In an Arkansas women's prison bathroom with her mother, girlchild Neicy scratches on the cold tile floor as activity in the adjacent stall establishes the emphatic sexuality that permeates her life. A successful actress in her forties, she is pretty, smart, caring, and committed to social justice, but still sexually self-destructive and confused about love and intimacy. When her promising Broadway career collapses, she plunges into a dark night of the soul. What is the value of worldly achievement measured against true self-worth? How does magnificent physical connection become conscious and lasting human union? Neicy's pain is tempered by friendships, faith, humor and grace. Everything edges to a riotous climax when she travels on a "transform or die" mission to her wise, dapper stepfather's seventy-ninth birthday party. Thoughtful, infused with spirituality, and inventive about how unconscious material seeps into everyday life, NEICY compels us to examine difficult sexual issues -- promiscuity, repression, abuse, powerlessness, and fear -- and points the way to enlightened sexual celebration.
In the last few decades African-American women have experienced a revival of spirituality and creative force, fashioning a unique way to connect with the divine. In "Soul Talk", Akasha Gloria Hull examines this multifaceted spirituality that has both fostered personal healing and functioned as a formidable weapon against racism and social injustice.
Focusing on the lives and writings of Alice Dunbar-Nelson, Angelina Weld Grimke, and Georgia Douglas Johnson, the author examines the overall place of women in the Harlem Renaissance, and the intersection of gender and race in their poetry. Hull chose these women not only because of their unique individualities, but because they represent black women/writers struggling against unfavorable odds to create their personal and artistic selves. She demonstrates the linkages among the three writers and how each one in turn interacted with other leading black women fiction writers such as Nella Larson and Jessie Fanset. She also examines the significance of these three women poets as literary ancestors to Gwendolyn Brooks, Mari Evans, Nikki Giovanni, Audre Lourde, and Sonia Sanchez. ISBN 0-253-34974-5: $29.95; ISBN 0-253-20430-5 (pbk.): $10.95.
The Works of Alice Dunbar-Nelson offers a unique glimpse at the diverse roots of black women's writing in America. Ranging from autobiographical short stories to poetry, novellas, and journalism, Dunbar-Nelson's powerful work is marked by themes of opposition, difference, and the crossing of racial bounderies that made her work potentially too dangerous for her contemporary readers, but dominate much of writing today"--From publisher's description.
Focusing on the lives and writings of Alice Dunbar-Nelson, Angelina Weld Grimke, and Georgia Douglas Johnson, the author examines the overall place of women in the Harlem Renaissance, and the intersection of gender and race in their poetry. Hull chose these women not only because of their unique individualities, but because they represent black women/writers struggling against unfavorable odds to create their personal and artistic selves. She demonstrates the linkages among the three writers and how each one in turn interacted with other leading black women fiction writers such as Nella Larson and Jessie Fanset. She also examines the significance of these three women poets as literary ancestors to Gwendolyn Brooks, Mari Evans, Nikki Giovanni, Audre Lourde, and Sonia Sanchez. ISBN 0-253-34974-5: $29.95; ISBN 0-253-20430-5 (pbk.): $10.95.
In the last few decades African-American women have experienced a revival of spirituality and creative force, fashioning a unique way to connect with the divine. In "Soul Talk", Akasha Gloria Hull examines this multifaceted spirituality that has both fostered personal healing and functioned as a formidable weapon against racism and social injustice.
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