Book Summary The Great Depression (1929-1942) brought unbearable hardships to millions of Americans from all walks of life. A job, food and a place to rest at night were difficult to come by. Having an even tougher time were thousands of unfortunate German immigrants, who came to America hoping to escape the debilitating economic conditions that existed in Europe, only to discover that their misery had followed them across the wide Atlantic. Many honest Germans discovered that they were forced to resort to lives of crime in order to survive. This is the tragic tale of four of these immigrants.
On the night of October 12, 1913, a beautiful and popular high school sophomore was murdered in the peaceful community of Hagerstown, Maryland. Upon discovering that her mentally-disturbed sixteen-year-old son Emil was the killer, Gretchen Heider was forced to make a choice. She could turn her son over to the authorities. Or she could conceal the truth. Unfortunately Gretchen Heider made the wrong decision. However she had made her catch-22 choice out of love for her son. The murders continued. Eight years later Gretchen Heider was faced with a similar dilemma. Would she be able to save her son from a society ill-equipped to deal with the mentally-disturbed? This is the story of Emil Heider.
Dadgummit! Why is it that every criminal who runs afoul of Baltimore chief of police Paul Marlowe scampers down south of US 1 and ends up in Lenoir County, North Carolina, where he becomes the problem of Lenoir County district attorney Newt Wildman? It is 1933, and the South is full of wannabe John Dillingers. The cast of thieves and murderers includes two larcenous bank officers, a beautiful female bank employee, and a German immigrant stooge down on his luck and willing to commit two brazen murdersfor the right price, of course. The chase is on in this eleventh tale of the popular Coastal Plain Mystery Series.
This anthology is an amalgam of the authors output in the domains of interpretation, translation, and literary scholarship. It is a serious attempt to highlight the cardinal traits common to said fields. This research is a vested trek into the inner workings of the authors profession; interpretation and translation, as well as his standing engagement with literary genres throughout the ages. The books uniqueness resides in treating a diversity of matters interrelated in various ways, although on the surface it appears to make up a queer admixture of dissimilar elementshence the title, Convergences. Interpretation and translation are twin vocations, and between them, convergence is all encompassing. Both transform a message from a source to a target language. Complementary and mutually supportive as they are, yet there is a train of difference in the execution of these two inseparable professions: the method, nature and techniques involved in each. Interpretation is the instantaneous, the simultaneous, in a word the express mode of communication; and translation is the meditative, the slow or the local medium of correspondence. Concomitantly, literature is the crucible for teleologically permeable convergences and incredible divergences. It has a noble ontological message and brings out humanitys hidden treasures, experiences, thoughts, and choices. Literatures lofty missive is grounded in understanding the scenes, events, and characters it depicts excerpts of which feed into discourses to be interpreted and translated. Clients come up with multiple interpretations depending on circumstances and the context in which texts are couched.
First published in 1935, Queen Elizabeth and Her Subjects presents a comprehensive history of the Elizabethan Age. Most of the sketches in the book were with exception of the last, originally delivered as talks for the B.B.C. The main bulk of the book, Chapters II-IX, consists of the series on "Queen Elizabeth’s Subjects" delivered in spring of 1934; of which Chapter III, V, VII and IX are by G, B. Harrison and the rest are by A.L. Rowse. It brings topics such as William Cecil and Lord Burghley; women of the Queen’s court; Cardinal Allen; three Elizabethan actors: Alleyn, Richard Burbage and Will Kemp and The Elizabethan Age. This book is a must read for students and scholars of British history.
Power! Intrigue! Deceit! The Rev. Dr. Amy Johnson, an ardent feminist, felt empowered by her call to be the Senior Pastor of the large First Presbyterian Church of Whispering Oaks. Now, nineteen months later, she's less sure as she faces intrigue and deceit that test her faith. To find closure, both spiritual and emotional, she must confront the abuse of power by an unknown person intent on manipulating and controlling her while she continues to struggle with feelings of guilt over her husband's death.
Our saga began with a mysterious hit-and-run accident on a narrow, snow-swept highway in eastern North Carolina at 7:15 p.m. on December 20, 1920. It ended three months later in a hail of gunfire on the fourth-deck passageway of a Panama-bound steamship in Baltimore harbor. Could these two seminal events relate to the presumed accidental deaths of seventeen elderly residents of five rural North Carolina Coastal Plain counties, each of whom just happened to be the last surviving member of his or her line? The authorities were mystified. Perhaps the reader should not expect a happy ending. Interesting? Immensely. Predictable? Absolutely not. Another page-turner? Most assuredly.
The complete story behind the groundbreaking film Rebel Without a Cause is vividly revealed in this fascinating book as provocative as the film itself. The revolutionary film Rebel Without a Cause has had a profound impact on both moviemaking and youth culture since its 1955 release, virtually giving birth to our concept of the American teenager. And the making of the movie was just as explosive for those involved. Against a backdrop of the Atomic Age and an old Hollywood studio system on the verge of collapse, four of Hollywood's most passionate artists had a cataclysmic and immensely influential meeting. James Dean, Natalie Wood, Sal Mineo, and director Nicholas Ray were each at a crucial point in their careers. The young actors were grappling with their fame, burgeoning sexuality, and increasingly reckless behavior, and their on- and off-set relationships ignited as they engaged in Ray’s vision of physical melees and psychosexual seductions of startling intensity. Through interviews with the surviving members of the cast and crew and firsthand access to both personal and studio archives, the authors reveal Rebel's true drama: the director’s affair with sixteen-year-old Wood, his tempestuous “spiritual marriage” with Dean, and his role in awakening the latent sexuality of Mineo, who would become the first gay teenager to appear on film. This searing account of the upheaval the four artists experienced in the wake of Rebel is complete with thirty photographs, including ten never-before-seen photos by famed Dean photographer Dennis Stock.
Each book in this series aims to provide a concise analysis of complex issues and problems in A level modern history topics. Using supporting documentation, the books give students an account of historical facts and an understanding of the central themes and differing interpretations. conception in the late 18th century until its resolution in the peace settlement following World War I. Accompanying documents provide an insight into the thinking of European statesmen during this period.
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