The complete story behind the groundbreaking film Rebel Without a Cause is vividly revealed in this fascinating book as provocative as the film itself. The revolutionary film Rebel Without a Cause has had a profound impact on both moviemaking and youth culture since its 1955 release, virtually giving birth to our concept of the American teenager. And the making of the movie was just as explosive for those involved. Against a backdrop of the Atomic Age and an old Hollywood studio system on the verge of collapse, four of Hollywood's most passionate artists had a cataclysmic and immensely influential meeting. James Dean, Natalie Wood, Sal Mineo, and director Nicholas Ray were each at a crucial point in their careers. The young actors were grappling with their fame, burgeoning sexuality, and increasingly reckless behavior, and their on- and off-set relationships ignited as they engaged in Ray’s vision of physical melees and psychosexual seductions of startling intensity. Through interviews with the surviving members of the cast and crew and firsthand access to both personal and studio archives, the authors reveal Rebel's true drama: the director’s affair with sixteen-year-old Wood, his tempestuous “spiritual marriage” with Dean, and his role in awakening the latent sexuality of Mineo, who would become the first gay teenager to appear on film. This searing account of the upheaval the four artists experienced in the wake of Rebel is complete with thirty photographs, including ten never-before-seen photos by famed Dean photographer Dennis Stock.
Psychosocial Impact of Polygamy in the Middle East is the first to deal with polygamy in the Middle East in a comprehensive way. This book fills a gap in the literature by addressing the question of the psychosocial impact of polygamy on all members of polygamous families by offering a new way of examining family structure, such as father-mother, father-children, mother-children relationships, and the relationships between offspring from different mothers. It introduces a model for intervention with polygamous families for scholars and practitioners. This book also explores Islam’s role in polygamy as well as the social and economic consequences of the phenomena.
This book provides a new critical perspective on questions of immigration and society in Israel through a detailed analysis of ethnic formation, identity patterns, political behavior, and cultural orientation among the 1990s immigrants from the former Soviet Union in Israel.
This book is a comprehensive overview of the recent developments in the clinical and research fields of multiple myeloma. It is divided into three main sections that cover a wide range of topics, including: epidemiology and pathogenesis of the disease, genetic targets and pathways, resistance to novel therapies, angiogenesis and anti-angiogenesis, hematopoietic stem cell transplantation, role of radiology and radiotherapy in myeloma, infectious complications, and management of multiple myeloma in resource-poor countries.
The complete story behind the groundbreaking film Rebel Without a Cause is vividly revealed in this fascinating book as provocative as the film itself. The revolutionary film Rebel Without a Cause has had a profound impact on both moviemaking and youth culture since its 1955 release, virtually giving birth to our concept of the American teenager. And the making of the movie was just as explosive for those involved. Against a backdrop of the Atomic Age and an old Hollywood studio system on the verge of collapse, four of Hollywood's most passionate artists had a cataclysmic and immensely influential meeting. James Dean, Natalie Wood, Sal Mineo, and director Nicholas Ray were each at a crucial point in their careers. The young actors were grappling with their fame, burgeoning sexuality, and increasingly reckless behavior, and their on- and off-set relationships ignited as they engaged in Ray’s vision of physical melees and psychosexual seductions of startling intensity. Through interviews with the surviving members of the cast and crew and firsthand access to both personal and studio archives, the authors reveal Rebel's true drama: the director’s affair with sixteen-year-old Wood, his tempestuous “spiritual marriage” with Dean, and his role in awakening the latent sexuality of Mineo, who would become the first gay teenager to appear on film. This searing account of the upheaval the four artists experienced in the wake of Rebel is complete with thirty photographs, including ten never-before-seen photos by famed Dean photographer Dennis Stock.
“Ghazzali,” says Tholuck, “if ever any man have deserved the name, was truly a divine, and he may justly he placed on a level with Origen, so remarkable was he for learning and ingenuity, and gifted with such a rare faculty for the skillful and worthy exposition of doctrine. All that is good, noble and sublime, which his great soul had compassed, he bestowed upon Mohammedanism; and he adorned the doctrines of the Koran with so much piety and learning, that, in the form given them by him, they seem in my opinion worthy the assent of Christians. Whatsoever was most excellent in the philosophy of Aristotle or in the Soofi mysticism, he discreetly adapted to the Mohammedan theology. From every school, he sought the means of shedding light and honor upon religion; while his sincere piety and lofty conscientiousness imparted to all his writings a sacred majesty. He was the first of Mohammedan divines.”
The 12th-century Islamic thinker Al Ghazzali began his career as a professor in Baghdad. Over time, however, he realized that philosophy, math, and science were inadequate to answer the spiritual questions that vexed him. He left his post and began a two-year search for truth. The Confessions of Al Ghazzali is his autobiography and the result of what he learned during his quest. In it, he argues that while philosophy and the sciences are necessary for solving earthly matters, only Sufism is capable of deciphering the ultimate mystery. This brief treatise, translated into English for the first time by Claud Field and published in 1909, is filled with illuminating analogies and clear explanations that will please the student of Islam and the academically curious. Islamic theologian, philosopher, and mystic ABOU HAMID MUHAMMED IBN MUHAMMAD AL GHAZZALI (1058-1111) is widely considered to be one of Islam's most preeminent scholars. A prolific writer, Al Ghazzali's works include treatises on theology, Sufism, philosophy, jurisprudence, and logic.
The Mishkat Al-Anwar, literally translated "The Niche for Lights," is a theological and philosophical sufi text by the well-known Muhammad Al-Ghazzali. Though the exact date of its writing is unknown, it was authored after his opus Ihya' ulum al-din, or Revival of Religious Sciences. The work focuses on expanding upon the meaning behind a verse in the Qu'ran--the Light Verse (S. 24, 35)--and upon the Veils Tradition in Islam. The book is divided into three sections; in the first Al-Ghazzali deconstructs the word "light" and all its meanings, in the second he discusses the symbolic language in the Qu'ran and Muslim traditions, and in the third he applies his findings to the verse and tradition itself. ABU HAMED MUHAMMAD IBN MUHAMMAD AL-GHAZZALI (1058-1111)was a Persian Islamic philosopher, theologian, psychologist, and mystic, known today as one of the most famous Sunni scholars in history, sometimes cited as next-in-importance only to Muhammad. Born in Tus, Al-Ghazzali was a pioneer of methodic doubt; his work The Incoherence of Philosophers shifted early Islamic philosophy from metaphysics to the theory of occasionalism, an Islamic doctrine that states cause-and-effect is controlled by God. He also succeeded in bringing orthodox Islam in contact with Sufism. The author of more than 70 books on various subjects, his influence continues to stretch far and wide even today.
The Comparative Study of Religions, interesting as a form of intellectual research, has for many a further value in the influence it may exert upon the widening and the deepening of the religious life. The practical value may become more and more acknowledged, if, as signs suggest, the reality of the religious experience is more keenly felt and mankind recognise the place of religious goods in the highest type of life. Though it is certainly premature to say that there is much serious acknowledgement and recognition of these values amongst the peoples of the world, there are reasons to think that tendencies of thought and feeling in this direction are increasing in power. One of the best means of aiding the Comparative Study of Religions and promoting these tendencies is by the publication of important books connected with the religions, representing the views of leading thinkers and saints. If we turn to Islam, we find that some Western writers describe it as in a condition of progressive decay, while others would have us believe that its onward march is a menace. It is well to be able to avoid the obvious purpose which lies behind both contentions. Nevertheless, to the present writer it appears true to say that there is much stagnation in Islam (In which religion is there not?), and that its spirit is often lost and its real teachings neglected owing to the general use of Arabic in the recitation of the Quran by persons entirely ignorant of that language, and also to the prevalent mechanical conception of the character of the Quran as a form of divine revelation. We believe that the Comparative Study of Religions will help to turn the attention of Muslims away from these to the emphasising of the essential spirit of Islam. This should be central and normative in the rising movements of reform and rejuvenescence. In this connection, as bringing out this spirit, it is especially appropriate, both for the students of the religions and for those directly interested in the spiritual revival in Islam, to publish in an easily accessible form some of the religious and moral teachings of Ghazzali. A Western scholar has written of him that he is “the greatest, certainly the most sympathetic figure in the history of Islam ... the only teacher of the after generations ever put by Muslims on a level with the four great Imams.” And he goes on to remark further; “In the renaissance of Islam which is now rising to view, his time will come and the new life will proceed from a renewed study of his works.” But Dieterici says of him: “As a despairing sceptic he springs suicidally into the all-God (i.e. all-pervading deity of the Pantheists) to kill all scientific reflection.” To justify such a judgment would indeed be impossible if the whole course of Ghazzali’s works is taken into consideration. The greatest eulogy is perhaps that of Tholuck: “All that is good, worthy, and sublime, which his great soul had compassed, he bestowed upon Muhammedanism, and he adorned the doctrines of the Quran with so much piety and learning that in the form given them by him they seem, in my opinion, worthy of the assent of Christians. Whatsoever was most excellent in the philosophy of Aristotle or in the Sufi mysticism, he discreetly adapted to the Muhammedan theology. From every school he sought the means of shedding light and honour upon religion, while his sincere piety and lofty conscientiousness imparted to all his writings a sacred majesty.”
Abu Hamid Mohammad ibn Mohammad Al-Ghazali (1058-1111), known as Algazel to the western medieval world, was born and died in Tus, in the Khorasan province of Persia (modern day Iran). He was a Muslim theologian, jurist, philosopher, psychologist and mystic of Persian origin and remains one of the most celebrated scholars in the history of Sufi Islamic thought. He is considered a pioneer of the methods of doubt and skepticism, and in one of his major works, The Incoherence of the Philosophers, he changed the course of early Islamic philosophy, shifting it away from the influence of ancient Greek and Hellenistic philosophy, and towards cause-and-effect that were determined by Allah. He received many titles such as Sharaful A'emma, Zainuddin and Hujjatul Islam, meaning "Proof of Islam." The autobiography Ghazali wrote towards the end of his life, The Confessions of Al-Ghazali: Rescuer from Error is considered a work of great importance. Another of Ghazali's major works is Ihya al-Ulum al-Din or Ihya'ul Ulumuddin (The Revival of Religious Sciences). It covers almost all fields of Islamic sciences: fiqh (Islamic jurisprudence), kalam (theology) and sufism.
Abu Hamid Muhammad al-Ghazzali (1058-1111) is one of the most important religious figures in Islamic history. He is particularly noted for his brilliant synthesis of mysticism and traditional Sunni Islam. Ghazzali's "The Alchemy of Happiness", written toward the end of his life, provides a succinct introduction to both the theory and practice of Sufism (Islamic mysticism). It thus offers many insights into traditional Muslim society. This translation is fully annotated for readers unfamiliar with Ghazzali and includes an introduction to his life and historical milieu.
Centuries after his death, al-Ghazali remains one of the most influential figures of the Islamic intellectual tradition. Although he is best known for his Incoherence of the Philosophers, Moderation in Belief is his most profound work of philosophical theology. In it, he offers what scholars consider to be the best defense of the Ash'arite school of Islamic theology that gained acceptance within orthodox Sunni theology in the twelfth century, though he also diverges from Ash'arism with his more rationalist approach to the Quran. Together with The Incoherence of the Philosophers, Moderation in Belief informs many subsequent theological debates, and its influence extends beyond the Islamic tradition, informing broader questions within Western philosophical and theological thought. The first complete English-language edition of Moderation in Belief, this new annotated translation by Aladdin M. Yaqub draws on the most esteemed critical editions of the Arabic texts and offers detailed commentary that analyzes and reconstructs the arguments found in the work’s four treatises. Explanations of the historical and intellectual background of the texts also enable readers with a limited knowledge of classical Arabic to fully explore al-Ghazali and this foundational text for the first time. With the recent resurgence of interest in Islamic philosophy and the conflict between philosophy and religion, this new translation will be a welcome addition to the scholarship.
I seek Allahs refuge from the knowledge which is of no benefit". This disciple of Imam Ghazali (RA) kept thinking along these lines for a few days and then wrote a letter to Imam Ghazali (RA) with the view of getting an answer to his dilemma along with some other questions. Furthermore, he asked in his letter to Imam Ghazali (RA) for some advice and to teach him a supplication that he could always recite. He wrote in his letter that although Imam Ghazali (RA) has written numerous books on this issue, this weak individual is in need of something that he could always study and always act upon its injunctions. In reply to his letter, Imam Ghazali (RA) sent him the following advices.
Al-Ghazali was one of the great Muslim theologians. In this book the author provides a translation of some of his works, including his spiritual autobiography. Al-Ghazali's description of his own emergence from scepticism anticipates the philosophical method of systematic doubt employed by Descartes. Another work translated here sets out Al-Ghazali's ideal of how a religious person should order his life from hour to hour and day to day.
One of the great works of mystical religious literature, the Kimiya-i-Sa'adaat strove to bring man closer to understanding God by helping him understand himself. These excerpts from that work, by a strikingly original thinker on Islam who lived and wrote in the 11th century, were first published in 1910. They serve as a potent reminder of how powerful an influence Al-Ghazzali had upon religious philosophers of the Middle Ages, both Christian and Islamic. With its wise and warmly humanistic outlook, this little book may well foster a new measure of understanding in the current philosophical battle between the religious traditions of East and West. Also available from Cosimo Classics: Field's Shadows Cast Before and Jewish Legends of the Middle Ages. ABU HAMED MUHAMMAD IBN MUHAMMAD AL-GHAZZALI (1058-1111)was a Persian Islamic philosopher, theologian, psychologist, and mystic, known today as one of the most famous Sunni scholars in history, sometimes cited as next-in-importance only to Muhammad. Born in Tus, Al-Ghazzali was a pioneer of methodic doubt; his work The Incoherence of Philosophers shifted early Islamic philosophy from metaphysics to the theory of occasionalism, an Islamic doctrine that states cause-and-effect is controlled by God. He also succeeded in bringing orthodox Islam in contact with Sufism. The author of more than 70 books on various subjects, his influence continues to stretch far and wide even today.
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