrights alongside Molière. This book will be of value to anyone interested in eighteenth-century French drama or in the works of Lesage.
Ce fut a la fin du XVIe siecle, au moment ou Marseille retrouvait un statut et un role en Mediterranee que l'archipel maltais entra ""personnellement"" dans l'histoire. Chef-lieu de la contre-course chretienne, elle passa progressivement de l'influence espagnole a l'influence francaise. Tout naturellement Marseille et la Provence eurent avec elle des liens d'interets, principalement lies a l'armement en course. Dans cet ouvrage les auteurs examinent la relation commerciale et politique entre Malte et Marseille, ou les interets francais font de Malte un centre d'importance pour la marine de commerce provencale. Grace a l'etude des registres de lazaret et aux lettres consulaires recues de Marseille et de Toulon (dont les details sont reproduits dans le livre) par le charge d'affaires francais a Malte, ils nous amenent au c ur de cette Mediterranee du dix-huitieme siecle.
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