Memoirs of Ruth Abraham (née Fromm, born in 1913 in Löbau, Western Prussia) and her rescuer Maria Nickel (born in 1910 in Berlin), told in the first person but written by the authors (Debra Galant conducted the initial interviews with Ruth Abraham). The youngest of five girls, Ruth went, in the early 1930s, to live with her sisters in Berlin. In February 1938 she traveled to Palestine to visit a sister, but returned to Germany in June. She then met and married Walter Abraham in January 1939. In March 1941, forced labor began; Ruth worked for a company making aspirin, and Walter's assignments changed from day to day. In spring 1942, when Ruth became pregnant, she and her husband went into hiding. She was helped from this point on by Maria Nickel, who has been recognized by Yad Vashem as a Righteous among the Nations. With Maria's aid, the Abrahams and their infant daughter Reha, who co-authored this book with her husband, hid in various places until the end of the war. In 1948 they immigrated to the USA. In 2000, Ruth Abraham, whose parents and one sister perished in the Holocaust, travelled with her family to Germany to celebrate Maria's 90th birthday.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Rutherford G. Montgomery (writing as Al Avery) published this series of exciting military adventures in the early years of World War II. These books were initially aimed at a teenage audience, though they are enjoyed by all ages today.
Featuring twenty major works of European poetry over a period of a thousand years, this collection charts the development of verse from the fall of the Roman Empire to the birth of the Renaissance. Contrary to popular belief, the poetry of the Dark Ages enjoyed a pioneering development, exploring new metres and complex imagery. Throughout the Middle Ages, poetry adopted numerous forms across the continent, from the epic greatness of the ‘chanson de geste’ to the sublime lyrical qualities of love poetry. This eBook provides a rich sample of medieval poetry; from the earliest dawn of English literature to the unparalleled brilliance of Dante; from the courtly adventures of Arthurian legend to the stirring lays of the Vikings; from the Eastern magic of Georgia to the ribald genius of Chaucer; this collection will immerse you in the perilous, amusing and tantalising world of the Middle Ages. (Version 1) * Beautifully illustrated with images relating to the poets’ lives and works * Concise introductions to the works * Most of the poems appear with their original medieval texts, as well as an English translation — ideal for students * Images of how the original manuscripts first appeared, giving your eReader a taste of the medieval texts * Excellent formatting of the poems * Easily locate the sections you want to read * Features three critical works on the development of medieval literature * Scholarly ordering of texts into chronological order Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: Medieval Poetry Hymn by Cædmon (7th century) Christ II by Cynewulf (8th century) (Tr. Raymond Wilson Chambers) Beowulf (c.1000) (Tr. William Morris) The Song of Roland (c. 1050) (Tr. C. K. Moncreiff) The Poem of the Cid (c. 1140) (Tr. Robert Southey) Chronicle of the Norman Conquest from ‘Roman de Rou’ by Wace (c. 1170) (Tr. Edgar Taylor) Yvain, the Knight of the Lion by Chrétien de Troyes (c. 1180) (Tr. William Wistar Comfort) Parzival by Wolfram von Eschenbach (c. 1210) (Tr. Jessie Weston) The Troubadours (1100-1350) by H. J. Chaytor The Knight in the Panther’s Skin by Shota Rustaveli (c. 1190) (Tr. Marjory Wardrop) The Song of the Nibelungs (c. 1200) (Tr. Daniel Bussier Shumway) Lays of Marie de France (c. 1210) (Tr. Eugene Mason) The Romance of the Rose by Guillaume de Lorris [PARTIAL TRANSLATION] (c. 1230) (Tr. Geoffrey Chaucer) Poetic Edda (c. 13th century) (Tr. Benjamin Thorpe) Wine, Women and Song: Mediæval Latin Students’ Songs (c. 13th century) (Tr. John Addington Symonds) The Divine Comedy by Dante Alighieri (1320) (Tr. H. F. Cary) Sir Gawain and the Green Knight (c. 1375) (Tr. Jessie Weston) Sonnets by Francesco Petrarca (c. 1374) (Tr. Thomas Campbell) Piers Plowman by William Langland (c. 1380) Edited by Thomas Wright The Canterbury Tales by Geoffrey Chaucer (c. 1400) The Criticism The Flourishing of Romance and the Rise of Allegory by George Saintsbury Medieval English Literature by W. P. Ker Epic and Romance: Essays on Medieval Literature by W. P. Ker Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
This Glossary provides terminology thought to be helpful in describing dolmens and their subtle complex and artistic design. Detailed descriptions help define their Types and possibly variations that are significant to their use. Describing their location and place in the megalithic landscape may help to determine the culture and rituals that played out in the megalithic landscape.
Spinning directly out of AXIS! Sam Wilson is Captain America, and when he assembles the Mighty Avengers, he has a whole new mission in mind for Earth's Mightiest Heroes. But the events of AXIS already spell doom for the team's new direction! Why is Luke Cage meeting with the head of the notorious Cortex corporation? Once, Luke was a hero for anyone who needed help -but now, the only one Luke' helping is himself! Will Luke' marriage survive his inversion? As Spider-Man tries to rejoin the group, Captain America gets fed up with the team he re-formed -and alongside Iron Man, declares war on the Mighty Avengers! Meanwhile, as AXIS tears the team apart, Power Man and White Tiger investigate the brutal murder of Gideon Mace! Collecting: Captain America & the Mighty Avengers #1-7.
The novel Black Talon, is a story of the intelligence war against worldwide terrorism and the people who are fighting this war. In Frankfurt, Germany, a new terrorist network has emerged, a splinter group of Al Queda. They are well along in their plans to launch a worldwide military strike against several North American and European targets with devastating weapons that they believe will bring down Western civilization in one blow. There are two main characters among a group of many. The first is an agent of the Central Intelligence Agency based in Frankfurt and the other is an FBI agent located in Dallas Texas. As the intelligence agencies of the Western powers become more aware of the plans of the terrorists they launch an all out search for the weapons they have laid in place or are about to place. The book is fast moving and riveting to the reader with the action taking place in such places as France, Spain, America, Istanbul and Algeria. Interlaced with the story and concerning the two main characters are romantic entanglements that take on some prominence. The race is on to find the weapons and time is running out. If the terrorists succeed in delivering their weapons the leaders of the Western powers know that they must retaliate with punishing blows to those who carried out the attacks and to those who supported them.
The Haunt font overfloweth! Collecting issues #15–#17 and #4–#6 of the classic horror series, and features gorgeous new digital colors—using Marie Severin’s original palette as a guide, this volume includes unforgettable stories drawn by all-star comic artists Johnny Craig, Al Feldstein, Harvey Kurtzman, Harry Harrison, Wallace Wood, Graham Ingles, Jack Kamen, and Jack Davis!
The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.
There is no escape from The Ultimate Reich! The terrifying Luftwaffe, on their steam-driven wings, have torn apart the sleepy town of Pasito in the heart of Mexico, only to rebuild it as a terrifying clockwork-town where the people become human robots, furthering the nightmare dreams of the Fuhrer. General Eisenberg and his sociopathic son Alexis control this paradise of horrors. But they are unprepared for the return of a man the desert claimed nine long years ago, a man who has returned from the doors of death and the depths of madness to bring his terrible fury upon their world. With the slash of a sword and a laugh that lights up the night, the man in the bloodstained mask cuts his way through the hopeless, endless routines of the clockwork men to bring new hope to the people. He defies death! He defies man! No trap can hold the masked daredevil, the saint of ghosts men know as El Sombra!
PULP IS DEAD... Or so we're told. Those dusty, cheaply printed paperbacks you knew and loved of old have lost their relevance. People don't want fast-paced adventure! They want dreary ten-volume collections of thousand-page tomes recounting the lives of the introspective and self-doubting. And yet a quick glance at the shelves today shows the spirit of action and heroism is alive and well in the modern imagination. Abaddon presents three of their best stories of derring-do, relentless violence and sheer pluck. In Simon Spurrier's The Culled, a special ops soldier murders his way across a post-apocalyptic continent to find the one he loves. In Al Ewing's El Sombra, a maddened poet, left for dead in the desert, returns as a laughing angel of vengeance to destroy the Ultimate Reich. And in Pat Kelleher's Black Hand Gang, a "pal's batallion" of WWI Tommies is plucked from the Somme and dropped in a world of ghastly aliens and sudden death.
“My name is John Doe. I’ve been dead for ten years.” I have no heartbeat, no breath, no smell, just cold, clammy flesh animated by something I don’t understand. So I sell my dead flesh to the highest bidder. If the price is right, I’ll kill for you, steal for you, or save your life for you. There’s no mystery you can’t hire me to solve... apart from this one. The bent copper torn apart in his flat by something not quite human. The hidden rooms underneath the Tower of London. The hollow-eyed boxer, Morse, and strange, strange Mr Smith with his head full of the future. And the secret they found. The secret of who I am. A secret so big and black and terrible that it changed everything we thought we knew about existence. And now I’m the only person who can stop the end of all life on this planet... ...I, Zombie!
Three nineteen-year-olds: an Indian, a German and an African ́prince ́, thrown together by fate, share a tiny Soho apartment in hippie London. There they enjoy their music and new found freedom until prejudice, the drug mafia, the Secret Service and the Summer of Love ruins it for them.
In Ancient Sumeria, a woman's desire for sexual sovereignty and radical vision of civic plurality draws the anger and outrage of the male status quo and unleashes catastrophe onto her city and her body. The seminal Lamentation for the Destruction of the City of Ur is the first poem written for a civic entity -- a city -- in the history of mankind. Writing scenes across multiple timelines that stretch from 2000 BC, to the European Imperialist fantasies of the late 19th Century, to the ISIS destruction of Palmyra in 2015, to a distorted Utopian vision of the future, Al Bassam's play is a riot of imagination and poetic archaeology, exploring themes of iconoclasm, civic space and feminine apotheosis. UR evokes the utopia and destruction of one of humanity's oldest cities, and is played by an ensemble composed of four Arabic actors working alongside four members of the Residenztheater ensemble.
(Applause Books). The creator of Story Theater , the original director of Second City , and one of the greatest popularizers of improvisational theater, Paul Sills has assembled some of his favorite adaptations from world literature. Includes: The Blue Light and Other Stories, A Christmas Carol (Dickens), Stories of God, Rumi .
This sweeping novel depicts the intertwined lives of an assortment of Egyptians--Muslims and Copts, northerners and southerners, men and women--as they begin to settle in Egypt's great second city, and explores how the Second World War, starting in supposedly faraway Europe, comes crashing down on them, affecting their lives in fateful ways. Central to the novel is the story of a striking friendship between Sheikh Magd al-Din, a devout Muslim with peasant roots in northern Egypt, and Dimyan, a Copt with roots in southern Egypt, in their journey of survival and self-discovery. Woven around this narrative are the stories of other characters, in the city, in the villages, or in the faraway desert, closer to the fields of combat. And then there is the story of Alexandria itself, as written by history, as experienced by its denizens, and as touched by the war. Throughout, the author captures the cadences of everyday life in the Alexandria of the early 1940s, and boldly explores the often delicate question of religious differences in depth and on more than one level. No One Sleeps in Alexandria adds an authentically Egyptian vision of Alexandria to the many literary--but mainly Western--Alexandrias we know already: it may be the same space in which Cavafy, Forster, and Durrell move but it is certainly not the same world.
An anthology of thought-provoking ideas and practical insights on the weekly Torah portion. Includes helpful review questions and answers on every parashah.
Mit einer kritischen Edition des Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn des Aḥmad b. Maḥmūd b. Abī Bakr Nūr ad-Dīn aṣ-Ṣābūnī al-Ḥanafī al-Buḫārī (gest. 580/1184)
Mit einer kritischen Edition des Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn des Aḥmad b. Maḥmūd b. Abī Bakr Nūr ad-Dīn aṣ-Ṣābūnī al-Ḥanafī al-Buḫārī (gest. 580/1184)
In this volume, Angelika Brodersen examines how elements of Māturīdite tradition and processes of transformation occur in Nūr al-Dīn al-Ṣābūnī’s Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn, which contributed to the consolidation of the Māturīdiyya as a Sunni school. Im vorliegenden Band untersucht Angelika Brodersen, wie sich im Kitāb al-Kifāya fī l-hidāya fī uṣūl ad-dīn, des māturīditischen Gelehrten Nūr ad-Dīn aṣ-Ṣābūnī sowohl Elemente māturīditischer Tradition als auch Transformationsprozesse verfolgen lassen, die zur Konsolidierung der Māturīdiyya als sunnitische Schulrichtung beitrugen.
In 1933, shortly after assuming the office of president, Franklin D. Roosevelt became convinced that, Adolf Hitler would have to be got rid of if there was to be any assured peace in Europe. Upon being informed of Roosevelts veiled threat, on July 17, 1934 Hitler met with Reichsfuhrer SS Heinrich Himmler. Together they hatched a bold plot to assassinate the American president. The audacious venture would come to an end on the rain-swept deck of German Navy submarine U-575 off the coast of North Carolina shortly after midnight on November 13, 1935. This is the story of the fearless Nazi assassin charged with leading this secret mission, and the brave German-American woman who stood in his way.
A GALAXY SPANNING ADVENTURE ! Doc Thunder ? the gold-bearded, bronze-muscled Hero of New York ? in his last stand against a deadly foe whose true identity will shock you to your core! El Sombra ? the masked avenger, the laughing killer they call the Saint of Ghosts ? in his final battle against the forces of the Ultimate Reich! The Scion of Tomorrow, the steel-clad Locomotive Man, in a showdown with cosmic science on the prairies of the Old West! Jacob Steele, the time-lost gunfighter, defends the 25th Century against the massed armies of the Space Satan! And a deadly duel of minds and might between the Red King and Red Queen in the mystery palaces of One Million AD!
Wisdom of the Martians of Science refers to five scientists whose brilliance contributed to shaping the modern world. John von Neumann was a pioneer of the modern computer; Theodore von Kármán was the scientist behind the US Air Force; Leo Szilard initiated the development of nuclear weapons; the Nobel laureate Eugene P Wigner was the world's first nuclear engineer; and Edward Teller was the father of the hydrogen bomb. They were born and raised in Budapest, were forced out of Hungary and then from Germany, they became Americans, and devoted themselves to the defense of the United States and the Free World. They contributed significant discoveries to fundamental science ranging from the properties of materials to the application of the symmetry principle in physics, to creating information theory, to game theory. The areas in which we can learn about their wisdom include applications of science to past, present and future real-world needs; defense; education; environment; human nature; humor; politics; religion; weather modification, and others. This book shows the wisdom of the Martians by presenting their thoughts and ideas in their own words and placing them into context. Their wisdom is intriguing, witty, provocative and thought provoking. It extended over many aspects of life and culture that impinge on our existence. While we cannot always agree with what they say, they are never boring. The power of their words and their philosophies will inspire the readers to pursue their own dreams."--
The book is an insightful and thorough examination of one of the most prominent political dramatists in the US today, Tony Kushner, and his theatricalization of politics. Moreover, it draws heavily on Kushner’s wide range of themes and techniques. As such, it will be beneficial for graduate students and scholars who are concerned with the realm of contemporary American drama at the threshold of the twenty-first century. In addition, the book will appeal to anyone who wants a deeper understanding of Kushner and his major influences such as Bertolt Brecht, and will also be valuable for readers with a general interest in American drama. This book is primarily concerned with exploring and analyzing political discourse as dramatized in the work of Tony Kushner. The author’s point of departure is the concept of political theatre as developed by Erwin Piscator and Bertolt Brecht. This theoretical exploration serves a double purpose: first, it is meant to provide a statement of the definitions and concepts central to this study, such as political discourse, political theatre, and postmodern theatre; second, it offers the tools of analysis by which to read and analyze Tony Kushner’s postmodern, politically-oriented texts. Through this, the book defines the major features of Kushner’s postmodern theatre and explores how he theatricalizes politics. American drama in the 1980s and the 1990s witnessed a noticeable thematic shift from the exclusively personal plays and musicals that once dominated American theatre for a long period of time to an increasing number of plays which put greater emphasis on exploring issues and questions of socio-political interest. As a result of this thematic shift, the predominantly private settings and familial character relationships of the traditional family play have been replaced by a great variety of public settings and non-familial characters. Tony Kushner’s theatre is a pioneering attempt in this respect. In Kushner’s theatre, there is no room for the traditional family plays which dominated the American stage in the 1960s and 1970s. Kushner has found that there is not enough political discourse in contemporary American Theatre. For this reason, he writes his plays to shed special light on the politics of American society in the 1980s, the 1990s, and in the beginnings of the 21st century.
George Evans was a master of the aviation war story. This collection includes all of his highly-acclaimed stories for Aces High, EC’s famous air war title. As a bonus, we present a rarity: Evans’ never-before-reprinted 3-D story of World War I ace Frank Luke (in regular, easy-on-the-eyes 2-D). This volume also includes numerous Evans crime and shock stories, including “As Ye Sow…,” “…My Brother’s Keeper,” and “Cadillac Fever.” Other war stories, many done in collaboration with Harvey Kurtzman, include “Napoleon!” and “Flaming Coffins” (which Evans wrote, about the inherent perils of WW I aircraft). Like all books in the Fantagraphics EC line, Aces High features essays and notes by EC experts on these superbly crafted, classic comic book masterpieces.
In Germany in the early 1930s the Nazis began rounding up Jews and other undesirables for deportation to concentration camps. The most expensive diamonds were confiscated from these prisoners and shipped to a large collection center south of Berlin. Thirty-six Jewish concentration camp jewelers are assigned the task of appraising these gemstones, that would be used as collateral for Hitlers prosecution of the war. A Yank, a Brit and a band of German patriots devise an audacious scheme to retake the greatest concentration of diamonds in the world. The plans success is threatened, however, when the groups leader suspects a traitor in their midst, turning the mission into a tangled web of intrigue and betrayal.
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